Cheater's Gallery, Ep. 02: Denise
The following is the result of a suggestion sent by a reader.
Adrestia Rhamnousia first appeared in "The Cheating Zone 03: Lori," as "Dr. A," and appeared in a couple other episodes of that series.
I decided to feature her in a series of her own.
Like "The Cheating Zone," each episode in this series can be read as a separate story.
As always, constructive comments are always welcome and appreciated.
Please refer to my profile for more on my personal policy regarding comments, feedback, follows, etc.
And remember, this is a work of fiction, meaning that it is not real in any way, shape, matter or form.
It was early afternoon when I pulled up to our house, an old two-story farmhouse set out in the Kansas countryside surrounded by large fields of wheat and alfalfa. Before you ask, no, I'm not a farmer. For that matter, I wouldn't know one end of a tractor from another. The fields belong to someone else, thank God.
My name is Bill Jacobs. Maybe you've heard of me, or read some of my work. I'm an art critic whose weekly articles are syndicated in about 200 newspapers across the country and featured on a number of large mainstream websites. I do most of my work here, in this quaint country house my wife of eight years and I decided we would call home. I do spend some time on the road, about one to three days a week, depending on what it is I'm writing about at the time.
My wife, Denise, works as a surgeon at the county hospital located in what the locals here call a town. Don't get me wrong -- they're good people -- honest, decent, hard-working folks who take care of their families and try to do right. The kind of people who look you in the eye when they shake your hand. It's just that the town isn't quite what I'm used to, having lived in southern California most of my life.
I met her at an exhibit in Los Angeles. I was covering it for the paper I wrote for and she was there taking a break from her studies. At the time, she was a student finishing her medical degree. I remembered that day as if it were yesterday. I was examining a piece of art, making notes in my pad when she approached me.
"That's an interesting piece," she said.
"Think so?" I asked.
"Yes, I do," she responded. "What do you think?"
"Personally, I've seen more cerebral work done by six-year-olds with crayons," I told her.
"Don't you like abstract art?" she asked.
"I like abstract art okay," I said. "But this... This isn't abstract. It's lazy. No doubt done by someone who hasn't sold anything in a few months. Probably figured he'd slap some paint on a canvas, stick his little finger out and spout some psychobabble about inner conflict or something. He'll probably sell it, but I wouldn't give a plugged nickel for it myself."
"Are you an art buyer?" she asked.
"No, I'm a critic," I said. "Bill Jacobs," I said, offering my hand.
"Denise Blackman," she said, taking my hand. "You're a real art critic?" I chuckled at that.
"Yup," I said. "They actually pay me real money to write horrible things about stuff like this. Some artists actually think it's a badge of honor to be insulted by me." She laughed at that.
"Sounds like an interesting life," she said. I shrugged my shoulders.
"It can be," I said. "Mostly, I travel to see exhibits like this, maybe talk to an artist or two. Most of my time is spent on a computer, though. It can get rather boring. What about you?"
"I'm a medical student," she said. "I start my residency next year."
"Now that sounds exciting," I told her.
"It's all work and no play," she said. "That's why I came here. I need a break from studying."
"I can understand that," I told her. "Now if you want to see some REAL art, take a gander at that piece over there," I added, pointing to a picture of a country farmhouse covered in snow. "Tell me what you think of it." She looked at the piece and her face lit up.
"That kinda reminds me of where I grew up in Kansas," she said. "I love the way the moonlight reflects off the house."
"Are you sure it's moonlight?" I asked. "Stand in front of it and tell me what you think." She walked to the picture and I followed her. She looked shocked as she stood in front of it.
"It looks so much different from here," she said.
"Indeed," I said. "The brush strokes the artist used and way the colors are blended, it's almost like looking at a different picture depending on where you stand. And if you look close enough, you'll see detail here you never would have picked up over there."
"You're right," she said. "I like this."
"Congratulations," I said. "You're now an art critic." She laughed.
"Oh no," she said. "I could never do what you do. I'd be too afraid of hurting someone's feelings."
We spent the next two hours looking at the rest of the exhibit. I had to admit, I liked hearing her input on different portraits. I hated it when she had to leave, but I understood that she had to get back to class. We exchanged numbers and email addresses before she left.
"It's been a pleasure meeting you, Bill," she said, giving me a peck on the cheek. "I'd like to do this again sometime."