Note: This story is set in the same world as (though not directly related to) another of my other stories, DiaboliCon 2048!
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As a critic, Claire Pemberton had long been comfortable making enemies with Metrocity's artistic elite. Where others saw brilliance, she saw shallow, hackish, derivative bullshit, and she had never been afraid to call it out. That rarely gained her access to early previews - Her name had become so synonymous with scathing critique that the Gazette was rarely allowed to gallery press events anymore. So be it. If she had to get her review out the day after opening day after buying a ticket like any regular patron, so be it.
And yet here she was, waiting in the lobby of the Holloway Center for Contemporary Art for a private tour, a day before Curator Alessia Stone's latest exhibition was due to open. A bold thing, too, to so openly advertise artworks that would undoubtedly be worth a small fortune, regardless of Claire's opinion, in the middle of an unprecedented crime spree from the supervillains of the city.
But that was none of her concern right now. Instead, she pulled out her notepad and scribbled down "Stone late as usual. Incompetent at running a gallery?" and smirked. Her readers loved it when she got personal. Still, it was odd that nobody else was here for the preview. She looked down at her watch. Had she got the right time...?
"Ms. Pemberton, darling! Always a pleasure!" Claire was caught off guard at the sharp call across the lobby. Alessia Stone was a tall woman with sharp features. As she crossed the foyer, her long, white dress flowed behind her, and once she was closer, Claire could see she was wearing a golden wreath on her head. A little unusual, but the critic was used to dealing with eccentrics in the art world, and it was far from the strangest fashion choice she had seen that week alone.
"Curator Stone. I was almost beginning to think you wouldn't turn up," Claire said as she shook her hand. "I must say, I'm surprised you invited me. Not many would be brave enough to do that after my review of your last exhibition. It's quite admirable, if you ask me, but don't expect me to go any easier on you just for giving me a private showing."
The curator chuckled as she placed an arm around Claire's shoulder, leading her towards Exhibition Hall A. "Oh, come now. I wouldn't expect any less. You know, your little screed actually brought far more attention than a lukewarm review ever would have. It was the Center's most successful showing in a long time. I suppose people wanted to see what all the fuss was about, and let me tell you, darling, most people simply
adored
it when they saw it themselves."
Claire ground her teeth together silently. Not the effect she had hoped. She had called it a disparate series of paintings that lacked a cohesive vision or any meaningful commentary. She had saved her harshest words for Stone's own contributions to the collection. "Still. I see you've taken my criticism to heart." She nodded to the screen next to the archway into the Exhibition Hall.
Skin Deep
, it said. The same title Claire had used for her review. It was followed by the subtitle,
The Female Form in Sculpture by Alessia Stone
.
Stone chuckled as she opened the red rope cordoning the section of the gallery off. "Oh, yes. I was inspired, in fact. You were right, in a way. I do so adore painting, but it's not where I shine, and so I wanted to get back to my roots. Statuary and sculpture."
As Claire entered, she found herself in a long hall filled with statues of women, mostly naked, with many of them in lewd poses. She scoffed. "This is what you've been working on? Some pornographic display? I-..."
"Please, darling. Take it in and let yourself appreciate it before reacting with the first thing that comes into your head." The curator placed her arm around her and led her up to the first statue, a piece called
Isabella Greene
, according to the screen before it. Carved from marble, the woman was bent over, her hand in front of her mouth as if she were blowing a kiss. Claire stepped forward, leaning in closely. She had to admit, the craftsmanship was incredible... The texture of the marble looked as if it would gently give to touch, like real flesh.
"I..." The critic was loathe to compliment the artist's work - It simply wasn't in her nature. "There's technical competence here, Curator, but to what purpose? As a classical piece, perhaps this might be of interest if it weren't for the pose, but it lacks the commentary that the work displayed in other galleries so often provides. As with your paintings, I find it utterly devoid of meaning."
Stone paused a moment, inhaling sharply. She stepped forward, past the rope that surrounded the statue, and up to the pedestal. "Is the beauty of a woman's body not enough for you, Ms. Pemberton?" The artist let her fingers trail along the marble and slowly slid her hand around the statue's waist. The way she held it made it almost seem as if it were a lover she was about to pull in close. She slowly bent down and placed a kiss on the top of the statue's head. Claire frowned a little at the bizarre display.
"It has nothing to do with that, Curator, and has everything to do with how shallow it all is." She walked over to the next piece, and Stone soon followed.
Anonymous Couple
: A pair of women, locked in an embrace, these were carved to look more akin to store mannequins than the marble statue. Looking close, it was impressive how their lips locked together, the realism of the tender touch with one held the other. "This one, for instance. Some hollow commentary on pinkwashing in advertising, I suspect? Some empty platitude about the commodification of love?"
"These two... The models, that is... Are a couple who worked for a fashion company for 30 years, and yet had never felt able to announce their relationship to the world." Stone hopped up and placed an arm around both their shoulders. "Now their love is immortalised. Perhaps your cynicism doesn't allow you to think so, but I'm sure many will find it beautiful."
Claire let out a low grumble under her breath. The two continued through the exhibition, with the critic finding flaws in every piece. All the while, she kept how impressed she was at the clear technical mastery in all manner of materials to herself. The hall had sculptures made from cast iron, clay, stone, and even glass, each rendering women in greater detail than any other artist she had ever seen. She didn't even realise it was possible to get such realistic-looking figures from many of the materials. Still, she found something to nitpick in every single one, and as the tour went on, Stone eventually stopped even dignifying her with a response.
As the two reached the end of Exhibition Hall A, they came to an empty plinth, with pride of place. "Missing a piece, this close to opening? I sure hope nobody stole it," Claire teased. "Has the vaunted security of HCCA fallen?" She approached and looked down at the screen before it.
A Guest of Honor
, it announced the title of the piece. The critic chuckled and pushed up her glasses. "Hrmph. Looks like even this guest didn't want to turn up to..." She gasped as she felt a sharp jab in the back of her neck, finding her body going limp in the curator's arms.
Slowly withdrawing a needle, Stone whispered. "On the contrary, darling. She's just arrived."
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Claire awoke with a pounding headache. She was in a dark room, sitting in a chair, with a blinding spotlight above her. It was hard to make out, but it almost seemed as though she was in an artist's studio. "What did... Where...?" She groaned. Try as she might, she couldn't move her limbs, but when she looked down, she found they weren't even bound. "Hey... HEY!" She called out.
"Ah, good. You're awake. It's always more fun to work with a conscious model," Stone's voice spoke from the shadows with a chuckle. "I feel it always makes for a more dynamic final result."
"You?" The critic was furious. "What the fuck is wrong with you? All this over a few mean reviews? I should..."