Old Lawa Speaks After Nightfall
How does it go? "The days in a summer are two toes short of a man whose each finger and toe is a man, and a hand on top of that, and a thumb that grows for a thumbless hand of summers, adds a day, and is cut off again." Aren't we lucky to have Yath. I'll tell you a secret: my mother knew no exact way to tell when the next day of the lean sun was, nor did I before Yath was found. If you counted the moons you could be a day or two off. So we used to go to Look-Who's-There Hill and ask casually, as if we were making small talk. Wisewomen in other tribes may be doing the same to this day.
Gather around the fire, all you who aren't asleep yet. The feast of the lean sun is over, the night will be long, and Yath has led the offerlings away. I'm in the mood to speak of things I don't often speak of.
They say the wisewoman teaches you the old ways and Look-Who's-There Hill teaches you the new ways. I never much liked Look-Who's-There Hill even when I could still walk up there, but I'm not as ignorant as you might think when it comes to things considered new and wonderful and never seen before. And I don't just mean all the young people wearing a red screecher's feather. You are like a second fire around this one, and it's common knowledge that three such feathers are traded for hand-and-two good rabbit skins on Look-Who's-There Hill.
Sorry, "seven" good rabbit skins. I know you call it "seven" when talking of trade, and it's very important somehow. Either way, that's a lot of skins for three feathers, isn't it?
Now most old people need no better parable of the folly of the new ways; but I'm not most old people. A wisewoman knows things from long before her own time, and trust me, there's nothing new about this particular folly except the particular bird. Do you know why seeing a white-necked motleytail is considered a lucky omen, and the bird is forbidden? It's because fancy dressers of old very nearly caused it to disappear, before the gods took it under their protection. Go easy on the red screecher, people of times-yet-unsung.
I see some of you are dozing away, but you're about to be very awake. What if I told you I also know what soaken-moss stories are?
Yes, yes, the stories of man-love or woman-love that are the latest new and wonderful thing on Look-Who's-There Hill. Again, I've heard people grumble, and not all of them old people, "Why is nobody telling stories of fruitful love there? What cunning god is behind that? Is it Ayaki, who altogether forbids man-love and woman-love to his own tribe? Is he trying to put our young off having children so his tribe can outbreed all others?"
Please. Stories of love between women and men are harder to tell at a place as clamorous and unforgiving as Look-Who's-There Hill, that's all. Your listeners will take sides, and you'll be shouted down at every turn of the story by either the men or the women. And while no god can forbid fruitful love without becoming a funny god, so many different small prohibitions surround it in different tribes that any interesting story is sure to offend someone at some point. Finally, a story of woman-love or of man-love lets you be lavish with ribald detail without being asked jeeringly a "hundred" times--however many that is--if it's the story of your own coming into this world.
A wisewoman is lucky; she always has good listeners.
Now here's another thing I can guess about soaken-moss stories without having heard a single one myself: while the custom is still new, the most thrilling stories are liked best, but as it grows older, true stories will come to be valued more. For the made-up thrills will repeat themselves and be yawned at, while the gods have a richer imagination than any storyteller.
They say of Orog's tribe that we're good hunters and not much else; Yath has told me that when one of you tried to sit down at the storyteller's stake, people said, "let's go; it'll be about him and a boar." This may well be my last feast of the lean sun before Orog's unfelt wind carries me behind the pine trees, and Yath becomes your new wisewoman. But I can do something yet for our tribe's good standing in times-yet-unsung and times-yet-unlived. You couldn't have mistaken me for a huntress even in my younger days; the one time I've met a boar, I ran into the river and nearly drowned. And the stories I have in me that are worth retelling are not all from timeless times.
I know of two accounts of my youth whispered behind my back; one is completely made-up and the other confused beyond recognition. What better way to put them to rest than to speak of my youth myself. I can see the incredulous question in your heads, those heads of yours that put old things firmly to one side and new things to the other: "is old Lawa really going to tell us a soaken-moss story?"
No. The night will be long, so I'm going to tell you three.
Each picks up where the previous one left off, but they're different kinds of story and I'd like to keep them separate. "Soaken-moss" tells you there's going to be man-love or woman-love in it, but not much else. It's like saying "a fast beast": is it a boar, a marten, or a lynx? A beast that's all three at once would be strange indeed.
The first one is rather tame; it's a story of yearning and mystery that I'll call "Why Young Lawa Couldn't Have What She Wanted". The second is rather like the stories men tell of their first hunt; I'll call it "What Young Lawa Could Have and What Good It Did Her". The third one is called "How Young Lawa Awakened the Dreaded One", but it's a soaken-moss story as well, indeed the most soaken of them all.
Yes, I know that these days, "awakening the dreaded one" has a funny meaning. It's you who may forget I'm the reason we don't dread him anymore.