Now as you know the Leprechawn have a penchant for mischief and many a farmer has been right put out by his dog being fair worn before the day has started. We, of course, know as the dog's been ridden all night long from here to who knows where, Galway or Clare maybe, by one of the wee folk too lazy, by far, to run or walk itself. Sheep or goats too, I can tell you, have had the milk quite ridden out of them. Well, let me tell you a tale of one particular Leprechawn, Bearach Candlestick O'Floinn, who rode a sheep not far from here, and rather more besides.
Farmer Shea has a bit of a reputation in these parts, a proud man and very particular about his rights. Now the apple of his eye was his daughter, Maighdlin, a fine half if ever you saw one. He was wont to boast she was the prettiest thing this side of the land and was more than careful to ensure no local lad got so much as a sniff of her and certainly kept her well away from the young men. Now I'm not as saying he was an unpleasant sort, no far from it, and was right welcome at the inn.
Where Farmer Shea went wrong, as so many do, is to get on the wrong side of the wee folk and the one in particular I have already mentioned to you, Bearach Candlestick O'Floinn by name. Now I am not saying that Bearach was the completely innocent party for he was up to the mischievous pranks the Leprechawn are fond of—it keeps them from being overburdened by honest work I expect. All he had done was to keep the farmer awaiting a delivery all day. The driver of the lorry, you see, was not local and had driven all the way up from Dublin, even the other side of the Liffey. You could say it was his mistake to ask directions but the real mistake was to ask the diminutive old man with the cocked hat leaning on his stick at the crossroads. You'd have thought he'd have had more sense given the size of the man and the rather outmoded garb he wore. I mean who wears a red jacket, breeches and stockings these days but he was from the town and probably thought that's how an old culchie dresses in these parts and meant to have a good laugh about it that evening back in Dublin with his mates over a pint or two of the black stuff.
He's polite enough to the old fellow — at first, asking how he was ("Surviving") before asking the way to Shea's farm.
Bearach, it is him, starts by saying slowly, "I wouldn't start from here if I was going there..."
Which was none too helpful, but the driver humours him as the old man's only a 'muck savage' after all, "well, let's suppose I was..."
Bearach then launches into a complicated explanation with numerous directions, "turn right when you come to a cottage, turn left at Mrs. O'Rourke's, straight on where there are cows in the low field" and so on.
This leaves the driver no wiser so Bearach suggests amiably that he goes "straight on, turns right, then left and ask again."
Well, the driver doesn't think there's too much chance of there being anyone else to ask at that junction in the middle of the country but doesn't think there's much point listening to the old man any more so he drives on and then turns right and then left as instructed and is surprised and relieved to see someone sitting by the roadside when he comes to the next junction only, as he draws up beside him, it seems to be either the same man (but it can't be) or his twin. Well, this one is similarly not a great help, and he wonders if they are all daft in these parts, but gives him another set of directions and he finds himself right back at the first crossroads with the original old man again.
"What, back again?" asks Bearach.
The driver explains he was sent this way by someone who was the spitting image of the old man.
"Ah, that'll be my brother, he's an amadán, you don't want to listen to him. You should have gone right after there at the fork, not left..."
Of course Farmer Shea comes out of his farmhouse mid morning wondering where his delivery has got to and, the farm being on the top of a hill, he can see the lorry driving around the lanes but not getting to, or indeed any closer to the farm, going first one way, then another. After a time he espies the little old man in the red jacket and how he's not always in the same place and is pointing out directions to the driver and all. You can imagine the frown settling on the farmer's features as he realises who is making mischief and delaying the driver. Well he rings for the constable but the police are none too keen on the idea of arresting a Leprechawn, particularly when the farmer suggests a certain name as the likely culprit. So the farmer goes out himself to lead the lorry in but by now its stuck down the end of a dead-end track and it took the best part of the afternoon, and a lot of sweat and cursing for him to tractor it out and all the time he was none too sure he wasn't being watched and laughed at by a certain party who could as easily have been under a shamrock as up a tree.
Now Farmer Shea did not take kindly to being played around with and resolved to have revenge on the party who had been acting the maggot. To cut short what is getting to be a long story he has Bearach Candlestick O'Floinn banned from the pub, him having 'influence' and all. That did not go down well at all; mad as a little wasp was Bearach, a sight to behold.
Now it may not have been that evening, but it was not long after that Maighdlin stepped out of her front door for a run. You know how these young people can get the fitness idea into their heads, well she had it bad and out she comes from the farmhouse all in her running gear—you know, shorts, sports bra, branded trainers, singlet, Walkman, that sort of thing—and off she goes down the lane at a trot. She's known around the parts so she gets a cheery wave from those she meets on the road and she goes a fair distance. Maighdlin's a good runner. Weather is fine, her breathing sound and she's running well with no stitch or anything and the music is good... all that is until she comes up by the moor. Well it seems the weather takes a bit of a turn for the worse and it starts to rain, what's more the path seems not as clear as it has been and the branches of the trees and the bushes seem to catch at her and it's not long before her fancy running gear gets a bit torn, then a bit more ripped. That does not please her one little bit, that gear's expensive and, anyhow, she's getting cold now. The Walkman's gets turned off and she goes on down the track when, all at once, she stumbles and there's a real nasty rip and her running shorts are in tatters and her panties in none too good a state either. She can hardly credit this but runs onwards as the evening draws on and the rain gets wetter. The path's muddy and she slides a bit only to feel another big rip and her singlet and bra are on their last legs, well it's not that many more yards before they come away altogether and there's Maighdlin running in just her panties and trainers. 'Course it's not so easy for a girl who's quite well endowed to run with her boobies all bouncing around so she stops for a few moments unsure of what to do, she's got to get home unseen in her state so she sets off back holding them still in her hands only to find she manages to catch just the very edge of her panties on a bush and they rip too. They hold on for a few more yards, though not as decent as Maighdlin would wish before they too get snagged on a branch and are left just hanging there like a little flag to show she's passed by.
Imagine now Maighdlin running through the rain with just her trainers on, as fine a lass as you can think about. Well, what a sight for an old man such as I! But I was not so foolish as to be out in that rain any more than you were—more's the pity, as you could have confirmed for yourself that Maighdlin's fair head of hair was not her natural colour and she does have that Shamrock tattoo that is rumoured. Oh, you didn't know about that?
Ahead, to her dismay, she espies, standing on the track, a man, not a very big man at all, dressed in a great big sheepskin overcoat. There's nothing but to run up to him, the rain running down her and with her breasts all a bouncing, no other track to turn down and she doesn't want to turn around again and run further away from home.