We need to talk
Who is this?.
He was widely known as 'Mr Black'.
A ruthless, powerful lawyer with a reputation for influential power and totally crushing his opponents by using the corrupt legal system that he knew so well.
For him life was filled with privilege and the arrogant complacency of pompous self-entitlement as he took for granted the enjoyment of the very best in life, including vicarious pleasures of the flesh such as pursuing, seducing and conquering married women whilst their helpless husbands fumed in frustration and impotence as his institutional power stopped them from ever retaliating against him and their errant wives.
A tall man, with slicked back black hair touched with grey and a swarthy appearance, he was the embodiment of an oily, arrogant seducer and the stuff of nightmares for married men.
He was, by definition, the archetype for the underhanded corrupter of wives, everywhere!.
A habitual smirker by instinct, he smirked to himself in contemplation of his happy life as he lazily dressed beside the marital bed of his latest conquest.
After spending a pleasurable few hours with the beautiful married woman, he leisurely donned his expensive black pin striped suit as he listened to the shower running as the late afternoon sunlight cast warm light into the tastefully furnished bedroom.
He selfishly liked to clean up first after fucking a woman as it was a well-known fact that the female of the species always took longer in bathrooms and lavatories with their endless fussing about themselves.
'Let them, the silly empty-heads' he thought with contempt as the smirk on his face widened.
He by contrast was a predator and it pleased him to think of himself as strong and always ready to dominate others by using his power against lesser men and women.
He had been fucking his latest conquest for a while now and as he dressed, the ambience of the sunshine streaming through the windows made him pause for a moment as his mood became contemplative.
Ordinarily he paid little attention to the home life of his conquests and even less to their husbands, but even by his standards, this room and indeed the entire house and grounds was impressive.
After slipping on his black shoes, he glanced at the bedside dresser which was dominated by a photograph of the man of the house and his wife Lynd, who was now secretly fucking another man, him the eponymous 'Mr Black'.
Such a happy young couple, as a smiling well built man with sandy hair and blue eyes leaned against a sleek silver-grey car bonnet as his attractive wife Lynd touchingly rested her head on her husband's shoulder, her dark hair caught by the outside breeze as the pair shared the happy moment.
Looking more closely, 'Mr Black' spied the handwritten words emblazoned in the top right corner;
'To my wonderful wife Lynd, your loving husband Jaimes'.
'Mr Black' again smirked at the touching sentiment as he donned his jacket and straightened his expensive hand painted tie as he thought more about Lynd's husband, 'Jaimes' with his happy smile and his undeserving ownership of a house like this.
He reflected that he didn't know much about Lynd's husband, even his surname.
Lynd herself used her maiden name, 'Miss Venus' in daily life and that initially was a factor that drew him to her and ultimately seduce and pursue an affair with her.
Breaking with his standard practice and now curious, he suddenly moved to the opposite side of the bedroom and carefully opened the husband's wardrobe.
He noted with grudging approval the elegant three piece suits made by 'Pierre Cardin' and even the handmade leather shoes by the long standing cobblers 'Crockett and Jones'!.
Contemplating what he'd seen, he quietly closed the wardrobe door and still hearing the shower running in the en suite, quickly checked his demeanour in Lynd's vanity mirror and then stalked out of the bedroom, a little unsettled that Lynd's husband 'Jaimes' may actually be equal or even superior to his own standards and tastes!.
Wandering down the corridor, for the first time he looked hard at the tasteful artwork on the walls.
'The Swing' by Jean-Honare' Fragonard in 1767 took pride of place in an ornate alcove at the top of the stairs.
Pausing, he noted the depiction of the verdant garden, the delicate details of the young woman, with her billowing dress and the young man reaching from behind the bush toward the young lady.
He was unaware of the piece and what it signified, but it certainly looked impressive, even to his eyes.
Now descending the elegant wooden staircase, he suddenly noticed the ornate furniture in the room below, undoubtedly French he thought as each chair or tableau was positioned to make the most of the softly painted white walls and marble columns around the perimeter of the large room.
Why didn't he notice all this until now?.
Reaching the main hall at the bottom of the stairs, he noted the carefully positioned and lavish chandeliers as well as the tasteful 18
th
and 19
th
century art that added to the dΓ©cor of this part of the house.
He felt annoyance at his ignorance of the various pieces.
Something about Comet Donati in 1858 painted by someone called Turner.
Other paintings were classic portraits that lined the walls between the elegant columns.
Now walking toward the imposing doors of the main entrance, he couldn't help glancing up at each of the portraits that seemed to glare down at him as he passed each in turn.
He could have sworn that the eyes of one particularly imposing portrait actually seemed to move and follow his progress as he walked toward the door.
Unsettled now, he wondered why these old paintings always seemed to have eyes that appeared to follow you as you moved around?.
Reaching the elegantly carved green painted main door, he turned the heavy brass knob and pulled the door open and stepped outside to face a carefully tilled French-style garden beyond the cream coloured portico with its towering doric columns.,
Leaving the door open, he stalked away from the portico, through the garden and then beelined to his black coloured limousine parked outside the heritage outbuilding that now acted as a garage, located to the side of the cream painted three story Georgian Regency manor with its symmetric lines and surrounds.
Pausing momentarily, he couldn't resist looking inside the garage, just to see what resided within, but also to learn more about the absent husband by seeing what kind of car he drove, assuming of course that he had more than one car as his home suggested.
There was a green painted wooden door to the side with a brass knob which he turned and pushed open before entering the garage.
The building had an old world feel and smell to it, with chartreuse and rose coloured windows, overhead wooden beams and posters on the walls, encased in glass frames seemingly from the 1950's and 60's showing scantily clad ladies posing in front of classic cars or selling something called "Lady Petrol".
Again, he only had a vague awareness of the various quaint emblems such as "Le Mans", "Aston Martin", "Michelin" and "Shell Oil", but they denoted that the man who spend his time here certainly knew his subject!.
Seeing enough and increasingly perturbed, he walked toward the door and glanced at the car nearest to the main doors of the garage.
"Virage", was embossed on the rear of the sleek silver-grey coloured car.
It looked modern, powerful and fast.