The ritual varied minimally among tribes, and Dr. Perry knew more or less what to expect from it. Knowing and experiencing, though, were two very different things. She watched the preparations with the dread of a condemned prisoner, which she might as well have been, minus the execution.
They brought buckets of water from the river and set up the frame on which they'd display her, and readied the saddle that symbolized the virility of the tribe. They cut switches from olive trees, and Herodes prepared poultices over the fire, some to feed her and some with which to paint her. They hadn't been caught unprepared; the university's intelligence from the coastal tribes had revealed that this tribe had released its previous captive, pregnant, only weeks ago and had made the initial preparations to take on another.
Attalos came to check on her often and treated her much as one would treat a spooked horse: he made soft noises and stroked her back. She liked him. She belonged to the whole tribe, but they believed, or else acted like, each captive woman had given herself in particular to the first man who had touched her, and the man generally acted accordingly. If a captive fell in love with a tribesman, it was most often the man in this role that she fell in love with, and regardless of her reaction, they tended to have a special bond -- no matter how tenuous or adversarial -- that the man tried to nurture. Attalos would use Dr. Perry more than any other man, and he would be both her comforter tonight and the first one between her legs. When they moved camp, she would travel leashed to him.
He inspected her gently each time he visited, and slowly brought his attention to more intimate areas of her body, getting to know her. This too seemed like part of the ritual; it was structured, presumably to give her a chance to calm herself as his attentions grew more and more invasive. He looked into her eyes and at her teeth, under her arms, palpated her breasts and sides, examined her hands and feet and abdomen, and on the final visit he laid her back, and with one hand on the side of the yoke to keep her in place, brushed his fingers into the folds of her vulva and looked at it closely, with an almost clinical interest. He leaned down and took a whiff, to Dr. Perry's embarrassment, but seemed to find nothing unexceptional about her, and then turned his attention back to the rest of her body. She lay, awkward and tense, on his pallet while he ran his hands over her.
The smell of cooking duck wafted in from the campfire outside, and Dr. Perry's stomach growled. Attalos put his hand on her navel in acknowledgement and said something in a gentle tone, then got up and left her where she lay. She struggled to sit up again, but couldn't do it on her own, and had little choice but to wait where she was.
He returned awhile later with Bardas, and together they got her to her feet. She tried hard not to panic, and though they had to tug her ahead to get her to move, she mostly succeeded. The sun had set, and the only light came from the campfire, which the men were sitting around, eating. Fatty strips of duck were drying on stone in an indirect heat, and Dr. Perry's stomach growled again. She wouldn't eat for another hour or two at least; her first food was part of the ritual, and there was a lot to come before that.
Bardas and Attalos brought her to the frame. It was a small contraption made of two poles with forks at the top, and they looked thoughtfully both at her and the poles, and lowered them slightly. When they tied her yoke into the forked ends of the poles, she was immobilized, and stood on display, with her hobbled feet planted on the ground and unable to move independently. She wouldn't be harmed, she knew, but like a public speaking engagement, it was terrifying; one didn't have to be in danger of being ripped apart by one's audience to be afraid.
Off to the side, one of the men -- Elpides -- brought out an aulos and began to play something that seemed inappropriately jaunty until Dr. Perry reminded herself that this was a happy occasion for all involved except her. She tried to steel herself again.
Think about how much dick you're going to be getting from all these hot men
, she thought, and she was not surprised to find that it didn't help at all. Below her waist, her nervous system had taken her fear and run with it. She'd never been so turned on in her life. This was a complicated situation, and she wondered if real rape victims felt like this. And then she thought,
I am a real rape victim
. Wasn't she? If she had been able to back out, she would have stopped this, if not at her capture then certainly at the point where they were cutting her clothes off.
As her initial captors, Attalos and Bardas had starring roles in the ritual. By the firelight, they bathed her with cold river water and perfumed soap, and then oiled her body with the olive oil they bought from the women's settlements. Her skin glistened in the light. It was Herodes's turn, then, to paint her body, and he traced the ritualistic symbols on her: fertility on her pelvic mound, milk on her breasts, libido on her inner thighs and servitude on her neck. The poultice tingled. It would stain like henna. She didn't know if this was one of the tribes that would reapply it over and over, but she did know she could expect to receive a tattoo the following day; she wasn't going to get out of this unmarked.