The theatre was dark except for the equity light at center stage, and the Exit signs that glowed at the four corners of the orchestra and up in the back of the balcony. I flipped the switch on the work lights and the fluorescents above the stage flickered on. I started to unload the chairs from a cart. When they were all offloaded, I struck the cart and returned to set the chairs in a semicircle touching the curtain line. The stage door on the left opened and shushed closed. I turned to see a middle aged man carrying a suit bag over his shoulder.
"Mr. Mento?" I asked.
"Yes," he smiled and approached extending his right hand.
"I'm Jeff Bronson, your stage manager. I'm also here to run the lights. Thanks for the cue sheet you e-mailed." I released his firm clasp and turned back to the stage and the twenty chairs I had set. "You like it this far downstage?"
"Yeah, looks real good." He glanced left and right. "Dressing room open?" He looked at his watch.
"There's a stairway downstage in the right wing. It'll take you under the stage to make-up. Hit the light switch at the top of the stairs or you'll be in the dark. The dressing rooms are marked. Take your pick."
"Thanks." He turned and then turned back. "Um...I've got some swag out in the van. Can you help with that? It's only two boxes."
"Is your rig open?"
He dug in his pants pocket for his keys and tossed them to me. "It's parked right outside the end of that hallway." He gestured toward the door through which he had entered.
I nodded. "I've got some tables behind the traveller. OK if we put the merchandise in front of the apron?" I pointed downstage through the open curtain.
"Perfect! See you in a few." He waved.
I moved downstage to the procenium at stage right and opened a long, black, leatherette case and assembled a tripod concealed inside. I grabbed a loop on top of what looked like an upside down window shade and hooked it to the top. I extended the rod and exposed a garish canvas with the words "The Marvelous" splashed on it. I crossed the stage and repeated the process for a sign that read "Mister Mento."
The van was hard to miss. It displayed the same circus-like font declaring "The Marvelous Mister Mento." I unlocked and opened the sliding door and located the boxes--one full of paperback books, the other of DVDs. I toted them back to the theater in two trips and spotted them in a couple front row seats. I set up the tables and put some skirting around them. I emptied the books from their box and arranged them on one surface and the DVDs on the other. Stepping back, I surveyed the display. It looked good. Mr. Mento would be able to station himself conveniently between the tables and sell his stuff when he was done on stage.
The main light booth would be overkill for this show, so I retrieved the "mini me" from the vault and plugged it into the auxiliary jack in the left orchestra seating. I set up a general cue and then returned to the stage to strike the equity lamp and kill the work lights. Mr. Mento was just climbing the stairs dressed in his tux; his bowtie dangled from the coat pocket. I waited in the darkened left wing surveying the stage.
"How's that for a main cue?" I asked. "You got all the downstage from the chairs and about six feet upstage before it'll start to clip your head."
Mr. Mento nodded and took the stage checking out the illumination. He stopped at center.
"Six feet is plenty. More than that and I'd disappear from the sightline anyway. Can you give me a little color?"
"Warmer or cooler?" I asked a I jumped down from the front of the stage and went to the light board.
"Warmer, please."
He looked at his hand as I tweaked the cue with some rose and bastard amber.
"Great! Right there." He said. I programmed the cue and brought up the preset which included the house lights. "You go to school here?"
"Yeah. I'm a senior."
"Do you mind giving me some help when I ask for volunteers tonight? It's always nice to get an entertaining mix. I like to have about seventy percent female, high school age to elderly. The more interesting they are to the community the better."
I was about to agree to help when my girlfriend, Jen, stepped onto the stage from the wings. "Maybe Jen could do that, Mr. Mento." I grinned. "She'd make a great beautiful assistant! Practically typecast."
"Do what?" Jen asked walking downstage gracefully and sitting on the edge.
"Mr. Mento needs someone to help him select his victims...
"Volunteers," Mr. Mento interjected.
I nodded. "...volunteers for the hypnotism."
"What would I have to do?" Jen asked.
"Well, I need enough volunteers to fill the twenty chairs on stage. Like I told Jeff, I like seventy percent to be female eighteen and older. The rest, obviously, can be male with the same characteristics. Beyond that, they need to be interesting to the community. Nobody comes to see me hypnotise people, they come to see friends and acquaintances hypnotized."
Jen shrugged and sat dangling her denim clad legs over the front of the stage. "Sure."