This will make more sense if you have read the preceding parts.
Chloe seems hardly aware of what is happening, eyes unfocused as she is fed yet another little treat sweet (which she takes with unthinking gratitude), then quickly tidied up, her hair brushed, make-up retouched, hands once again cuffed at the back of her neck and then led, walking this time (tottering might be a more accurate word), with the chain again doing its degrading job of encouraging her to move as directed by cutting into her sex; sensitised by the strong orgasms, the intensity of this is sharp, and when the chain pulls tight as she stumbles a little, she moans and gasps out loud, unable to hold her emotion in check, earning a slap on her newly tenderised buttock from Miss A;
"Quiet yourself now, pretty, or I might just forget myself and give you a couple across the tits right here."
This brings high-pitched titters from the bimbos, and a new flush of humiliation and tears that have to be blinked away.
"That's better; good little cunt."
A little rush of resentment now: no matter what Chloe has consented to in terms of Lord K's treatment of her, no matter what her arrangement with M and D, no matter that, on Lord K's explicit instruction, she has allowed this sharp-tongued bitch to cane her, no matter that they made her come; none of this gives her the right to make such threats! No right at all!
But this tiny mental revolt just brings more humiliation, as a new tug on the chain has Chloe meekly hastening to step along, just as is desired of her, even though this will set her breasts swinging so very obviously, and she finds herself having to grit her teeth to keep from crying out again - obeying Miss A, repressing her own needs, being obedient, even to a minion, trotting along like a well-trained pet...
She bites her lip: how have things moved so fast? How has she been brought to..
But there's no time to think, to get her mind clear, to even address these questions, for they have reached the reception area, the door leading to Lord K's office, and Chloe is brought up against a pressing reality; M is inside; M, whom Chloe has just taken a whipping for, then been brought humiliatingly to orgasm by strangers while helpless, too; her throat constricts; it becomes critical to her that she can see how M looks at her, that this look be approving - or at least complacent, needing to be sure that this hasn't all been some cruel con-trick, some stupid bet - a sneering joke at the expense of the stupid girl from the sticks.
At the same time, she wants - needs - to be what they want her to be, needs to make them see that she is not just a witless innocent - that she wants to be here - for them; for M.
But what
do
they want? Proud slut? Destroyed sobbing wreck? Abashed young innocent? Words from that intense and disturbing conversation in the street came back to her;
"Concentrate on walking elegantly - keep your thighs apart; hands by your sides or behind your back."
That was it - that's what they wanted - elegant but enticing. Chloe panics a little - how can she achieve this in the slutty harness, her wrists cuffed, her legs trembling so, marks of the whip across her body?
There is no time to agonise - she must do it - right now!
Seemingly automatically, Chloe's body takes over, knows what to do, and does it; straightens her back, settles her wrists more centrally behind her neck, and concentrates on walking as well as she knows how in the high heels, on pulling her shoulders back to shamelessly emphasise her breasts, on fighting the urge to cringe, on displaying herself very obviously to these people, inviting them to use her, offering herself in her vulnerability. To ignore the voice of sanity in her head, yelling at her that this can't lead anywhere good, that she needs to get out before it gets worse, while she still can.
Only, she didn't want to get out, she thought, when she saw them - M and D sitting relaxed in club chairs, Lord K leaning against his desk, looking around at the sound of the door; instead, she finds herself overwhelmed by a helpless, needy lust; they
are
serious; deadly serious. Her belly does a flip. This is not going to end here.
Something changes in her then; a quiver passes through her. Shaking, but deliberately displaying herself without reserve - a young woman who has allowed herself to be cruelly caned for their entertainment, worse than naked, cuffed, shamefully led by a chain which bites into her most private, tender folds, Chloe offers herself.
Some things are gone from her, it becomes clear; suddenly far off - tiny black-and-white snapshots of another life; her girlhood, her silly daydreams of a normal life, a career.
At the same time, something that has been suppressed is let loose; a hunger for intensity beyond anything she has imagined, a need - need that requires her complete submission to something more powerful, more extreme than she could attain by herself .. she's at the same time exalted and terrified, proud and wanting to fall to her knees, trembling with this revelation: she needs them all to want her; they're so casually powerful, so confident, so strong-willed and clear, so much more important than she, vague little Chloe from the country.
It was so incredible to have the chance to see this life, to be part of it; the best part, too - the part where you were the centre of attention, and got made to have wonderful orgasms...
All of which is evident to M and D as old hands at this sort of thing, and they exchange complacent little grins - their judgement has been proved accurate once again.
Lord K is more active - he strides forward, grasps the leash, irresistibly drags Chloe into the centre of the room, then puts a hand directly to her sex, invading her there, investigating her with matter-of-fact and ungentle fingers, finding her well lubricated, at which he grins; "Ha!", while Chloe reacts in more conflicted ways, moaning, bucking her hips, drowning in shame.
Pulling out, he slaps her smartly between the legs, directly on her tender mons, not really hard, but shocking her immeasurably, bringing a weak yelp and simultaneously making obvious to all the depth of her soft, submissive determination to stay open and accepting; worse, Chloe knows that her struggle to control herself, to remain open, vulnerable, keep her face from scrunching up in pain or shame (as well it might) - that this struggle, her self-repression, is plain to read from her face.
[Indeed, M and D once again exchange cool, knowing smiles; this one, it seems, is really quite a find.]
Imperiously waving the bimbos and Miss A out, K wraps an arm across Chloe's chest, grasps her shoulder and bends her sharply backward, his other hand lifting the thigh closest to him right up, opening her wide, twisting her unceremoniously so that the light is on her groin, her sex spread, without the slightest thought for her comfort, still less her dignity, as she's taken completely off balance, relying entirely upon him to stop her falling awkwardly, gasping in shock, her heart skittering as she is lewdly displayed to M and D, who look on, entirely relaxed, languidly interested;
"Much better now it's been trimmed, eh, ladies?"
D replies; "Very much so, my Lord, like an arrow pointing straight at the useful part - admirably clear as to what this little one is made for."
And these words, shocking and crude as they are, seem somehow like praise to Chloe, so needy is she, in her thoroughly destabilised state, and she finds herself moving her knees apart, wanting to offer her sex the more obviously, to be clearly willing.
Her reward is patronising laughter and Lord K saying;
"Look at the pretty filly whoring herself, the tart - you'll have to tie up the dogs tonight, ladies - God alone knows how far this one would go to get fucked!"