Double Exposure - Part 3: Persuasion and Seduction
9 March 1982. 11:32 am. Washington, DC.
It was late in the morning on a Tuesday, not a typically busy time at the National Gallery of Art so the building was practically empty. It allowed the man to watch the beautiful woman, albeit from a distance, as she stared transfixed at the painting on the museum wall.
As he looked at her, he wasn't sure which was more stunning, the art on the wall or the woman who was admiring it.
He immediately noticed her when she entered the museum and decided to follow her as she strolled through the galleries. Most of the paintings she took only a cursory look at, but for this painting she was now looking at, she took her time. He estimated that she had been taking it in for well over ten minutes now. All the while, he just watched her, drinking in her beauty.
Finally, he gathered the courage to approach her. He casually walked through the empty gallery and stood next to her, looking forward, admiring the painting.
It was the first time he actually saw the subject matter of the painting, and he was initially shocked. The artwork was painted in a style that was almost photorealistic, a closeup of two naked people, showcasing intertwined limbs, a woman's spreading breast, and a man's hairy chest. The bodies laid on top of rumpled bed sheets.
With all of the masterpieces strewn throughout the National Gallery of Art, he could not figure out what drew this woman to what he considered basically pornography.
"Simply beautiful." he finally said, breaking the silence of the room.
The woman let the words hang in the air for a moment before speaking. "It really is. What at first appears as a simple vulgar painting reveals itself as so much more the longer you admire it. Are they husband and wife? Lost lovers reconnecting after years apart? An illicit affair between two married people?" She paused for a moment. "Friends who finally expressed their mutual desire for each other? It doesn't matter. They are two people in post-coital bliss, completely vulnerable to each other, in love."
The man looked at the painting again with a newfound appreciation. "I'm glad you like the piece. It means a great deal to me."
"Oh, why is that?" the woman responded, finally looking at the man.
He lost his train of thought when she turned towards him. Her long dark hair framed her oval face. A face that was adorned with deep blue eyes. He composed himself and said "Well, I'm Edward Stern." She looked at him blankly unaware as to why she should recognize his name.
Slowly he pointed to the small placard that was next to the artwork. The woman moved closer and read what was written on it.
Joan Semmel | Touch | 1975
Then underneath that were the words:
Currently on loan from the Edward Stern Trust. The National Gallery thanks them for their kind generosity.
The woman's eyes went wide. "You own this painting?" she exclaimed.
"I do, and a few others, but this is one of my favorites so I wanted to share it with the world." he explained.
"Oh my. What other paintings do you own? Do you have any more of Ms. Semmel's work?" she asked.
The man was thrown by this question. He obviously wasn't Edward Stern, and he had absolutely no idea who Joan Semmel was. He just saw the name for the first time a few minutes ago when he read the placard. "Um, no more of hers, but I have a few other items. A couple of Picassos though."
Thankfully the woman did not ask him any further questions about his art collection. He was happy that he could remember 'Picasso'. "I didn't catch your name." he said, extending his hand.
The woman extended her hand in response, and they politely shook. "Mila van Amsberg. It is very nice to meet you."
Edward's eyes narrowed when she said her name as if he were wracking his memory. Then a look of realization appeared on his face. "Princess Mila? From the Dutch Royal Family?"
"The very same." Mila said shyly.
"I've read about you. You seem to be jet setting around Europe a lot these days." Edward said. "I can't believe I'm standing next to royalty. You may very well become the Queen of the Netherlands in the future."
"Hardly." Mila said with scorn. "My husband's older brother is the one in direct line for the throne. Plus I'm American and I married into the family. Even though the Dutch are some of the nicest people in the world, there is no way that they would stand for a foreigner sitting on their throne. But they are fine with reading about my exploits in the tabloids."
Edward smiled and then looked around. "I would think that a princess would have bodyguards or whatnot hanging around her, but you're here all alone."
Mila laughed. "I'm not that important to warrant bodyguards apparently. Sometimes I think the rest of the Royal Family has it in for me, and wouldn't mind if something happened."
Edward scoffed. "Well, there aren't many people here at the museum today, but I can offer my services. How about I act as your bodyguard and we continue to enjoy the museum together."
Mila narrowed her eyes as she looked at Edward. It was a smooth line. She thought she would reward him for it. "That would be lovely." Edward smiled with her response and offered his arm to escort her through the rest of the museum.
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For the next two hours, the man who called himself Edward and Mila strolled through the National Gallery taking in the breathtaking artwork that adorned its walls. Mila had to admit that Edward was quite charming and it made for an interesting day. She was looking forward to some time by herself, but was pleasantly surprised with his company. They shared stories and laughed throughout the afternoon.
He had stated that he had become successful in finance, but if she had to guess, he was born into money. He was much too young to have that much success already unless he had a head start. Plus his overall look exuded money. The perfectly coiffed hair was most likely the result of a $200 haircut. His obviously toned body was most likely the result of having a personal trainer. His skin was smooth and somewhat tanned. Most likely from exotic vacations rather than a tanning bed. He was definitely easy on the eyes and quite charming.
Soon they came to the last room of the gallery, and both seemed a bit disappointed that their time had come to an end. Edward then nervously cleared his throat. "I don't want to be too forward, but I got quite hungry, and I'm assuming you did too. The Hay-Adams hotel is a short cab ride from here and they offer a wonderful lunch at their restaurant, The Lafayette. Would you care to join me?"
Mila contemplated this request for a moment. Finally in a bit of rash judgement she blurted "Sure! But we need to leave the museum at different times. The last thing I need is for some paparazzi to snap a photo of me walking with you and I'm all over tomorrow's tabloids again."
Edward beamed with excitement. "No problem. I'll go grab us a table!" He hurried out the front door of the museum on his way to the hotel.
Mila laughed to herself. He looked cute running off in such an excited state. She waited a few minutes before following him to the Hay-Adams.
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At the Lafayette, they both enjoyed a wonderful lunch together, continuing their laughter and conversations from their time together at the museum. The tone definitely turned more flirty as the time went on.
And then at one moment during a lull in the conversation, they both began to look into each other's eyes. Feelings were progressing in both of them, and they both knew it. Edward finally started to say. "This may sound crazy, since we just met, but what if I said--"
Mila interrupted him before he could finish. She had signaled for the waiter, and he was now beside her table. "Excuse me, my husband and I just love your hotel. Would you be able to check with the front desk to see if there are any rooms available?" she asked.
"Of course, ma'am." Edward looked shocked as the waiter left to go check on rooms.
"I guess I passed then." he said and began to laugh out loud. The woman laughed equally as hard after the waiter left.
"I wasn't sure how long I could keep that persona up." Claire Weber said with tears in her eyes.