"…So this building was built in 1887. Originally, it was a sanatorium, although 'sanatorium' might be a little euphemistic; it was, in fact, an institution where affluent families sent family members suffering from 'psychoses' to 'recuperate' outside of the public eye. The intentions were laudable — comparatively — but in terms of modern standards the level of care provided was… Well, a tad barbaric perhaps. Not long after the turn of the century the sanatorium went bankrupt and the building was abandoned…
"Hold on a moment, I'm going to go ahead to make sure the entrance hall has no patients being moved. Enjoy this lovely autumn sun while you wait; I won't be long."
"They really are dead serious about privacy." Anna noted.
"Little wonder, if what the director— sorry, she insists on being called 'directrix' doesn't she? If what the
directrix
said about the type of people committed here as patients is true… CEOs of megacorporations, eccentric millionaires… And not just men either…"
"And you, Sean." she laughed.
Anna and Sean were being given a personal tour of Anánke — the
Anánke Psychosexual Institute for the Treatment of Exceptional Paraphiliac Disorders
, in full — by directrix Kovaleva. The impressive old building where this extraordinary institution was housed stood in a remote location nestled within the densely forested foothills of the Carpathian Mountains, some 90 kilometres South of Lviv. The dark brick walls with its tall windows gave the building an imposing presence; a presence further augmented by the guarded gateway in front of which they now stood.
While the institute's history was undoubtedly fascinating, and despite the relaxed welcome, Sean was nervous. Anna and Sean did not come here as tourists after all. The directrix had invited them over to ascertain Sean's fitness to be committed to the institute. Sean was healthy, physically active, stable, financially independent, en on top of that married to a handsome, intelligent wife. Yet beneath this facade an intense kinky desire lingered.
"I'm frankly amazed something like this even exists." Sean said.
"Yeah. It's right exclusive too. We wouldn't even be here without our in."
"That 'in' being your rich boyfriend Lars."
"Being, Lars, my
bull
, being the man who, unlike you, gets to fuck me silly. Besides, the two of you are friends. You're just teasing because you're jealous, which… is exactly what turns you on."
Sean felt his penis harden to the, quite limited, extent this was possible in the metal chastity cage he wore on an almost permanent basis — and for which only Anna held the key — and he conceded the point.
Anna and Sean were no beginners in facilitating each others, divergent, sexual preferences. Soon after the fell in love, their shared interest in BDSM was revealed, and, rather awkwardly, their mutual sexually submissive nature. For Sean a fantasy of strict compulsory chastity was a stepping stone for a gradual escalation towards actually wearing a chastity device almost constantly. Toying around with a novelty plastic sex toy intended for a little foreplay ended with a bespoke stainless steel chastity cage which effectively (quite effectively) prevented having an erection; never mind being able to masturbate or using his member to penetrate Anna. The Prince Albert piercing he had placed for this purpose, goaded by Anna, further enhanced the security of the device, preventing him from pulling his member out without the key.
As his keyholder, Anna lovingly obliged, but was initially hesitant to take it to the level of permanent chastity; she was quite fond of Sean's penis for her own pleasure. Conveniently, her own fantasies provide a pragmatic solution. The idea of getting fucked by other men appealed to her — actually dominant men, to be precise. If Sean could indulge his submissiveness in this way, this would be with the explicit consequence of her sleeping with other men. A practical approach which worked out well for this submissive couple.
"Would you follow me now?"
Straight, shoulder length dark hair and a white lab coat worn over timelessly elegant skirt suit lent the directrix an impressive appearance. Even without the half rim metal frame of her glasses and the clipboard holding the essentials submitted by Anna and Sean for their visit, she had an air of authority about her — which she nevertheless employed to put the couple at ease. She preceded the couple through the gates into the entrance hall.
"Djákuju, Ludmila"
The tour commenced in the entrance hall, where nurse Ludmila retook her post at the security desk. The directrix briefly explained about the camera surveillance, the strict protocols governing access to the various wards, and the composition of the staff. Next she took the couple to one of the wards in the building not currently in use.
"This is a quiet time of year for us. At the moment only one of our wards is in use for patients committed here. Fortunately, this gives me the opportunity to show you around without intruding on our patients' privacy. Discretion, as you can appreciate, is the cornerstone of our reputation."
They walked along a large hall lined with steel doors, and fitted with an overhead walkway. Everything about this place exuded that this was were people could be safely and effectively held against their will.
"After the Russian Revolution this building was declared a possession of the state, with an eye on turning it into an exile for those intellectuals still insisting on advancing ideas unsanctioned by the party. As far as we've been able to ascertain, preparations were made, but the plan was never put into motion. They did however appoint a young janitor in 1927, who moved in with his wife.
"For years they lived here undisturbed, performing the upkeep necessary to maintain this building. The authorities eventually lost interest in this property, but the janitor was never fired and — this we found out later — neatly declared his yearly budget and was actually reimbursed until well into 1991! Well, that was how some things were done back in those days. It did result in this building being mostly kept from the ravages of time."
Directrix Kovaleva led the couple to one of the rooms — a 'room' which looked more like a proper cell because of the heavy steel door. It was a neat, clean, bare room with a hospital bed fitted with a foldaway side in the middle and a steel storage cabinet lining one of the walls. At a second glance Sean noted that the mattress was fitted with a mint green rubber mattress protector instead of a cotton bedsheet. However had a hand in choosing the colours for this room must have been fond of a rather
vintage
minimalist medical-institutional palette of mild beiges and green accents, but Sean had his focus elsewhere. His full attention was on the wide leather belts hanging over the edge of bed. As to the purpose of these, Sean had no doubts.
"During their stay each patient has their own bedroom. In order to grant the patient an unimpeded sleep, they are dressed in our standard sleeping gear which is comprised of the usual absorbent garment, comfortable pyjamas, and an eye mask. To prevent unwarranted wandering about, the patient is restrained to the bed with these belts at the ankles and thighs, and using this harness for the upper body. We use these special mittens to fixate the patients arms at the wrist.
"When a patient is taken ill and needs to recuperate in the infirmary the same gear is used — naturally, adjusted as needed depending on the nature of the ailment. Of course if for whatever reason the patient's physical health demands it, their stay will be aborted, and should the medical care of our own team be insufficient, a transfer to the regional hospital will be effected. We have several scenarios prepared for these, and…"
"Sean?"
Hearing Anna call him quickly pulled Sean back to reality. She had followed the directrix to the next room while Sean remained staring at the leather belts as in a trance. He quickly rejoined the others with a gesture of apology.
"Every patient remains in their own personal suite for most of the time. We tend to use this one here for the so-called 'suite test' because of its secluded location in this ward." the directrix continued. "During the evaluation stay we test the patient's ability to handle their seclusion here; both the physical and mental aspects. So this is essentially the basis of our therapy: isolation, helplessness, no responsibilities nor distractions. The patient is merely required to be."
Standing on the threshold, Sean looked in feeling equal measures of shame and fascination, and he promptly concluded that 'suite' was, in any case, a bit of a misnomer. This was a cell. A cell completely covered in padded walnut leather. It was as if someone had crossbred a late nineteenth century prison with a Chesterfield sofa. Even the door was clad in this material. The sole light in this room came from dimmed, indirect light sources recessed somewhere along the high ceiling. Despite of this the cell looked invitingly comfortable.
"Oh good, nurse Alina is here. Are you ready for your test stay in this suite Sean?"