The play, the masque, began with austere, crackling cold winter, or so Sasha judged from the heavily clothed players and the general drapery of white spread around—even the music lent a chilly air. There was a lack of excitement; a lack of life, for it was the dead time of the year when nature slept.
The mood that the play now cast was sombre; the usual gaiety of the household became subdued but then, gradually, there was a change; the music developed a livelier edge and in through the door danced a young man with green oak leaves in his hair; indeed he was garlanded in a great many of them and nothing else. He danced solo for quite a time, rather creditably, before a whole company of the young people entered, looking like flower children dressed in nothing more than flowers Sasha had seen in the garden, to set up a maypole and dance around it. Playful green spring complete with light jolly music, the people dancing naked with flowers in their hair, the girls white painted and the boys in red and blue.
The symbolism of spring, the time of new life, accentuated, or perhaps overdone, by the arrival of a giant green phallus made of greenery woven around a wicker former held high. Its entrance was greeted by much cheering and laughter; it seemed the signal for further amusements as the next entrance was by a man on stilts who strode around the room naked with an absurdly elongated penis and pendulous balls flapping between his thighs—not, of course, real but simply an appendage made up to look like oversize genitalia—to the great amusement of the company. It seemed to represent a very good joke indeed: the giant's cock.
The freshness of spring, the urge to renew, indeed to bring forth new life seemed, inevitably, to lead to copulation. Sasha could not disagree that it was integral to the play—however odd public copulation seemed to her upbringing: though not to the House, as she well knew. Presumably the display was planned and practised but it was dramatically real for all that. One of the young girls around the maypole was chosen by her fellows and pulled forward, feigning reluctance, to be crowned as the May Queen with her crown of interwoven flowers. Seated, or enthroned, the young people danced around her taking it in turns to dance forward and make obeisance with a kiss between her legs.
The re-entry of the young man with the crown of oak leaves was greeted by a cheer from the audience and he danced around the whole company seeming to be trying to get to the seated girl and as he danced his penis grew -- not, Sasha thought, the easiest of dance moves to practice. It seemed as if the white women were trying to prevent him getting to the seated woman: the red men seeking to encourage—but all as dance. It was no surprise to Sasha that the men had the day, the women were subdued , and the oak clad young man danced around the throne in increasing wild and dramatic leaps, his vigorous masculine energy both mysterious and familiar, until he stopped still, waiting with his penis raised like a sceptre before him. With a balletic grace the girl arose and in one fluid movement descended to kneel before the man, her mouth opening to absorb the penis head—the fealial duty of a queen to her king. As one, the figures in red, blue and white moved to repeat the action and all was still.
Sasha applauded with the rest. A very strange tableau but so well acted and danced for all that. And then the players moved, the men to mount the women from the rear but all in a circle around the royal couple, hands to hips as the whole company walked in a circle around them, actually fucking as they went. Not, though, for the couple, the position of the beasts, instead the oak clad king carried the May Queen with her legs locked around his hips and his penis lodged within for all to see as the company circled around them. Then the circle broke and the players exited all still fucking as the jolly music played on. A remarkable sight.
There was a pause whilst more wine was served and then a languid song introduced the next season, summoning up a vision of hot, sultry summer. A vision little needed because that was how it had been since Sasha had found herself at the House; a summer that seemed almost to have overstayed its welcome; a summer that was going on for too long and had passed its time.
The oak clad man re-entered but not with a vigorous dance but a much more stately progress, a circuit of the room attended by women ensuring his penis maintained its erection, a progress designed it seemed to Sasha to show the power of the man, his maleness and fecundity. A king at the height of his power, waiting. Then came a re-entry of the players but with even the women sporting erect penises in the form of corn dollies woven to shape.
A further dance and then they brought out the Wild Man once more, bound and restrained, again to be teased by the women to the amusement of all. He seemed confused at first by the corn dolly penises as if not recognising the white women as women, his eyes darting around the room only to light briefly upon Sasha. Once more the sight of her seemed the cue for his erection but bound as he was he could do nothing, not seek Sasha nor indeed touch the women around him. For all his masculinity unable to do more than display: the male impotent without the woman.
Once more the small white hands came to tease, touch and stimulate, some girls even lifted by their sisters and with legs opened brought close to the Wild Man so their sex just touched the club like end of the mighty penis, not to effect entrance—probably physically impossible—but to stroke and tease, to slide their wetness across his knob to stimulate the beast and feel his monstrous cock where they were softest.
The re-entry of the May Queen seemed to drive the Wild Man into a frenzy. Was it just that she was the only woman without the corn dolly penis and therefore the only true woman close to him that he could see to assuage his need to rut? Indeed, as the players moved, the whole tableau seemed to celebrate masculinity. The King, the Green Man, standing erect waiting as the May Queen approached attended by some of the white woman but androgynous with their upstanding corn dollies, the red men truly erect with their own penises and the enormous Wild Man with his monstrous erection outdoing all.