Back in high school, the Travis McGee books by John D. MacDonald were something of a guilty pleasure. I came across a copy of
A Purple Place for Dying
at a cabin one weekend and finished it by the time we went home. Over time, I hunted down the others in second-hand bookstores. So, when I decided to write a story that had some (very!) minor action elements and a boat, I decided to pay a little homage.
It's a long story β five parts β but all of it is written, and I'll submit it on sequential days.
I'm not always a fan of stories that start with a character introduction, yet here I've pretty much done exactly that. I apologize to those who are looking for something opening with a bang and moving right on to action and finale. The problem I had was that I kept coming to later points in the story and saying to myself, "Well, that's going to seem odd unless I say something beforehand." So, I hope you enjoy meeting Rick and Molly as things get up to speed.
A special thank you to thewinedarksea for his editing work. He helped make this better in many ways. Any typos were introduced by me after he read it.
--C
βββββββββ
Rick
I was a little surprised at how openly they sat at the sidewalk restaurant. Maybe they thought an onlooker wouldn't notice the occasional look or hand touch and would just assume they were having a casual lunch in the unseasonably warm April.
I, of course, did notice those things from where I sat on my motorcycle less than half a block away. Then again, about five minutes ago I had seen them come out of the townhouse across the street after an hour spent, presumably, dirtying the sheets.
I hadn't spent the whole hour sitting there. I knew when she left the office. I knew where she was going. They were somewhat predictable on Wednesdays: at his place, about an hour, a quick lunch, then back to the office. After all, as far as her assistant knew, she was at a weekly off-site focus group meeting, and they had to make that plausible. I'd pulled up about fifteen minutes ago, not wanting to miss her when she came out.
It wasn't hard to kill those fifteen minutes with
Led Zeppelin III
in my ears. I chuckled acidly at how appropriate it was to hear the whispered count and then that minor chord that opens "Tangerine" just as the two walked outside. Page claimed he was "getting over an emotional upheaval" when he wrote those lyrics about something great with a woman turning into something crap. I could relate.
I started the engine. I don't know if she subconsciously recognized the sound of my particular ride or whether it was just the general noise of a motorcycle engine catching, but she looked over. I saw her stiffen as I swung off the bike and walked toward them.
Her face was a quintessential picture of upset and embarrassment. His was expressionless for the most part, though I could see a little flicker in his eyes once he realized who was behind the open visor. I read it that, while he was the kind of asshole that was okay with banging a married woman, he wasn't the kind of asshole who got his jollies from rubbing it in. That's okay; he didn't make me any vows.
I gave her a tight smile as I dropped a large envelope in front of her, saying, "Some papers you'll need. All your stuff's in Self-Store β keys are in the envelope, too."
I could tell that, for all her gift of gab, she wasn't prepared for this. She finally managed to stammer, "Rick, this isn't what it looks like."
I ignored that. "We'll let the judge determine custody and child support."
"Rick, stop! This is ridicβ"
I just turned and walked away mid-sentence. My bike was running, and I was gone in ten seconds. I saw in the rearview mirror that she had gotten up to follow me but it was futile.
β¦ β¦ β¦
In Katie's mind, when she and I married fresh out of grad school β she with an M.B.A. and I with an M.F.A. β I was the bad-boy boyfriend of the hotshot marketing whiz. I was a sculptor. I had tattoos, not a lot but some. I dressed in old t-shirts, jeans, and the occasional leather jacket. I rode a motorcycle. I had a loft in a converted warehouse in an edgy-but-trendy section of the city. I was the "my friends think you're so cool" boyfriend, then fiancΓ©, then spouse.
I saw myself somewhat differently. I was a sculptor; yes, that part's true. I had a couple of tattoos because I had some very talented friends and I liked art, not because I was making a statement to the world. I wore those clothes because I prized comfort above all and they were practical for my work, which was sometimes messy and dirty.
I rode a motorcycle because my other vehicle was a well-used Ford pickup I needed for hauling material around, and I'd never find parking places around the city for it. Plus, the motorcycle fit nicely in the truck bed which meant I paid for only one spot in the nearby garage. Sure, my condo had a space that was permanently mine, but Katie's car had occupied that.
As for the condo, that was from my father. He had done extremely well for himself in the 1980s and 1990s, recognizing that companies like Netscape and Microsoft were the wave of the future. My friends have never even heard of the former and think that the latter is a stodgy blue chip but, when he took a flyer on them, they were gambles. He was good at those.
Dad passed away several years ago, while I was still an undergraduate and long before I met Katie. He knew his time was ending and, when he died, he left me with four things. The first was a trust fund. Not one of those look-at-my-Porsche trusts, but one that, every year, paid enough to cover basic living expenses. The second was his
pied-Γ -terre
in the city, the aforementioned condo, because, while my income wouldn't afford buying much in the way of a place to live, it could handle the taxes. The third was a boat called
The Nut Flush
that I loved as much as he had. The fourth was a letter:
Dear Richard,
I love you, my boy. If your mother was still with us today, she would have been proud.
I have one piece of advice for you. It's not the same one I'm giving your sister because you're two very different people. For you, it's: Don't settle in life.
You and your sister look out for each other, you hear?
Love,
Dad
I think our family attorney worried about the uneven distribution of the estate. My older sister, Rachel, ended up with the family home, Dad's art collection β my old man and I did not share a taste in paintings β a stock portfolio, and her own letter which didn't differ markedly from mine except for the advice. He shouldn't have worried. He didn't realize how close Rachel and I were, or how much our father knew what would make each of us happy in life.
In a nutshell, I saw myself as someone whom Fortune had blessed enough that I could pursue my real love: art. I wasn't cool. I certainly wasn't a bad boy. I was just Richard, or Rick, as I liked to be called.
Time has a way of changing our perspectives and it certainly changed Katie's. Over the six years of our marriage, I could see that the edgy boyfriend she had invented in her mind gradually faded into the spouse who, in a great year, maybe pulled in $40,000 from his job: I hadn't cracked that fractional percent of fine artists who made serious money. My income from art was one-tenth of what she made. Even with my trust money, Katie was the bread-winner of our family.
We had Samantha, our daughter, the second year of our marriage. The obvious choice, both because of the demands of our respective jobs and our relative incomes, was that I be the primary parent β the stay-at-home dad.
I was awkward and bored at the bring-your-spouse corporate dinners and cocktail parties, both of which required a facile adeptness at meaningless chit-chat and business ass-kissing. That awkwardness probably came across as "Rick's a dull boy" to others like they were to me.
I was still the introverted, artsy geek who got picked on in school when he was a kid, even though the exterior was now marginally more presentable. That last was mostly due to managing by my spouse, my sister, and my studio partner, Molly. The remainder was finally maturing into a watered-down version of the Leland genetics. They had made my dad look extremely distinguished. On me, well, Molly said I looked like, "the less attractive and dorkier younger brother of Clive Owen." I guess that's better than "gawk", "lame", and some of the other things I heard in high school.
Anyway, in those six years of marriage, I slid from, "This is my husband. He's the hot, new sculptor, Rick Leland," to, "This is my husband. He gave up his career to raise our darling daughter." Despite the fact that I had done no such thing, it wasn't worth embarrassing her by correcting what she said.