For the next week, the pair got into a rhythm of practicing the basics, Camille putting herself on display, and then Teri working to find her own style in her dancing. It didn't always happen in that order, but her own original dancing was what Teri feared the most. She'd always thought she was screwing something up, and was exposing her insecurities about failure to the world like that. It was near the end of the week before she tried and tried and tried, but tripped, fell, and ended in a screaming heap onto the floor, where she screamed louder, tears starting to form in frustration.
It was more like torture than dancing in Teri's mind, and she felt ready to quit. She would've quit the unorthodox teaching from day 1 if it wasn't for Camille herself, and her understanding nature, showing confidence in a way that had yet to yield results. It felt nice to have a teacher challenge and even dare to understand her more than understand only certain parts of her. Mrs. Cantor cared, but it was limited, surface-level kind of caring, and Teri had to admit that part of that was her fault, though she wished for a nurturing force to cut through her obstinateness. Her nurturing nature brought Camille to the floor where Teri lied, first checking to see if she'd hurt herself, then staying down at her side. Anytime something like this happened, someone would ask if she was hurt or to keep her composure. Camille held her hand, and placed the other on her shoulder wordlessly, showing her that she was ready to embrace Teri until the bad feelings went away. She held back tears at Camille's sincere, big-sisterly expression. They both rose to their feet, and Camille pointed out
"That wasn't failure, Teri. That was dancing."
Camille didn't let Teri rebuke what sounded like a ridiculous assertion.
"Dancing was never meant to be only a set of practiced motions or a means of competition. It's expression, for better or for worse. Sometimes, we all need to fall, if nothing else to know how tall we are."
Teri couldn't help but giggle at her afterschool special rhetoric, no matter how sincere Camille was.
"You know, my Aunt originally taught me belly-dancing in her studio in Tripoli. I was about six, but I'd seen so much dancing, I was more than ready to show off what I knew. And I was bratty enough to think I knew it all. But you know what my first lesson ended up being?"
"No...?" Teri asked, confused.
"Stay right here, please." Camille asked as she moved to one of the back rooms of the studio. She came back with several pillows under each arm. She placed them in a hexagon shape around Teri's feet. She took one of Teri's hands in her own from outside the pillows and said gave her her next instruction.
"Spin," she told her student, raising their hands up. Though confused, Teri did as she was told, and picked up the pace of spinning like a ballerina.
"No, slowly spin Teri. Even slower. And close your eyes as you do so."
Teri made the adjustments, holding her free hand to her stomach. Camille praised her once her pupil reached the speed she desired.
"That's right. Spin for me. Whether you believe it or not, this is dancing right now. This is movement, this is beauty, this is a path to mastery of your movement. Don't worry if you get lost, if you feel lost. I was lost too when I spun, just as you could be lost as you spin. Sometimes, when things spin out of control, it's not always a bad thing. You gain perspective in the spin, you start to realize what becomes important to amongst the dozens of things pervading, or invading your life. It's like going to sleep, where you also lose control, where you lie down and realize that no matter how busy your life may be, you still need rest, where you can lie and focus on your breathing and realize that you've been doing this life-enduring act all day, and you take it less for granted as you might take a big, deep breath before sleep overcomes you. And when that sleep overcomes you, you begin to lose yourself. You sleep, you lose control for a time, your mind spins into itself, changing what you know for a time, giving you sometimes the most wonderful dreams."
Camille guided Teri carefully through the motions, watching her pupils feet maintain Newton's first law, while her head began to tip back, her lips parting ever so slightly, her breathing slowed dramatically to almost a sleeper's rhythm. Camille's feet moved counter-clockwise to Teri's, crooning softly, her voice guiding her from what seemed like everywhere, and soon within her.
"You spin deep, deep into wonderful dreams of yourself, where your mind can dance as you do, or where you can dance as your mind does. Your dreams are not structured, they can't be scheduled or controlled so easily by oneself, to lose yourself in a dream is to be surprised by that dream, excited by that dream, clinging to the pleasure that dream has for you until you are convinced you want to remain in the dream state forever. Your body should start to recognize the benefits of the loss of control, where falling is not failing, where improvisation is your ally, where an accident can be part of the plan and just another step in your dance, where your dance is filled to the brim with your personality, with your expression, with your personality and soul. Dream of this dance, of your dance, breaking structures that hold you back, breaking any limitation you think you might have. Memorialize every dance to the passion surging within, celebrate it, make it monumental. Lose yourself to free yourself, Teri. Free yourself. Free yourself. Free yourself."
Teri lost herself to the floor again after spinning for countless minutes, dizzy, disorientated, lost in a dark void, liberated yet attached to Camille's soft, reassuring voice. So different from the frustrated novice she was on the floor before, she slept on the pillows, only thoughts of Camille's words and the dance Camille wanted of her floating through her head. She dreamt of this dance, seeing shades of Camille and herself there, wanting it, treating each dance as a tribute to her exotic teachings and deepened inner zeal, loving it as much as the first time she watched Camille dance.
***
That dizzying dance became her guiding light in the week to come. When Camille was sure they had privacy, each lesson would start with spinning, and vocal instruction from Camille to envision her future dance. Day after day, and night after night, the image became clearer, until a burning need within her couldn't wait to be allowed to spin and undulate and dance the dance of her dreams. Once the music was cued, and Camille gave the simple command of "free yourself," the dancer within emerged. The burgeoning bellydancer looked almost possessed, eyes closed through much of her movements, feeling her way across the music, looking much less measured and more reactionary. Her mind was often over-eager at first, enough for her body to have trouble keeping up; she fell and tumbled over several times, at least once per day, but unlike her near crying fit, she found herself dancing on the floor, against it, encouraged from a voice within to use her muscles carefully to rise back to her feet. The more she fell, the more she was prepared to recover gracefully, or prevent falling at all. Whenever class would start with spinning, it was as if she never fell at all, yet the state of her dance soon equaled the dance in her head. Pleasure flowed through her veins, as Teri's heart pumped strong, with the passion she felt she'd been lacking.
At night, she sometimes looked at herself in the mirror, seeing the dancer who won so many competitions in-spite of herself, toppling so many who had passion when she did not, admitting to herself how envious she was of them. She would close her eyes and it was the passionate Teri dancing in her place in her memories, rightfully winning every competition not just because she was good and wanted it the shiny trophy, but she wanted to dance.