Foreword
I suggest those of you who hated Part One take an early bath because this is more of the same. All I can ask those of you who hate what you read, but read it all the same and complain about it, is that you read carefully. We all spend our lives learning from our mistakes and my characters make lots. It's what makes us interesting and human. My point is to raise powerful emotions and it's for you to discover what to do with them. I suppose therefore I must accept that abuse is in the range of valid responses.
And to answer some of those who commented on my throw-away remark in my previous foreword about The Duel being a story of redemption: remember that in England assisting a terminally ill person to die is murder. I tried to make clear that Suzie didn't help Stan die because she believed in euthanasia but because in her own way she loved him. At the end, when he needed her most, she was there for him and risked everything to give him what he wanted, gaining nothing in return. I couldn't think of a greater sacrifice a person could make. In doing it she was attempting to atone for her errors and I thought her noble. But I accept that few read it that way, so it's down to me to do better next time. Maybe a male writer is always inclined to fall in love with his female lead in spite of her bad behaviour β or perhaps because of it. It was Flaubert who said of another famous adulteress: 'Madame Bovary, c'est moi.'
Now back to Caroline alone β and don't you just love her? Only kidding...
Copyright MortonGrange 2013
Part Two
Caroline rose on the morning of her London trip disheartened by the complexities of her life. Jack was up early too and she was disconcerted by his calm and purposeful actions as he prepared breakfast, listened to the news on the radio, made lunch for the children and packed their sandwich boxes, roused then from bed and into their school clothes. This was all routine, but she wondered what was different and why she was uncomfortable.
"What's up Jack?" she asked eventually when she'd finished rushing about and was ready to leave.
"Busy day. Lot going on."
"Work? I'm sorry I can't get back tonight. Not fair you having to do the school run morning and night, but I'll make up next week."
"Not a problem."
"Jack, you must take more care of yourself. You work too hard and you never seem to relax. When I get back from this trip I'll make sure you get some fun."
"That's good of you, but really I'm fine. I have lots of fun with the children."
They looked at one another until Caroline picked up her overnight bag and briefcase and aimed a kiss at his lips, making contact with the corner of his mouth.
"Take care," she said with a twinge of alarm.
"You be careful," he responded. "And don't bother calling tonight. I may take the children out to eat and I shan't answer my phone while we're out."
"Don't stay out late."
"You too."
He turned away. She knew something was wrong but had to go despite the anxiety lodged in the back of her mind. There was no time to worry about it now or she'd miss her train. She drove to the station struggling to make sense of what had happened. What did he mean: "Don't ring"? Of course she'd call and he could at least text to assure her the children were okay. It sounded more as if he didn't want to speak to her.
It was a relief to get onto the train and put the confusions of family behind her for a while at least.
Damien was waiting for her and as always he was wonderful, soothing her anxieties at once and bringing to the day the expectation of adventure. He was in high spirits, his lover wholly in his grasp for a while, and was fizzing with ideas for what she should do. They quickly agreed the itinerary: shopping in the morning; lunch; check in to the hotel; afternoon rest; evening performance of Anything Goes, the Cole Porter musical showing in a highly praised revival in the West End; dinner; bed. It was a dream day.
They stopped for lunch with the anticipation of an afternoon at the hotel making them ravenous. Damien found a chic oyster bar in Fitzrovia and wanted her to drink champagne. She'd have rather kept her head clear, but accepted a glass to drink with her smoked salmon and cream cheese in an artisan brown bread sandwich. They sat on tall stools at the bar, leaning together and kissing between mouthfuls.
"To many happy days like this," toasted Damien, clicking her glass with his.
Before she could reply his phone rang and he spoiled the moment by answering.
She sipped her wine and took a bite of her sandwich and watched the colour drain out of his face.
"What the fuck!" He was staring angrily ahead of him, phone pressed hard against his ear. "Are you sure? That can't be right. An email from me? But I'm not at work. I've not looked at my private emails this morning. This must be a mistake. I'll call you back."
Damien put down his phone and pulled out his iPad.
"What's the matter Dam? What's happened?"
He didn't answer at once but fiddled with his iPad. "Give me a moment. Something's come up."