PROLOGUE:
I hope you enjoy reading my story as much as I enjoyed writing it. Life is not perfect and neither is my story, it is dirty, unashamed, unedited, baring blemishes and all, bare. it is not a legal brief constructed so every word is perfect, every common in the right place, edited ten times. My tumbling out style of writing comes from emotion, desire, a longing, sexual desire, fun erotica, fantasy. My stories come spilling out of me full of lust, raw energy, with no filter, a friend confessing to you. I'm not looking for perfection in my writing, I'm simply purging my mind. Life is short enjoy the ride. I'm Cheryle "Cheri" an Irish Catholic, Attorney, Singer-Songwriter 30year old bi-sexual woman, 5'2" 107lbs., with blue eyes and long red hair-π
Lost Opportunity, my pen name, refers to all those times I missed the signals, failed to take the leap, didn't recognize or understand what others were feeling/wanting, just didn't go far enough from my own hang ups and fears. I've learned in my thirty years to say yes, to take a chance, make a move, have no regrets, take chances, even if I fail or are rebuffed, even those that don't work out or even when they hurt how do I know if I don't try? Life is short enjoy the ride. Let's go dancing, our bodies moving together, grinding, forming a deep connection between us that is flirtatious, romantic, sensual. Your mouth moving to mine, we kiss, lips meeting for the first time, our tongues intertwined in an thrilling erotic dance. Strolling back down the Riverwalk holding hands under the moonlight stopping to kiss under the Bamberg Bridge. Feels so good, your soft lips, so natural, tingling all over, caught up in our lust & desire, I want more. Join me on a journey of discovery our arms, hands, fingers, legs, feet, mouths, tongues exploring each others bodies, pleasure building, tingling, shaking, moaning, laughing in sheer delight. The smell & sounds of our sex filling the room, lust and desire running our minds in a ancient primal dance of love, sex & fun.
Chapter One-The Hideout
Chicago has one of the most exciting music scenes in the country. The birthplace of new influential genres house, modern gospel, Chicago-style blues ECT. A hotbed for new and exciting musical innovations. So it only makes sense that Chicago is one of the best cities to see live music especially in Wicker Park. While there are great venues all over the city, this neighborhood stands out for their dynamic music scene.
The indie spirit lives large in Wicker Park, a haven for artists and musicians since the roaring twenties. You'll find music venues all around the six corners where North, Milwaukee, and Damen Avenues intersect, where you can see well-known acts or discover some of the latest local talent.
Subterranean is a two-story venue with a cabaret-style stage upstairs and an intimate performance space downstairs. Both floors host live acts almost nightly, from DJs to local musicians to burlesque dancers, open Mic Hip Hop on Tuesdays and Reggae Gold on Wednesdays.
Just a couple doors down, you'll find a one of a kind venue Chop Shop. The industrial chic building includes a restaurant, bar, butcher shop, and music venue all housed inside a 100-year-old former auto body shop. The concert space includes 20-foot ceilings, exposed brick walls, and a state-of-the-art sound system, making it the perfect spot to catch live shows and maybe grab some house roasted meats on your way out.
On the outskirts of Wicker Park, you'll find two local gems that are worth the trip outside the heart of the neighborhood. The Hideout is a community bar and venue tucked inside a 100-year-old house on a quiet street. You'll find live music and events there almost every night of the week, often spilling out into the front lawn. The Empty Bottle is a rarely empty hole in the wall bar that happens to be a musical institution on Chicago's west side, featuring an eclectic concert schedule with a side of grunge.
I met Michelle there in the Green Room and she introduced me to the others we came together to form a band there was an instant chemistry right from the start. Tammy a tall, twenty-one year old, darked haired vixen, tattooed and always dressed in black, playing bass, Michelle, a twenty-two year old, short blonde with cropped hair, on lead guitar and vocals, Sherry a grad student, twenty-six, playing drums, with purple hair and a nose ring, and me a twenty-four year old red headed short spitfire on lead vocals and rhythm guitar. We called ourselves the aptly named "Lust", we play at frat parties and college bars around campus, with a small but devoted following.
Chapter Two-The Green Room
In show business, the green room is the space in a theatre, comedy club, music venue that functions as a waiting room and lounge for performers before, during, and after a performance when they are not engaged on stage. Green rooms typically have seating for the performers, such as upholstered chairs and sofas. There is no one accepted theory as to where the term "green room" got its start, but it's been in used for centuries. A private space where actors, musicians or speakers can go before, during or after a performance to be away from the crowds, these secluded areas have gained a reputation for various shenanigans. They can serve as anything from silent temples of preparation to rowdy dens of ill-repute.
While the origin of the term is perhaps lost to history, one possible explanation dates back to 1599 and the Blackfriars Theater, which offered a room behind the scenes where actors waited to hit the stage. That room was painted green and was even called "the green room," according to lore. In 1662, London's Cockpit-in-Court theatre also included a room covered in green material, which may also have sparked the use of the term.
Some theaters have multiple green rooms, demarcated for various bands/performers. Maybe the headliner will have the biggest one, whereas the opening band gets the most cramped. Even in green rooms, there can be a hierarchy.
Often, there are food and drinks in the green room, couches, and posters on the wall. It's where the night's producers will find the talent and tell them when there are five minutes to go on. It's a place to relax without the eyes of audience members glaring. It's also a place to go after the show to decompress and come down from the high from their performance that just took place.
Most green rooms aren't actually green, of course, unless you count the less sanitary of the bunch, where mold might be a factor. In fact, there's little that these spaces have in common. For musicians, there's an eternal element of surprise and possible horror when coming to a new venue and its unfamiliar prep room. Will it have its own bathroom? Sinks? Chairs without suspicious stains? Will there be a green room at all, or will the band be forced to mingle with the masses out in the bar before and after the show?
The moments before a performance are crucial for tuning instruments or just spending time screwing around with my band mates, groupies and other hangers-on. Getting my mind in the right place whatever that means to each us and what they require before hitting the stage with our innovative sound, a decent green room can be a lifesaver.
I find them terrifically useful, not only for gathering my thoughts and warming my voice but for a high-maintenance bitch like me to have a sacred space to get ready to perform helps immensely.