Part 7
Be Brave
With a sigh or resignation Lizzie pushed open the shop door. The bookshop was quiet in the mid afternoon sunshine. Lizzie had rather hoped it would be busy so that he would not have time to talk to her. She was disappointed.
"Do you believe in fairies?" was his greeting.
"What?!"
"It's funny the obsession writers seem to have with the little people. Of course the Folk were very real to Shakespeare's countrymen but, a lot later on, we have Conan Doyle believing in them, Kipling writing about them, J M Barrie having them in Kensington Gardens and most recently the gentleman with thistle-down hair in 'Jonathan Strange and Mr. Norrell'. Have you read that?"
"Rather long by the looks of it."
"So is Dickens, and you were reading 'Our Mutual Friend' the other day. Perhaps something shorter then, how about 'Peter Pan'. You'll love Tinker Bell I know, and then there is that awful pirate Hook. You wouldn't want to tangle with him." Conrad smiled in his knowing way.
"I've..."
"... read it of course. You do seem to have read most things."
Lizzie continued her browsing. Odious, simply odious. Perhaps he was just being friendly, but the way he says things. She looked over at him. He was writing with his yellow and black fountain pen in his spiral bound notebook, a smirk upon his face. He sensed her watching him and looked up with a smile, Lizzie hurriedly turned away. "Blast! Odious, now how do I get out of here?"
That night, after she had gone to bed—after she had gone to sleep, Lizzie stood looking about her in the light of a full moon. If things were true to form, as he had mentioned 'Peter Pan' to her, then presumably this was Neverland. It was certainly nothing at all to do with Victorian London and 'Our Mutual Friend'. On the other hand dreams did not need to be true to form and could follow their own logic or illogic. Why then did she expect her subconscious to follow him and his suggestions? Perhaps it was because that did indeed seem to be what happened. She shivered. Lizzie did not really like the way he could simply suggest and her mind follow, what sort of hold did he have on her—or was it just co-incidence? Perhaps it was simply co-incidence but the evidence was not merely balanced: on the contrary, it was rather against it being mere co-incidence.
So was she Wendy? She smoothed her hands down her close fitting dress; it did not seem to be the sort of thing Wendy would wear. It was light brown doeskin with tassels around the hem and tiny beads stitched in intricate patterns all over the garment. She was also a young woman whereas Wendy was a little girl though, Lizzie recalled, her dreams did not seem to trouble much about age. She seemed to be a young woman wherever or whoever she was.
Lizzie did not have pigtails when awake and her hair was fair not dark. But hanging down either side of her head were undoubted pigtails and, what was this, around her head a band of woven beads with a coloured feather stuck in it.
"Why I'm Tiger Lily, the redskin princess," said Lizzie out loud.
"Sssh." said a voice. Lizzie looked all around but she was completely alone. Conscious she was in a land where small boys can fly she looked upwards but all she could see were stars, though one did seem to be moving surprisingly fast. It seemed to turn and come back the way it had come, before moving back again. Lizzie realised she had mistaken the pinpoint of light's distance from her. It was not millions of miles away but a just a few feet. She understood she was actually seeing a fairy, a real fairy or a real dream fairy anyway.
"Tinker Bell," she said.
"Sssh," said the fairy.
Tinker Bell, for it was indeed Peter's fairy, came close and hovered just in front of Lizzie's nose. Lizzie stepped back to see her properly and trod on a twig.
"Sssh," said the fairy growing in size until she was more than a point of light but still no longer than your hand.
Lizzie thought Tinker Bell's conversation a bit limited and, now she could see her, so also seemed her clothes. She knew diaphanous gauze was part of the Victorian conception of fairies, a rather different kettle of fish from Puck the knave in the performance of a 'Midsummer Night's Dream' she had seen not so very long ago, but this apology for clothing would have seriously upset the average Victorian observer. The fairy was exquisitely gowned in a skeleton leaf, cut low and square, through which her figure could be seen to the best advantage. One breast had been allowed to slip out, fully exposed, and what a perfect breast it was, perfect in every detail right down to the incredibly tiny nipple. And so it should be because, whilst Tinker Bell was small, this was no reason for her being rudely formed: quite the contrary she was most perfectly formed and knew it. As she moved Lizzie could see though her garments and even discern tiny golden curls growing in some profusion around her sex. As the little creature shot up into the air Lizzie could see right between her legs! The creature seemed to revel in adopting erotic poses. One moment modestly hiding her bosom with her arm, the next provocatively pushing her tiny breasts forward.
She motioned for Lizzie to follow her into the trees. It was lucky that Lizzie followed her for no sooner had they vanished into the gloom of the trees and out of the moonlight, than into view came a band of pirates. Not just any band of pirates but Jas. Hook's crew. A more villainous-looking lot never hung in a row on Execution Dock. Here, a little in advance, ever and again with his head to the ground listening, his great arms bare, pieces of eight in his ears as ornaments, is the handsome Italian Cecco, who cut his name in letters of blood on the back of the governor of the prison at Gao. That gigantic black behind him has had many names since he dropped the one with which dusky mothers still terrify their children on the banks of the Guadjo-mo. Here is Bill Jukes, every inch of him tattooed, the same Bill Jukes who got six dozen on the WALRUS from Flint before he would drop the bag of moidores; and Cookson, said to be Black Murphy's brother (but this was never proved), and Gentleman Starkey, once an usher in a public school and still dainty in his ways of killing; and Skylights (Morgan's Skylights); and the Irish bo'sun Smee, an oddly genial man who stabbed, so to speak, without offence and many another ruffian long known and feared on the Spanish Main.
In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared.
He lay at his ease in a rough chariot drawn and propelled by his men, and in his right hand he held a cane with which ever and anon he encouraged them to increase their pace. Lizzie was puzzled at this sight. She thought the Crocodile had eaten his right hand and an iron hook had replaced it. Why then was he called 'Hook' or was that his name in any case? In person he was cadaverous and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his sword into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and it is said that he was a RACONTEUR of repute.