I began with tango in my late 20's and have been hooked ever since. My dance background is ballet in which I'd trained to a professional standard but, for a combination of reasons, I abandoned it as a career in favour of the far more lucrative world of business. At the same time, I know my body needs and even seems to demand the discipline of exercise so I have kept myself fit with gym work and running. For me, the benefits of that regime have been immense but something it doesn't offer is the opportunity for personal expression that goes with dance. That's why tango found its way into my life.
Volumes have been written about tango and I don't intend to add more here save for a few sentences. If you have any sense of rhythmic movement you can begin to dance a basic tango after just a few lessons. If you want to express the raw sensuality for which tango is renowned, that is a different matter entirely. It involves mastering movement, which is a matter of technique and practise, and matching it to that of the partner as the music requires. It is said that tango is a silent but sensual conversation between the dancing couple. It is also a dance of improvisation determined by the leader, most usually the man, to which the follower is invited to respond and show her moves as best she can.
It was in pursuit of mastering movement and improving my "conversation" skills that saw me travelling from Rio de Janeiro, where I was living and working at the time, to Buenos Aires, the home of tango, to attend a 3-day tango workshop. Even though I was not on business, I was able to obtain a very cheap rate at the Sheraton Hotel by virtue of the company for which I worked. From there to the studio at which the tango workshop was being held, it was a short but crazy and scary taxi ride though the chaotic city traffic.
The studio was located in the Recoleta district, close to one of the many parks in that area. I was met and received a charming welcome from the workshop leaders/teachers, Martina and Roberto, and it was very apparent to me that they were dancers from that certain something in their posture and bearing. It was a pleasant day and all the windows of the studio were open, which gave it a refreshing airiness, and there was a beautiful wooden floor which I anticipated would be ideal to dance upon.
I found the small changing room and that's where I encountered Georgina. Like me, she was swapping her jeans and trainers for a skirt and tango shoes which, strangely I thought, the other female participants hadn't done. She introduced herself with a nice smile telling me her name was Georgina but her friends called her Gina. She spoke with one of those smooth English accents and my first impression was that she was perhaps around 40. She was very well groomed with thick back hair tied back into her neck and her skin tone suggested a freshly acquired suntan. She had large dark eyes, sensual full lips and was just a little taller than me. I liked her immediately, and not just because of the glimpse of a nicely rounded bottom encased in silky red panties that had caught my eye as she changed.
"It's not that I don't want to be a friend," I said, "but is it OK if I call you Georgina?"
"That would be lovely," she responded with a warm smile.
Things began with us, the twelve participants, standing in a circle in the middle of the studio, introducing ourselves. As I recall, there were three American couples who were all part of a group and seemed to cling together, Georgina and her husband who said his name was Stefan and that he was from Austria, two single women, including myself, and two single guys. The couples were asked if they wanted to work together or were prepared to switch partners. It was only Georgina and Stefan who were of the latter category so that left just four guys that I could have as partners, including Roberto the teacher. I was somewhat disappointed in the lack of opportunities to experience different leads and so improve my "conversation" skills.
That first morning was taken up by revisiting some basics such as the initial embrace and body posture mixed with some dancing which gave Martina and Roberto a chance to observe the standard of participants. I danced with one the single guys, a tall young American called Wayne, who was very tense and wooden, and I was leading him more than the other way around.
Stefan was stronger and more experienced, and I liked dancing with him because he had a sensitive feel and seemed easy in his own skin. He looked much older than Georgina with a weather-beaten face, a slightly crooked nose and floppy, greying, blond hair. Unlike the other men in the group who were wearing jeans and T-shirts, apart from Roberto who wore a suit, he wore a nice shirt, well cut trousers and proper, leather tango shoes. Altogether he had a certain presence and understated confidence that I liked.
Roberto was a dream. I'd say he was around 50 and tango had been in his blood before he was even born. It was as if he knew who I was as soon as we engaged in an embrace and before we had even taken a step. I picked-up his lead instinctively and he was always there for me in the right place at exactly the right moment so that every step flowed seamlessly from the last. At times he would test me and I responded without thinking as if on autopilot. I don't think I have ever danced tango better in my life as I did with him. We danced together for perhaps 15 minutes and I realised what people meant when they talked of tangasms.
On a couple of occasions I had noticed Georgina sitting by the side of the dance floor with a sketch pad and I later discovered that she was an artist.
"You and Martina are natural dancers," she explained, "and it's important for me to see and record the finer details of movement that make you stand out. It makes the difference between a mundane picture and a dramatic image."
At the lunch break there was a buffet with various items of finger food but I didn't want to eat much and to hang around with the others for too long; rather, I grabbed a sandwich and went out into the nearby park, feeling a little conspicuous in my tango outfit, to get a change of scene. Looking at the buildings, the people and the way they were dressed, it appeared more like a Southern European city rather than South American. It certainly wasn't Rio de Janeiro.
Reflecting on the morning, I was pleased that I felt my dancing was up to the standard of the rest of the participants but also disappointed that I didn't feel more challenged. If it hadn't been for Roberto, I thought I might well have called it quits and written off the expenditure as a sunken cost.
When I returned, I was intercepted by Martina.
"Can we talk for a moment?" she asked in her soft, slightly accented voice.
"Yes, of course," I answered.
"Well," she went on, "we, that's Roberto and I, know you are a real dancer. It's obvious that you are in a different class to everyone else. It's the way you hold yourself and move, the way you use your arms, the leg extensions. Am I right in thinking you did ballet?"
"Yes," I replied.
"Where did you train?" she asked.
"The Royal Ballet School in London for three years, but that was a long time ago," I replied.
"Oh my God, I just knew it," she responded and threw her arms around me in that very spontaneous, Latin gesture, as if I were a sister.
"Look," she continued, "we would hate for you to leave here feeling that you had wasted your time and money. If you would like to do it, we would be happy to work with you separately after class. We feel the same about Gina and Stefan so it would be just the five of us. I promise it will be good. What do you think?"
"I'd welcome it," I replied. "Thank you."
"Well," she said, "just hang back and let the others leave and we'll see how it goes."
So it was that I spent an hour later in the afternoon working with Martina on unlearning my ballet technique and replacing it with tango. We quickly found a rapport as she explained some of the subtleties I hadn't perceived before and I valued the whole engagement with her. Meanwhile, Roberto worked with Georgina and Stefan. Georgina didn't show a lot of finesse but she moved gracefully with a very sensual sway of her hips and a confidence that told of experience. I noticed her slender body and her legs that looked sturdy but nicely shaped. To my eye, it was a very attractive combination of attributes.
When our "tutorial" came to an end, Georgina and I again found ourselves in the changing room.