Woman of the Forest 04
Rite of the First Night - The Countess Devana
"Lada, who with her husband Lado, make the marriage of our People sacred and good, accept our humble and poor gifts."
The young couple knelt, heads bowed, in the grove sacred to their gods. Knelt, but not together. At opposite ends of the grove. Their voices carried through the trees and joined in the center of the grove.
Both were barefoot, as was proper on sacred ground; both were otherwise fully clothed, dressed from ankle to neck, wrist to shoulder, as prescribed by the laws. Their heads were uncovered. Both wore their hair long and unbound, as a symbol of their purity.
Their birds of offering flew to the center of the grove...to mate...the birds were joined now for life.
Watching, seeing from her tower far above, but unseen by the young people, the Countess Devana, thought to herself, "this is a good omen, these are good omens, their voices join in the sacred grove, their offerings find each other and mate. Tonight, will be a proper joining of two for the continuation of their people."
After the ceremony in the sacred grove, the betrothed bathed, separately in the sacred pools. The maiden in the Pool of the Maidens. The young man (our people have no name for an unmarried male, but all others are husbands, or father, grandfather, or uncle) in the Pool of Lado.
The maiden is attended by her female relatives, the male, by his male relatives. This occasion is not as solemn as the rite in the grove, it is for frivolity for jesting for imparting of what wisdom the others have to the betrothed.
Neither female nor male, ever saw another person naked. Their people, while not prudish, were very modest. The wedding bathing party, for so it was a party, was a legitimate time for communal nakedness.
Zora was embarrassed, yet her excitement overrode her shyness. According to custom, her sisters disrobed her prior to the bathing, then the sisters disrobed their mother, and then removed their own garments.
Her eldest sister, Myrene, was several years older than Zara. She had been married for several winters and had one little girl.
Olenna was the youngest of the daughters of Verka, the mother of the three daughters.
The only other woman present was Verka, but she was never spoken to by that name, not even by her husband Janko; at least, not in public. What couples call each other in private is their business.
To her daughters and all others, she was Matka CΓ³rek, Mother of Daughters.
Verka was a stern but loving mother; her daughters were all diligent workers. Like Verka, Zara and Myrene were lean, small breasted, long limbed, supple and wiry. Their buttocks were well rounded, but otherwise, they were not the ideal female of myth.
No goddess-like breasts or narrow waists. Their noses were long and their cheeks hollow. While not humorless, their demeanor exuded loyalty, duty, and order.
Olenna, by contrast, was very like her father, Janko. Where he was a bull of a man in stature and lust, Olenna was large and rounded, firm and voluptuous. A saucy tongue and a careless nature were her way.
Olenna, except for her somewhat frivolous nature, appeared to an outsider to be more mature than she actually was. Verka's eyebrows rose in consternation, as she observed Olenna spending entirely too much time bathing her abundant pubic hair and washing for an indelicately long period between her legs.
The Mother of Daughters was relieved, by Myrene's bawdy remonstration of Olenna. "Olenna, we know you, it is not your time of the month, and you have no need as a virgin to wash a man's seed from your pussy, so you must be pleasuring yourself."
It was out of character for Myrene, or any of Verka's daughters to speak thus, but it was a tradition of the bridal bath to speak frankly about such things. Myrene, as the eldest daughter, had broken the ice and the scene descended into one of indecent storytelling and joking.
Illarion, the virgin male (the local vernacular for his status literally translated) was technically correct in this label. In some ways, he was more like Janko, his bride's father-- a robust young man, stoutly built but in no way fat; he was apprenticed to his father Dragomir, the expert blacksmith of the county, along with his brothers, Miroslav, and Casimir.
Illarion was the youngest of the brothers, his elder brothers both married. It was tradition that the eldest siblings be married before the younger. In some families, this was a cause of strife, but not with Ilarion's or Zara's.
There was no ceremony about the disrobing for the men's bath, they all stripped off and jumped into the pool. Except that Illarion hesitated. The tenting of his robe gave away the reason why.
"Save that for Zara, you will have no use for that stiffness here." That was from his father who had just emerged from the pool, sputtering and dripping water all over the stones that encircled the pool.
"Besides, once you enter into the pool, it will shrink anyway," joked Miroslav, who had also just emerged from the icy waters and laughingly displayed his shrunken male parts.
"Oh get over yourself, and get in," grumbled Casimir.
And Illarion did, still wearing his white robe which floated to the surface after his deep dive. Illarion was by far the best diver and swimmer of the family, maybe the county. The pool was nothing compared to the deep, wild river swimming that many of the county enjoyed for sport...but not usually this early in the season.
Dragomir listened to this, and other foolishness mostly in silence. He was not a melancholy man, but he was respected as a serious man, whose few words were worth listening to. This day, he was grateful to the gods that Illarion had made it to a wedding day without disgracing himself, his family, or the maiden, Zara.
For the wedding itself, the ceremony was simple. After the bathing, each party to the marriage, separately, were anointed with the sacred oil of the People, usually an oil scented with balsam for the male and a floral scent for the female, but this was not necessary or obligatory; the oil was, that is, but the choice of scent was entirely personal.
Then the betrothed were dressed by their attendants, usually the ones they shared the ritual bath with. A gift of the Countess was closest to their skins, usually the first fine underwear, or underwear of any sort, either had ever worn. Then fine hose for both gathering below the knee with garters of leather or ribbon. Their hair worn long by both was tied back, beneath a crown of twisted holly.
The male was then given fine-leather leggings, tied to an ornate silver-studded belt. A ceremonial apron covered his front and rear, embroidered with the crest of the county-- a circle of pines with the Countess's tower in the center.
Some of the elders resented the pride of place that the Countess took in these ceremonies. But folklore reminded all that centuries before the Countess, this night would be the Night of the Lord of the county. All maidens were to be enjoyed by the Lord of the county before they could consummate their union with their betrothed.
The ego of the Countess and her clear generosity were benign by comparison,
The bride wore a curious split skirt or rather voluminous pantaloons that, if it were not for the fine undergarments, left her sex and her bottom exposed. This area was also covered by an identical apron.
The upper garments for both in the wedding couple were handmade by the mothers; the bride's mother would sew and embroider the groom's shirt, and the groom's mother would embroider the bride's.
The basis of the garment was a linen shirt of similar pattern for both in the wedding couple, the natural color of the linen enhanced with traditional design passed down through generations. Some of the symbols were religious, with depictions of Lada and Lado, others were evocations of nature or the skills each party brought to the marriage.
The elaborate symbolism of some of the designs barely hid the frankly sexual nature of their message.
The entire wedding party proceeded barefoot up the paved path to the Countess's castle. The most sacred part of the ceremony had nothing to do with the Countess. At the base of the hill, and beneath the castle was a grotto, sacred to the People for millennia, the Countess Devana was expressly forbidden from entry as she was not a native of the county, but one imposed by the gods to rule the People.
Ancient wizards had charmed the space, so even the Countess's deep seeing eye could not penetrate. Only the wedding couple would enter, only the wedding couple knew what had transpired. This was the secret of every couple of the People. Their marriage was theirs. How they joined as a couple, what vows they took, this was the secret of the grotto. Because nothing of the Countess could enter the grotto, there was a private ante room where they were stripped by their attendants of all their finery. They would then enter the grotto with only their crown made from the plants of the county.
The attendants would wait to robe them when they emerged. There was no set time, no expectation. The only rule was that they must appear before sunset.
In less than fifteen minutes, Zara and Illarion appeared from the grotto clutching each other closely, guarding each other's modesty, looking chilled to the bone from the grotto's damp, dank depths, but also glowing with an immense joy.
There now being no secrets between them, they were robed by their attendants together. The aprons being reversed to show not the countess's coat of arms but the symbols of the new family that they had just created-- the hammer of the forge, the sigil of Illarion's family, and the Hollyhock, a sigil of Zara's family.
The rest of the family and many from their village now joined them to swell the procession to the gates of the castle. The tradition was to stage a mock storming of the castle. On reaching the castle, the massive gates closed against the 'mob'. The wedding crowd stormed the gates with a rousing chorus of "the People have come; the castle is ours!" The Countess's men dressed in parade uniforms, not battle armor, fended them off with rose petals.
Finally the Countess, herself, 'surrendered' but not to the mob, but to 'true love' and allowed the new couple entry, to the huzzahs of the throng. Their victory won the crowd, as they stayed back. They would be provided food and drink by the castle guards, while they sat vigil on the wedding night, a holdover from the ancient days where the people had to be sure the lord returned the bride, after he had had his way with her.
Awestruck, Zara and Illarion entered the keep. At the gate house, they were gifted with silk slippers and escorted to their banquet.