The first guitar riffs of 'Runaround Sue' begin playing, "Here's my story it's sad but true, it's about a girl that I once knew, she took my love and ran around with every guy in town!"
"Ladies, and you so-called gentleman, please give a big Jiggly Room welcome to our feature dancer, DAISY DUWELL!"
The notes kick in, as the five-foot-five, petite blonde bursts through the curtain with a wild raw sexual charisma that seems to radiate off the triple-D bimbo, named Daisy. Her slutty makeup applied expertly to draw attention to her plump lips and pale-blue eyes.
"Hey, hey. Whoa (bum de hey, de hey, de hey, hey) Whoa (bum de hey, de hey, de hey, hey) Whoa (bum de hey, de hey, de hey) La, la, la, la. Whoa (hey, hey, bum de hey, de hey, de hey, hey) (Bum de hey, de hey, de hey, hey) (Bum de hey, de hey, de hey) (Ah)" *song lyrics*
Dressed like a '50s housewife, the Donna Reed inspired dress is obscenely shorter than anything Donna Reid ever wore, Daisy's mincing-like steps and exaggerated hip-sways show that the old adage about being built for sex is true, and that Daisy's a Formula One car of being built for sex. The white dress with vibrant black polka dots swirls around the pretty blonde, flashing her black panties that are framed by her white garter belt attached to her black stockings and white six-inch heels.
Playing to the crowd, Daisy can't help but hate her current position in life being reduced to a stripper and part-time porn star to make a living. Her '50s-inspired routine has the crowd going ballistic, raining all denominations of bills down upon her, pulling her top down in a manner reserved for the seduction of one's lover; Daisy lets her natural abilities do their thing, revealing her black lacy bra to the fever-pitched crowd. Shaking her massive triple-D tits to the drunken crowd, all cheering her artistically provocative routine.
"Yeah, I should have known it from the very start
This girl'll leave me with a broken heart
Ah, listen people what I'm telling you
A keep away from a Runaround Sue, yeah" *song lyrics*
The routine for Daisy holds neither challenge nor artistic freedom anymore. She could close her eyes and do the whole routine blind-- doing a spin, making the mid-thigh skirt rise to show off her black thong splitting her apple bottom butt. That's perfectly framed by the white straps of her garter, holding the black silk stockings that wrap the sexiest legs this side of heaven, anyone's ever seen.
Reaching behind her, using exaggerated movements, she shows herself unclasping her bra. Swaying her wide ample hips and ass on her small waist, she teases the crowd to the beat of the song, tossing her bra to the side, knowing all her stuff will be brought back when she's done; along with all the money that's covering the stage. Still facing away from the crowd, Daisy uses her hands to pull her hair straight up, letting it fall like a golden waterfall. It's such a simple trick, but every man and woman now wants to be behind this blonde bimbo-- railing her-- making that golden hair cascade, like waves hitting the salty, sandy shores.
"I might miss her lips and the smile on her face
The touch of our hand and this girl's warm embrace
So if you don't want to cry like I do,
A keep away from a Runaround Sue." *song lyrics*
Daisy slowly, painfully slowly to the almost groan of pain, turns to the waiting mob, and faces the crowd, baring her magnificent chest to an almost orgasmic cheer. Even Daisy finds basking in adulation addictive. She'd never want to admit it, but if asked, she would be unable to keep it a secret really; anything, it seems, she's told, she can't keep it a secret. Catching the eye of a rather clean-cut young professional sitting at the end of the stage, Daisy doing a pop-step-pop move making her chest sway and bounce, approaches the almost-bug-eyed man waving money at her.
Daisy, sitting subjectively with the man's head between her glorious thighs, motions for the young man to remove her thong. Few dancers do this move, but it's a simple one and the crowd really gets into it. Daisy feels the sweaty palms caress her ass, reaching for the waistband of the thing, as they pull it free. Daisy raises her legs, showing her wet pussy, and kicks the panties off in the general direction of her bra.
"Whoa (hey, hey, bum de hey, de hey, de hey, hey)
Whoa (bum de hey, de hey, de hey, hey)
Whoa (bum de hey, de hey, de hey)
(Ah)."*song lyrics*
Daisy sees that same look she's seen so many times, it's not every girl who has a pussy tattoo of a succubus cures heart with the word slut hidden in the design. Rolling her legs to be on all fours, her pussy is now facing the crowd as she spreads her cheeks, letting the collected wetness shine on display to the crowd, the tell-tale signs she's sexually excited, it brings a new level of energy, almost like wild animals and a female-in-heat-kind-of energy.
Catching sight of a TV playing one of the many twenty-four-hour sports channels. The closed captioning lets her know they are talking about her, or more specifically, who she used to be-- Dangerous Dany Thomas. The closed captions say Dany is still missing, and that no new leads have come in, or witnesses have come forward.