In a mid-sized city within an average suburb sits a house that from the street looks like any other. Inside one enters a mirror world.
On the left side of the staircase, one bedroom that was once the master now looks like a bachelor pad, complete with abstract modern sculptures; on the right side of the staircase, the former guestroom now looks more like a master bedroom and has a painting of a Romantic landscape above the bed.
In the kitchen, you will find two of everything: two coffee makers, two sets of dishes, two entirely different meals in the fridge. It is not a house divided, but a home that refuses to unite.
One summer day, Betty Henderson lowered her coffee mug to the right side of the sink, next to the cabinet with her coffee mugs, above where her coffee maker (a Braun) gave off the last steam of the new pot of bold roast. On the left side, the Keurig belonging to her official husband and roommate, Ron, waited for its first use of the day with something hazelnut-blackberry inside.
Sighing, she picked up her car keys and called up the stairs: "I'm off!"
No response.
"Don't wait up for me," she said, then broke into a giggle that ended with a sob before she fell silent for her lonely drive.
Things had not always been this way. Entropy and decay happen, she knew, but it seemed that people were often too willing to let it. Allowing everything to go to hell made it easier to avoid doing the stuff that they should be doing.
Speaking of sudden mortality, she changed lanes to be out of the left lane of the freeway which ran dangerously close to the Sassafras Road bridge and its middle pillar which formed a solid block of concrete between the lanes. If you just drifted left a hair, the end came quickly. The grey rectangle marked the far end of a nice straightaway where people could get their cars up to speed, and six had died in insuppressible fire that year so far.
Her story began in a similar anonymous suburb many years ago. Born to a university professor and his high school teacher wife, Betty Jansen grew up in a house where the adults were constantly busy. They each graded the papers for their own classes, then met up for a glass of wine before bed, while the children -- Betty and her older brothers David, Phillip, and Julian -- did their homework at the identical desks in their rooms.
When she had free time, Betty liked to paint. She frequently painted "Romantic" scenes, like stormy mountain passes or Gothic castles shrouded in mist, and imagined herself living in them instead of her dreary, obedient household stranded in the cookie-cutter suburbs. She wondered what her painting, the painting of her life and how her story would end, would look like once she got old enough to make her own decisions.
Her parents gave her no direction mainly because they focused so much on her older siblings. The boys were good at sports and school, and all the adults seemed to fawn over them. Betty was assumed to be just, well, Betty: a tidy little person who liked to paint and sing, had big dreams, and would find a place somewhere.
"Will I grow up to have a castle someday, or a prince?" she asked her mother. Betty was painting her favorite scene, a radiant castle in the mountains, rich with spring green and empyrean azure above a field of white flowers.
"No, dear, you'll become a functioning member of society, develop your own career, pay taxes, and have an accomplished husband, so we have grandkids to visit," said her mother.
"What your mother said, dear," her father murmured, barely looking up from the papers he was grading. Her parents as she remember them were attired in bold browns and subdued reds.
On weekends, her father liked to golf, her mother hike, and the two would meet up on Saturday night for a "date night" that involved dinner, drinks, dancing, and a movie. They both liked arty cinema but she knew they sometimes guiltily went to see a good spine-tingling thriller. She imagined that, on that one day a week, they made love. She had no idea what went on in their room at the end of the hall; it was a loving home and a safe one, but not an affectionate home.
While her brothers went to highly-ranked colleges, Betty who had good grades but not exceptional aptitude test scores barely got a scholarship to the state university down the road. When she announced her engagement to Ron her senior year of college, after a long and steady romance beginning when they shared a group project in an early economics class, her parents barely nodded before returning to their books. Her brothers had married well or were engaged, and while the first of these events was exciting, the last was measured more in terms of how much free time it took from their comfortable middle-aged lives.
She married Ron because he seemed to fit into the painting that she hoped would portray her life: maybe not a prince, but a strong silent man, loving his devoted wife, in a castle ensconced in a valley surrounded by mountains, or at least a nice part of suburbia. To this she added two things.
First, she borrowed from what her parents wanted, and decided that her man needed to be
accomplished
, either by success or being an innovator. Second, on top of this vision floated her own unarticulated dream: she wanted someone to spend time with who actually wanted to be with her, who was affectionate, and appreciated her as more than just a kid with above-average grades and adequate performance on the field hockey team. Betty did not want to be her mother and father repeated.
"Hey, is this seat taken?" Ron had said. Betty looked up and saw not a football hero, but the mythical "well-rounded" all-American, a guy who was obviously both fit, being on the swim team, and going somewhere, since his research in the computer science department had already made it into at least one newspaper. They had met in her Econ 101 class, where he seemed to have a good grasp of the material but was slightly bored, revealing a shadow of arrogance behind his affability.