Many thanks to Cinnamon69 for her quick, useful and kind and corrections and comments.
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I've always loved Paris art cinemas. These old, worn-out theatres, showing forgotten films in bad state, smelling of rotten fabric and dust, nowhere in the world is quite like them. There is something special about Parisian art-house cinemas; the very bohemian meets the very snotty, the richness of the film and the beauty on the screen conflicting with the nastiness of the space and people. They are always run by old, tired looking people, who grunt at you for asking a student's discount, and they are always populated by the strangest mix of film aficionados, romantic couples and aspiring artists, all glaring at the small screen looking for some revelation; well, all but the couples, who often come here to make out.
It was a late night show, midweek as well. And anyway, 1970s German avant-garde films aren't that popular these days. So it was hardly a surprise to find the theatre completely empty when I walked in late on one mid-March night. I sat in the very back; the place was so small that there were only ten or so rows of seats. I could see, sloping in front of me towards the screen, two or three heads absorbed in the opening credits. "Love colder than Death" announced the rather mysterious title. I sat deep into my seat, getting ready for some deep cinema, something beautiful and unsettling, that will leave me excited and troubled, will touch me profoundly.
The film looked promising. Black and white of course, with almost no soundtrack, only dialogue; the actors seemed distanced and remote, living in a cold and isolated world, they showed no emotions, too engaged in their actions. I was absorbed by it, taking in every shot and thinking about every angle. Such a beautiful piece of art, untouched through years and wear; I wanted to understand it, to enter this universe fully. It had a rare beauty, challenging the blandness on commercial, ready-made cinema.
Obviously I was then highly annoyed when an unknown person entered about halfway through the film and sat just next to me, in the middle of the last row. I sneaked a glance at my disturbing neighbour, and discovered it was a woman. She was hardly visible in the light reflecting from the screen, but it was clear that she wasn't young. I could roughly see her profile, partly hidden through her hair; mid-fifties perhaps, but still with sharp, well defined features, lean like many bourgeois Parisian women. She was wearing a jacket and trousers, elegantly but not too business like. She seemed classy and out of place, her movements, as she sat next to me were rigid and mechanical.
We ignored each other silently, though I was a bit annoyed that she decided to sit here. I could understand that she preferred not to go down the aisle, and disturb other people, but why this seat next to me? I moved uncomfortably, trying to convey to her the message that she rather unnecessarily invaded my private space and that there were, after all, plenty of empty seats on the row. But she took no notice and stared at the scene, trying undoubtedly to pick up the plot from this point. So I did the same and returned to the screen. We sat there quietly.
I couldn't resist, a few minutes later, to glance quickly at her again. Her face was mostly shadowed, but it was clear that she was, and still is, a pretty woman. What once must have been full was now sunken, but her face didn't seem shaggy or worn out. She reminded me of an aging movie star, a beautiful girl now old, but still captivating and enchanting. Briefly, the light from the screen reflected in her cold and distant eyes; she had harsh and even bitter eyes. Like a forgotten lover. She must have seen that I was looking at her, because she turned her chin less then an inch towards me. She didn't smile, her face was motionless, and in a flicker her eyes were back at the screen, watching unknown German actors. I sighed and got back to looking at the film as well, trying to recapture the complicated plot. I made a decision not to bother about her, though her unsmiling face stuck in my head.
I sank back into the film. The plot was thickening, but the actors' expressions remained frozen. They moved, talked, made love, and killed as if bored or uncaring, their faces languid and stern. The camera documented them without movement, without judgement, as if they were above emotions. The slow rhythm of the film pleased me, and though I didn't understand much of the subtle meaning in it I felt very wise and arty.
Then something brushed against my leg. I moved away, annoyed. Not only has this woman invaded my private space, now her feet are trying to push me further… how rude. A minute later, again, I felt her leg touching mine. I looked at her and tried to reproach her with a look; but no, her eyes were fixed on the screen, she didn't even notice brushing against me. I let it be, there was no point telling her off. So every now and then I could feel her dangling shoe touching my ankle, it was very disturbing, but I maintained my effort to ignore her. I tried, once more, to return and watch the film.
Suddenly I felt her hand on my thigh, lightly fluttering the fabric of my trousers, and I froze. It was clear that this was no accident, no occasional brushing. Her fingers gently caressed my leg, going back and forward, she was tracing little circles with her forefinger. I held my breath and stared at the screen with eyes wide open.
"Alex," a voice said in my mind, "this woman is flirting with you; be careful, don't ruin it."
I suppressed a desire to look at her and continued to sit motionless. Her hand continued to caress me, now with her entire palm. She placed it high on my left thigh, near my hip, and slowly slid it along until she grabbed my knee; then stroked it back to the hip and down again; very smooth, very gently. This movement, caressing my corduroy trousers, excited me deeply. I could feel my penis starting to harden and push against my zipper.
She moved slightly in her seat, leaning a bit towards me. Her hand was now stroking my thigh from inside, going almost all the way up to my crotch, but not really touching it. The movements were so smooth that it didn't feel as if she was moving; all her body, except her hand, were still.
My penis was really getting hard now, and it hurt me, being folded in my pants. I shifted a bit, and managed to slide sideways along my leg. I could now feel it getting bigger and harder, and suddenly was frightened that the lady next to me will notice the bulging in my trousers.