"I'll serve your ass like John McEnroe.
If your girl steps up I'm smackin' the ho.
Word to your moms, I came to drop bombs.
I got more rhymes than the Bible's got Psalms.
And just like the Prodigal Son, I've returned.
Anyone steppin' to me, you'll get burned.
Cause I got lyrics, and you ain't got none.
If you come to battle, bring a shotgun."
-House of Pain, "
Jump Around
"
"What is the best war?"
The man in the video now playing from Julie's laptop onto the screen of the Equals' darkened-living room television asked the question of a non-existent studio audience. He walked around a black stage, wearing a black turtleneck; addressing them as if either giving a TED Talk, or unveiling the latest Apple product. Everyone recognized him; a famous technology billionaire who'd died a few months back. Below him a graphic on the screen read "Presentation Rehearsal #8: Internal Use Only."
"According to that great sage, Bart Simpson, 'There are no good wars, with the following exceptions: The American Revolution, World War II, and the Star Wars trilogy.'"
He paused for pre-recorded polite laughter.
"But which is the
best war
? The obvious answer is 'the one where you win,' but there's an even better one than that."
He stepped back as the giant monitor above the stage lit up with a number of technology companies' logos merging into a giant S-shape that looked to be made out of a spring.
"The BEST war, ladies and gentlemen... is the one where you win... without ever having to fight it."
The video changed to a shot of Sean Connery in "Thunderball," flying a jetpack. Troy was about to say something when Julie mouthed "We know" at him and looked back at the screen. The phony audience oohed and ahh-ed.
"The jetpack," The speaker continued. "Which of us hasn't always wanted one? The technology exists, the US Army worked for years to perfect it; some general's dream of a platoon of jet-pack-wearing Buck Rogers soldiers, soaring over enemy lines to rain down death upon their foes. But there's a problem. They used to call it 'the 30-second barrier.' The problem is that it's impossible to create a jetpack that can hold the weight of the occupant, the weight of the fuel, and the weight of the pack itself, and attain more than 30 seconds of flight. I believe now it's been pushed to 34 seconds. Not much of an improvement since Double-0 Seven here flew one, and not practical for military use."
Troy started humming Tom Jones' "
Theme from Thunderball
." Helen gently whacked him on the shoulder and pointed at the screen.
"So we decided to go back to basic principles."
The image changed to clips of Olympic athletes performing high jumps and long jumps.
"Man may not have been meant to fly, but he was certainly meant to jump. Since rockets weren't the answer, we thought 'What about springs?'"
The image changed to a computer graphic of a pair of large metal boots. It circled around them, then the image changed again to an x-ray view of the boots. It zoomed in on the soles, under which, multiple coiled springs were located. The non-audience oohed.
"What about nanocarbon springs, and state-of-the-art breakthroughs in Inertial Damping technology? Breakthroughs that, when applied as we have, absorb the kinetic energy of impact, and temporarily stores it for higher and longer jumps? Absurd, right?"
The graphic backed away to show the original image of the boots. Vector graphics then filled in a suit of black, metal armor and helmet.
"Iron Man?" Julie said to no one. Various half-giggled shushes came from the room.
"For YEARS," The speaker continued. "It was said that a man could not run a mile in four minutes! It was absurd to consider! Then, in 1954, Sir Roger Bannister did it. He just... trained hard until he 'did it.' By point six seconds, but he pulled it off. And now, athletes break his record often. An idea is only absurd... until someone does it."
The computer graphics faded away to show a real suit of armor underneath.
"I've got to admit, Helen," Susan whispered. "When you said we were going to watch a video, I thought you mean the other one."
"Shh," Helen snickered. "That one's on the drive, too. You remember the deal."
"What you are about to see... or, should I say, NOT see... is the future of modern warfare."
"Ain't 'at what they say at the beginnin' of every movie where technology fucks up an' starts killin' everyone?" He faked a Texan accent. "Gennelmen, what y'all're seein' here, is the future of modern warfare."
Everyone but Helen laughed.
The video-within-the-video switched to a desert scene with a helicopter flying about 50 feet over the ground. It zoomed in on the person wearing the Springheel suit and helmet, then panned out as they jumped out of the helicopter. The pilot immediately pulled away as Springheel hit the ground feet first, then bounced back up into the air. High enough that if the pilot hadn't moved the chopper, the wearer might have been caught up in the rotating blades. He landed again, and began making shorter, smaller jumps, until he stopped entirely.
The fake audience oohed, then cheered.
"'How did he do that,' you may ask." The speaker said when it died down.
"Why thank you, sir." Troy said, in a stuffy British accent. "I may just ask how, indeed." This time, everyone laughed.
The image switched to a camera inside the suit. An isomorphic view of the surrounding landscape was pictured in a window in the corner. Then a little dotted line appeared in the wearer's field of vision as the window showed a series of dotted lines, corresponding to the pattern in which the suit jumped before.
"It's Missile Command!" Mander blurted out. The room exploded with laughter.
"No, no." Troy said through his howls. "It's more like Family Circus, when Mommy tells Billy 'Time for dinner,' and Billy takes the twisted dotted-line path through the neighborhood to get home." The laughs continued.
"With satellite data, internal sensors that constantly sweep the surrounding area, and GPS information fed directly to the wearer, Springheel's trajectory-plotting can be done in an instant. We're not to the point of 'leap tall buildings in a single bound' yet, but we'll get there in time. That would be enough for some people. But we didn't stop there."
"But wait, there's more!" Julie called out. Everyone but Helen laughed again; she stared intently at the screen.
The video cut to the helicopter's view of Springheel in the desert, zooming in on it. The person in the suit touched their left forearm, causing a panel to slide away and reveal a small keyboard. Springheel vanished before their eyes. The camera panned back, and little clouds of kicked-up dust could be seen when the suit continued jumping.
"Active camouflage, transmitting data in real time to Springheel and adjusting to provide 360-degree stealth capabilities. And as I said, we can't leap that far, but we can certainly climb. Climbing lines and pitons concealed in the wrists..."
As he spoke, from out of nothing, a line fired and latched into the side of a rock formation. The line became taught and seemed to disappear until all that was left of it were a couple of feet sticking out of the piton embedded in the rock and leading to nothing. Springheel faded back into sight, and it was clinging to the side of the bare rock, held by the piton, until the wearer bent his knees, pushed off from the side of the rock formation, and the piton retracted back into the suit as the wearer engaged the camouflage and was gone again.
Susan began humming the "
Spider-Man
" theme as they watched.
"With concealed blades housed in the forearms..." Springheel became visible again, and a long blade came out it's right wrist before it vanished. "Your enemies won't know what hit them."
The scene changed to a night-time view, bathed in the green of a night-vision camera up in a tree outside of a walled-in compound; guards patrolling the perimeter. A caption on the screen read "Not Actors. Home of known drug cartel boss." A pair of armed guards patrolled the outside. The camera zoomed in on them.
"Stately Wayne..." Troy started to say, before trailing off, noticing now that
Contessa Helena de San Finzione had stopped laughing, and was intently staring at the screen. He paid attention.