HYPOTHETICAL MARITAL CATASTROPHE (PART TWO)
(Proviso: This story is a work of fiction. All characters were created for the purpose of telling the story. Any similarity between any character and any person living or dead is purely coincidental. All characters were created as adults at least 21 years old.)
"Knackered," a word that had fascinated her English grandmother, rattled around in Gail Connery's pain ridden pulsing brain. Gail had expected the night of laborious sex to tax her endurance if not her sanity. But she also had calculated that there would be overwhelming guilt.
Why was there no symptom of guilt?
Had she really done it? Had she sold her 48 year-old body as if it were a frat house blow-up doll?
Her slowly functioning senses became even more flummoxed as she stared up at the sex soiled image of herself on the ceiling.
Why was she naked on the ceiling?
How could that bald, overweight man be mounting her on the ceiling. Her eyes focused critically as she stared incredulously at the ceiling. It was her face and body. Seeing herself literally "fucking" on a strange ceiling, however, produced a visceral response almost like a tangible madness.
The strain of the rapid, piston-like penetrations of Gail's body was showing in the middle aged man's contorted face. Beads of moisture popped out on his wrinkled brow as he gasped for air, all the while dripping his warm sweat into her eyes as he labored above her. She saw no pleasure in the bulging eyes or waxy face. Grasping the reality was tantalizingly elusive.
Sorting her own emotions, however, seemed comically simple. To Gail's horror, she knew that the sexual deluge of this night already had become addictive. Above in the ceiling video, she saw the man mercilessly driving a long, thin penis into her gaping, semen filled vagina. Involuntarily, she screamed and convulsed as the one dimensional man on the ceiling abruptly stopped, stiffened and howled.
"Gram would say that I'm knackered beyond redemption," Gail murmured. "I actually see my filthy naked body up on the ceiling being fucked."
To her Gram, "knackered" had meant that she was "beyond bone-tired." The word most certainly applied as Gail slid her hand between her legs and confirmed that her bruised and swollen vagina was a slimy mess. She flinched and moaned as her fingers explored her stinging inflamed opening.
The porn movie playing in the enormous mirror on the ceiling was no hallucination. It was a faithful recording of her whoring performance that had paused for a brief recovery only three hours earlier.
How did she get to this magnificently appointed room? Where was she?
Surreal flashes of sexually charged scenes from Santini's "research party" began to swim in Gail's throbbing brain. She massaged her facial muscles and eyes. Fragments of her negotiations with Santini floated through her sex sodden consciousness. None of it could be true.
But there was the memory of Santini's ecstatically happy, almost lyrical eruption of satisfaction during the experimental orgy. He had declared victory. He did a spontaneous victory dance. His long, tedious study of women had validated his hypothesis, and now he would publish and renew his standing as the leading social scientist in the ether. His findings in this cutting edge research known as The Project would change fundamental perceptions of the nature of women. His streets would be paved with gold.
Women as a species, he had toasted, were endowed with both intuitive and instinctive qualities that led them to sell, barter or gift their sex. He now had the evidence. Santini's soon to be published monograph would nail this long held blue collar opinion, a fact of life known instinctively by patrons of ale houses and barrooms, to the door of Notre Dame Cathedral.
Gail and her friends—Margie, Jeanine and June—had just provided his obligatory chapter. They represented the most important cultural and sociopolitical segments of the canon known as "Women's Mystique." They would provide the center point. All of them flew under the victory burgee of "The Women's Movement."
Obviously, Santini had employed the most sophisticated of investigative agencies in his search for the most prestigious and successful women of the 50-year women's campaign for superiority. But his staff had compiled 1,422 files of women all over the world, who in some significant measure had contributed to the success of this risky and very costly project.
Our four wives had emerged as the quintessence of "The Movements's" most successful woman, according to Santini's computer models. It had been imperative that he secure their services in concluding his study. It was obvious that his reputation for success in reasoning with women had been well earned.
Preseumably, we husbands were post modern men. Were we not required by all 21
st
Century revisionist social protocols to be proud and unquestioningly supportive of our women's success? As it turned out, neither Santini nor our wives had considered the possibility that at least one of us four huswbands might be a "throw back" to the dark ages when wimpery was not an option. I often have wondered how the indestructable Dr. Santini could have failed to consider the possibility that a "recessive gene" might be lurking in one of us.
As it turned out, I suffered from the "flawed male ego" and could not be persuaded or coerced into wimpery. I was not necessarily alone in my resistance. But the other three husbands had eakened in varying degrees as the material rewards of selling pussy became obvious.
"Women are disposed by nature to sell their sex," Dr. Hussain William Santini Santiago Ali had shouted after only an hour into the pivotal orgy weekend.
Santini's scientifically scripted, "dusk to dawn" sex marathon had proved his hypothesis. If the illustrious Gail Connery and her friends, all paragons of the virtues valued by the cultures known as Western Civilization, would sell their sex, all women would sell their sex. It was only a matter of price.
RISKING ALL FOR SCIENCE...
This abrupt change in her life had brought heretofore unthinkable new dimensions of existence. The realiztion that sex could become a way of life to the exclusion of all other meaningful variables shook her to the core. Gail was confounded by the emotional paradox of exhilaration mixed with a pernicious disquiet.
There also was the disturbing echo of Doctor Linda Nriana Omara Asante hovering over her with a sophisticated video instrument. Asante had cast a dark shadow over the night of "scientifically scripted" sex. As Santini's lead assistant, the surly, snake eyed woman recorded all of the intuitive reactions reflected in the eyes and muscles around the mouth during an orgasm. Gail gasped as she realized that Asante's videos had captured every nuance of her experience as she had coupled with each sperm donor. And she had lost count of the partners at twelve.
On the ceiling, three men were vigorously exercising their abnormally erect penises in her incredibly dilated body openings as five awaited their turn. Several women empathized visibly as they stood in a semi circle applauding the writhing mass, their faces reflecting their own growing sexual arousal. They unconsciously masturbated as they watched the four straining faces turning rapidly in full circle.
It was a freakish rotation of artful savagery. Gail was enjoying an almost injurious performance of sexual mayhem measurable only in mechanical revolutions per minute that diffused erratically in radical variations of sensuality mixed with pulsing cognitive senses and perceptions. Gail tumbled like a golf ball in a clothes dryer in the bruising sexual contest of intertwisted arms and legs attached to four contorted sweaty torsos. Their seemingly detached faces registered pain even when they would have described the most sublime gratification, straining for the mystically elusive "Ultimate Orgasmic Rapture." Santini had coined the phrase "Ultimate Orgasmic Rapture" in his orientation lecture just before the scientific fuckfest began.
Staring at this ceiling display of her inflamed, swollen vagina brought "shock and awe" succeeded by a moment of hysteria. During all of her cascading emotions and surging appetites, Gail was taunted by the word "Phantasmagoria." The ridiculous word had entered her novelty vocabulary during an abnormal psych class. Now it seemed to have relevance. Almost comically, one part of her brain was lucid and playing back random memories. "Phantasmagoria" entered the world of the adventurously cusrious in the 17
th
Century as "horror theater." Demons and apparitions were projected onto the walls of a room decorated to create "the thrill of unconscious fear."