Based on the M. R. James story "Number 13", as well as elements from some other stories of his and some themes that he would never have allowed.
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It was February 1895 when I made the journey to Viborg in Jutland that fractured the path of my life. It is only now that I know that path's end is near that I feel I can finally record the truth of what occurred then without rectitude, shame or professional humiliation.
I had joined the Ashmolean Museum in Oxford as a junior assistant curator after graduating the previous summer and had been tasked with assessing the donation of the late A. S. Taylor, which was had been left in a shocking state. The Medieval History of Northern Europe was my specialist field and this area formed the core of Taylor's eclectic private collection which he had formed over his many trading visits to the Scandinavian countries. Amber was a particular obsession of his, and he had many pieces of remarkable clarity and variety.
One particular piece, set in a silver medallion of about 6 inches wide, proved exceptionally difficult to categorise. It was of exceedingly rare blue amber and had an intriguing internal spiral that at first could be taken as a blemish, but was of too fine and regular an arc to be natural. The silverwork around it though was of an especially vulgar and disturbing nature. Limbs and tendril forms were worked around the edge, entwining about each other in a quite suggestive manner. There was none of the heavenly repetition of Celtic knotwork, nor the literalism of classical art, just an explosion of irregular shapes groping and grasping onto whatever they could find as if in some kind of lunatic desperation.
A medallion I called it but although it had a chain so that could be worn around the neck I don't think any sane person would have liked to have been seen wearing it in public. I don't mean to suggest that it was crudely made, as there was clearly great craftsmanship in the work, just that the subject matter was not pleasing to the aesthetic eye.
Taylor, like many great collectors, was notoriously poor at recording where and when he gathered the objects that caught his fancy, hence the reason for my employment. The nearest I could gather from his papers was that the article had been obtained in Viborg, in the Jutland area of Denmark, a few years after the destruction of the old cathedral.
Although the medallion continued to perplex me, I was forced to put it to one side as I worked throughout 1894 cataloguing the collection. I was nearly finished when I saw in the New Year amongst my old university friends and colleagues, and I took up the matter again and consulted my old tutor and several other dons at the colleges. They also could not place this singular object in the great sweep of European art and civilisation, and a few even queried it's provenance and place among the collection, suggesting it was constructed as a rather poor joke by Taylor. If so then it would have been a very rare one, because the man was of a notoriously grave disposition that became more acute as he grew older, even to point of being reclusive in his last years.
It was Sir Arthur Evans, perhaps the greatest Keeper the Ashmolean has ever known, who suggested that a little field research might solve the mystery. Along with General Pitt Rivers he was a great enthusiast for what was then the young science of archaeology, having made many digs in England and having great plans for searching for the early origins of Greek civilisation in Crete. I think he may have wondered if the strange item I had found might unlock an similarly undiscovered period of history in the north of Europe. He asserted that at the very least professional curiosity required that a proper investigation be made into the provenance of the item.
I suppose I was the obvious person for the task. I was the most familiar with the medallion, had read the papers of Taylor, had knowledge of that history of the area and spoke Danish, although with the dialect of Copenhagen rather than Jutland. Many a night I have wished that it had not been so, that another had taken my place, but at the time the opportunity seemed such a blessing for a young man.
And so with a few months spare, and some small funds from the Museum, I was sent to Denmark along with the medallion and a few papers of Taylor's. After a unpleasantly rough ferry crossing over the North Sea from Harwich I was glad to be on solid ground and starting my adventure (as I foolishly thought it as the time ). I found Viborg itself to be a small town, smaller than Oxford, distinguished mainly by it's cathedral which had been recently rebuilt twenty years ago. At the time it was rather bare and did not have the frescoes that Skovgaard painted several years later. I have been told that they are quite remarkable, but not even the art of angels would convince me to travel back to that city again.
For my place of residence during that fateful visit I choose an old fashioned inn whose name in English was The Golden Lion, a remnant I think of Denmark's union with Norway. It was a grand old Renaissance townhouse in the centre of the city near to the cathedral, probably one of the oldest in the city, and if some parts of it looked like they might have seen better days the rooms were large and well furnished, the food was good, and it had an excellent reputation with the landlord being seen as very respectable. It's clientele was mainly businessmen and other solitary visitors such as myself. Occupancy was low during the winter so I had my pick of several rooms, choosing number 12 as it had large windows that looked out of the front of the house towards the cathedral.
As soon as I had placed my bags in my room and taken lunch I got quickly to work trying to trace where Taylor could have acquired artefacts in this town. I soon found that the local traders hardly catered for the desires of a tourist, collector or antiquarian. There was no town museum, only a town hall for parochial records, and I guessed that any serious scholarly research would probably have to wait until I got to Copenhagen.
A light snowfall had started as I returned to the inn in the evening and asked the landlord if there were any notable collectors of antiquities in the area. He questioned why a man would want to spend money on old broken things when what was needed was new things that worked better. I later discovered that this was a reference to the plumbing of the building, which upstairs only ran to a communal bathroom, and the heating, which was a wood fire in each room. Luckily the inn had several maids and other servants who took care of these details and it was not on that account that my stay at The Golden Lion was disrupted.
The company for supper was very subdued, only a few taciturn commercial travellers were staying and they had taken the ground floor rooms on account of their heavy luggage. So I decided to make an early night and an early start the next morning. I ascended the stairs by candlelight, went past room 14, then skipped the next door and put my key in the third door, only to find that it would not fit. I check the key and tried again, only to find on closer inspection that the door I was looking at was number 11.
I traced my back down the gloomy corridor, to find that the previous doors were 12 and then 14. There was no door with number 13 on it in this corridor. Perhaps it was elsewhere in the house. I tried my key in the door for room 12 and it opened with the heat of a gently stoked fire. I mentally noted that I would have to remember that the second door in the corridor was my room. I was pleased to see that there was a good sized desk of old but sturdy wood for my work, as well as several drawers with locks in them. Into one of these I placed the medallion, locking it and pocketing the key.
Although I went to bed early I had not slept long when I was woken by the sound of voices nearby. They were low but obviously of a woman or women, reading or maybe chanting. I was fairly certain that none of the guests I had seen at supper would have made such sounds, and the landlord did not seem to run the sort of establishment that would allow guests to entertain females during the night.