Sadly, I have failed to find an editor who wants to work with me, so my recent stories have not had the benefit of a disinterested pre-reader. Any offers would be gratefully considered.
*
Ever since 1961, when off-course betting was legalised and the first betting shops opened, I have been a habitual, though modest punter. Winter and summer, rain and shine, whenever there has been horseracing, I have placed half a crown a day on a daily five-horse accumulator. The outlay of twelve and sixpence or fifteen shillings a week has been my reward for giving up smoking. In this way I can claim with a modicum of truth, that my bets cost the household nothing.
This has been going on for almost six years now, and I have become pretty good at it. Shared with three friends at work, I take
Raceform
and
Timeform
and
Sporting Life
, and study the characteristics of racecourses; the weather; whether or not jockeys are in form and horses are in health, and all the variables I can take into account. I keep a careful note of up-and-coming apprentices and try spot talents like Fred Winter and Lester Piggott as soon as they emerge.
My scheme depends on winning my five-horse accumulator two days in succession and using the whole of the first day's winning as the second day's stake. Of course it hasn't come off yet, but three or four times I have got four winners on the second day and three winners come along several times a year, so it is only a matter of time before the elusive second five comes along.
Never mind, I said to myself, I can wait. So I waited and this afternoon, at Towcester; the only racecourse apart from Leicester where I have ever watched an afternoon's racing, my day has come. Yesterday my accumulator yielded 128 pounds, eight and fourpence. Today at 12.30 I walked down to Joe Coral's betting shop and placed it all on today's selection, and by half past four I knew I had finally won. With all odds at starting prices I had netted 10,273 pounds, seven and twopence, plus my original half crown stake money. Janet and I can afford a divorce. Finally I can give the woman I love her freedom.
***
Janet and I met right at the beginning of our time as students at Sheffield University. I took organic chemistry, and Janet was one of the earliest students at Sheffield's unique School of Japanese studies. We both came from Leicester, and, for the first year or more we travelled home more weekends than not for some home cooking and time to relax in a place where you did not have to make any effort to fit in.
She lived in Great Wigston, and I lived in Fleckney, about five miles away, but we had never met until we got to Sheffield. My mum had given me her old Morris Minor when she upgraded to a Mini. The green car had been her pride and joy, and now it was mine. Not many students had their own cars and a car-owner could share the cost of each journey with two or three other people, just by placing a card in the students' Union notice board, asking people who are seeking lifts to and his home town area to put a note in his pigeonhole.
Janet became one of my regular passengers and we became friendly acquaintances, on nodding and greeting terms. She was a very pretty girl, with long black hair hanging straight down her back in a smooth, straight mass ending in a smooth curve below her shoulder blades. Her face was pale in contrast to the black of her hair, with arched eyebrows over brown eyes with a hint of green. She never seemed to wear makeup, and her full red lips never needed the aid of artifice. She was very slim, with long, elegant legs and a good figure, but what struck me immediately was that she was always beautifully, rather formally dressed in blouses and tailored slacks. This was in contrast to the duffle coats and levis of so many of the beatniks-manquΓ© of the time.
As you can perhaps gather, I should have liked to get to know her better, but I was deflected by her shyness and her air of vulnerable remoteness. I am not a shy person. I like people and want to get to know them; I am gregarious and chatty with a fund of silly stories. But I could make no headway with Janet.
Then it all changed.
My dad is an electrical engineer, and as a child, he had taken me to work with him on building sites across the Midlands. I tried to help him, and after a while I guess I became more of a help than a hindrance and he let me carry out simple tasks under his guidance, and the simple tasks got more complex as time goes on. Physics was my best subject at school, although I preferred chemistry. In my senior years at Grammar school, the physics teacher gave up his precious free time to supervise me as I rewired and extended the stage lighting board, and handled the stage lighting and sound effects over four years of school plays.
A couple of days after I arrived to enrol at the University, I attended an event called the Freshers' bazaar, at which clubs, teams and societies solicited support from the new first year students. I offered myself to SUDS, the Sheffield University Dramatic Society as a stage electrician.
They accepted my offer with alacrity, and I took over the job. Our first production was to be the winter pantomime
Aladdin and the wonderful lamp,
an uproarious comedy written and directed by the only authentic genius I have ever met. Even as a student, Mischa Abramovitch was clearly destined for the Hollywood career he embarked upon eight or ten years later.
As soon as rehearsals began and the cast started roughing out scenes and trying out dialogue and songs, we realised that we lacked a costume mistress. The acid-tongued harridan who took the job the previous year had left, unlamented, and nobody appeared to take her place. I volunteered, on behalf of the backstage crew, to put a card in the Students' Union and interview anyone who replied.
The first applicant was Janet and I needed look no further. Just as I had learned electrical work from my father, so Janet had learned dressmaking from her mother, who had been an apprentice at Hardy Amies before she left to raise a family.