(References in the story to specific music are designed to be used as audio cues that can significantly enhance the experience of this story. I suggest the reader, if they are able, access YouTube for 'Trance Falling Star Compilation 4' and 'Medaka Chilled Good-Byes.')
The best female aerobatic pilot in the world today – and possibly simply one of the best pilots of all time outright - is unquestionably the Russian, Svetlana Kapanina. What makes her so good is difficult to know for sure, there are so many factors involved: equilibrioception, kinesthetic senses, fast reflexes, high arousal thresholds, stable psychology, extreme fitness...
But the basics of training necessary for all performance athletes were not side-stepped either. Practice, preparation, and rehearsal. Watching the preparations of an aerobatic pilot like Kapanina was a sometimes mystifying thing. Standing out on the tarmac in early morning dim light, left arm raised halfway up and rigidly held out to the side, fingertips at shoulder height, and then suddenly quick strong and aggressive yet economical flicks in across the body with the right arm, hand balled up, and all combined with half-rotations of the erect body, followed by a tight punching forward movement of the right arm, and then a half-bow of the upper torso like someone who was all of a sudden being very sick... And all of it at super-quick speed until you, the observer, felt dizzy just watching these movements and actions even though she – the person you were looking at - had both of their white rubber-soled sneakered feet mostly always firmly planted on the ground and with only brief moments of one heel lifted to a toecap contact to the ground in order to pivot around quickly.
Practice, preparation, rehearsal.
It all looked like some exotic alien dance.
Vertical rotational balance and proprioception were things that depended both on the natural and trained vestibular senses. Lateral balance and horizontal plane rotational kinesthetics likewise. And accurate sensing of angular momentum and linear acceleration too.
Tekla the Russian 'Night Witch' was one of three extreme performance athletes who attended the exclusive private training group led by Svetlana Kapanina. ...A very covert, and private, training group.
Sometimes they pumped the air out of the highly specialised and completely enclosed small gym area. Sometimes they added extra nitrogen, sometimes extra carbon monoxide, sometimes ozone. All the while bio-data was fed by wireless and optical sensing to high-speed computers and feedback then sent down onto a big digital electronic screen splashed across one wall. The screen flashed brightly with dynamic LED graphics and was accompanied by a bleeping audio signal pulsing loudly through multiple matched, amplified speakers. Occasionally, the whole place was plunged into relative darkness by controlled metal shutters, and then strobe lights went off, beating in stark, epileptic rhythms.
Many things were highly choreographed.
Physical practice, preparation, rehearsal.
*
Contrary to common popular belief the modern Russian State did not indulge in assassination as a tactic. It did have personnel who could carry out lethal missions, just like any other nation with Special Armed Services. Unfortunately the public of the West still held fairly banal ideas about the previous Soviet regime, and similarly about Russia in the modern-era, and it was all based on gargantuan lack of knowledge of history. There was an old joke in Moscow about the naivite of the Western mind and its consequently naive and simplistic perspective on Russian and Soviet politics that could be summed up like this: 'Lenin good/Stalin bad.'
Russian politics had a moral dimension that eluded the ignorant or forgetful mindset of Western people. Today in the West, for instance, everyone wondered why Russia appeared to want to 'prop up' Assad's Syria. Yet few recalled that in fact it was the CIA and MI5 backing the interests of British Persian Oil Co., who started it all by assassinating President Mossadeq early on at a time when Syria actually had democratic elections. The Russian political leadership, possibly foolishly, clung to the idea that it thus still had moral capital left today among the ordinary people of Syria – who of course certainly knew their own history.
The Soviets had lost somewhere between twenty five and thirty million of their own citizens' and military lives fighting Hitler to a terminal standstill and cherished the belief that they, and not the West, had really brought about the ultimate destruction of Nazi Germany – and were the true 'good guys.'
All that being said though, they did have assassination squads; and they were, always squads, and not lone wolves. Tactically, to bring off such a goal, it was necessary that chance was reduced to a minimum. Because if you really were going to carry something like that out, it should at least be at a very reliable premium of success.
There was a pace, a cadence, to an assassination. This pace, almost a rhythm, minimized the drift of indisciplined thoughts, allowed no space for independent moralizing; no space for risky intellectual meandring.
Like a small swarm of hornets all closing in on the same target, three, four, five, or even more, highly-trained and mentally-prepared soldiers would move dynamically in, ready with their 'stings' to strike. One would certainly hit, and one was all that was needed.
But the problem with a quality rehearsal was that it was designed to have you at a real constant readiness though not because there necessarily was any planned event on – just so that the State always had personnel fully trained and on standby in case of the specific unforeseen, though not the general unforeseen. The rehearsal then, in a very large part did have the psychological effect of the real thing, particular entailing the subsequent risks of real psychological downsides.
After one particular segment of very high quality practice, preparation, and rehearsal, Tekla briefly found herself in the expensive, sound-proofed hotel room base, flat on her back on the bed, on the pristine, fresh-scented, new, high thread count Nile cotton sheets, fully feeling as if she had carried out a real killing. And even though the psychological teachings of the great expert on covert operatives, Marcus Wolf, called for rapid debriefing and no gap to be allowed into which moral self-recriminations might fall like a quiet, poisonous and sinister midnight rain – yet there was just a tiny gap. No more than forty-five minutes of lying with her eyes focused onto the ceiling, and the red mist just fell down all over her frontal cortex. The main idea that crept in was one to do with a feeling that some kind of personal relationship was deeply implicated between you and the dead person – if you were the one who killed them. Afterall, you were uniquely tied up with that person, with in fact, such an important thing about them, namely, their death. But what could that mean to an atheist, afterall, it should have meant nothing. The other person's sentience was snuffed out. They were no more. There was nothing there. You couldn't have 'a relationship' - even a malign, psycho-pathological one, with nothing; with emptiness. It was absurd. And yet although the case for moral justification had been exhaustively made by wise minds of the relevant State apparatus, and all Russian 'essays' like this always involved and included detailed backgrounding for the operatives so that they held positive beliefs about the correctness of their missions and their orders - there was no such thing really, as just carrying out your orders. Russian politics was complicated by its own social and political and educational history, for one thing. A crucial part of Marxist theory - the idea of the individual agent of social revolution – this is a complication.
Suddenly, Tekla had a stunningly disturbing and singular thought: she did not want to have a theoretical socio-psychological relationship with a truly evil or morally ugly person. That was an invasion of her own equanimity, she felt. She wasn't meant to feel so, but that was nevertheless, the state of it. She could kill, if it was merely a question of the mechanics and the physicality – the technique, so to speak. And she could kill to prevent some worse alternative. But she did not want any persisting psycho-spiritual responsibility entangled in the recalling of the evil and the ugliness of the villain who was so bad that there was actually a moral justification for killing them. Suddenly, whether she chose it to be or not, the vision of a slain enemy being forever subtly tied to her, awoke in her consciousness. It was the actual ugliness of someone so bad they had to be killed, that she objected to. Strangely, she did not want to be involved with them at all; not even in their destruction. They were a disease that infected and could dangerously pull you into that dark spiral of their vampiric malignance. Thinking these thoughts was like an enlightenment. A mystic experience.
*
My own role was basically very simple. I was there to provide sexual relief and a release valve from the psychological energy tension that built up like a thermodynamic reactor inside this kind of liveware form of 'instrument of State.' The circulation of human blood, even at a constant 60 beats per minute, picking up metabolites of suppressed adrenalin, became like an ultra low frequency transformer – very very dangerous if you stuck your hands onto two metaphorical live ends of its exposed nerve-wires...
I have some training in sports and biological performance physiology – I'm actually not what you would call, let's say, 'a street amateur.' Okay, yes my I.Q. is also on the high side. In fact I'm very much a real person with a parallel real 'ordinary' life during most hours of the week. And I have a profile, both an academic faceted one as well as commercial-professional, and if I said too much about those things it would not be impossible to uncover my identity, if you were relatively experienced at doing that kind of thing. I am, what some people term a 'polymath/polyhistor.' In a sense - at least to my own romantic mind - I am indeed a modern Renaissance Man. But I had great teachers, of course. Well-known people too, some of them...
The strategy I had for this evening was to get her out, running the pavements with me for a good long while, maybe an hour or so.
She was in any case already attired in her IonX compression sweat top and figure-hugging dark blue tights. Mizuno sneakers. She never carried water bottles, no matter how small, how light. She had a low-profile hydration belt with a neoprene line nozzle integrated into that, that she could pull out to take sips of water from.
I had a pass-key to the door and slipped myself inside quietly although she certainly had heard me at the handle and was observing me expressionlessly now as I stood with my back against the re-closed door.
I had a small wireless biometric sensor device that showed me all her vital signs. She was cool and calm.
"Habibi." I joked. "Habibi, are you warm yet, Habibi?" She totally got the sick reference I was making to the Lashka murderers being marionetted at the Mumbai Oberoi hotel.