Debbie hated the chair.
She hated what it meant, what it represented: submission. It meant her husband James conditioning her, changing her, twisting her mind like putty, reprogramming her to be his perfect sex slave. James hypnotized her when she sat in the chair. It appalled her, the things she did when she was under his control, completely mindless, helpless, powerless.
It was an ugly chair. It wasnโt much, just an old, oversized school chair: a metal frame bent into four legs, a simple flat wooden seat, and a wooden backrest. James had made one addition; heโd carved a crude spiral into the backrest, to remind her of what the chair was for. When she sat in the chair the spiral pressed into her spine, a constant reminder of his power over her. How many times had he ordered her to play with herself in the chair? How often had she involuntarily polished the chair with her gushing juices?