I am wearing no knickers and a blue miniskirt that displays my slender, tanned legs. I sit on the motorbike and feel the vibration of the engine run through me. The photographer tells me to hold still while she takes the pictures. It's hard not to wriggle.
She runs off a few shots and stops. I puff out my cheeks and lean back to take the pressure off. My nipples are hard and straining at my tight, white t-shirt.
She motions for the other model to step into the scene. Her name is Kacey. She is wearing denim hotpants and a black leather jacket with no t-shirt or bra. It is fastened by the zip only at the bottom to reveal plenty of cleavage.
The photographer is not happy with her look and adjustments are being to her make-up and hair, meanwhile the motorbike engine is still throbbing between my legs. Why does the engine have to be on? I shift my position slightly to try and escape from the relentless, rhythmic motion and I feel the leather seat is slick beneath me. This could get embarrassing when I get off. I'm going to get off soon at this rate, I think to myself, in more ways than one.
I realise they are calling my name. My attention must have drifted off. With the throbbing between my legs it's hard to focus on what's happening. The photographer asks me to lean forwards. Oh God, it's much more intense when I lean forward. The other girl slides on to the seat right behind me and puts her arms around my waste. I can feel her thighs pressing up against the back of mine.
Look at the camera, the photographer says. Look sexy, she says. I am basically panting. Now look at Kacey. I turn my neck and our faces, our lips, are a centimetre apart. I close my eyes. This is getting out of hand.
Look at each other please, says the photographer. I look into Kacey's chocolate brown eyes. They seem to understand. 'Honey, you've been sitting on this thing too long!' she says.
I laugh a little and nod and Kacey drops her hand casually on to my thigh and the sensation of her touch, of her fingers just resting on my skin, is like an electric shock. She knows what's happening inside my body and she is encouraging it, welcoming it.
The photographer is speaking again. OK girls, make like you are about to kiss, but stay just apart. That's it, don't touch lips, just hold it there, don't move, that's it.
I want to kiss this Kacey that I have never met before today. I can feel her breath on my lips. I want to plunge my tongue into her wet, red-lipped mouth. I am breathing heavily, trying to control myself, to remain motionless. Unseen by the camera's lens Kacey's hand is drifting up my thigh, working itself under the hem of my skirt. I am on the cusp. I am a time-bomb seconds from zero. All I have to do is imagine where that hand is going and what it will do when it is there and that is enough. I grip the growling bike between my knees, I arch my back, I screw my eyes tight shut and I climax in Kacey's embrace. She is holding me tight as I shudder, the hand under my skirt grips my thigh, digging in nails. It is exquisite.
Ok girls, that's it, I've got what I need, says the photographer and she leans over and turns off the engine.
The photographer is packing away her stuff with her back to us. It seems she did not notice what seemed so transparently obvious to Kacey. I slip gingerly off the bike. There is no hiding the wet slick that tells the whole story. Kacey giggles as she reaches for her bag, pulls out a wipe and cleans the seat as best she can.
'Wow,' she says. 'I'll say,' I agree. Although I don't know what to say. I tuck my hair behind my ear, which I do when I'm nervous or embarrassed. My legs are weak.
Kacey and I leave together. We change back into the clothes we arrived in in a little room adjacent to the studio. Now Kacey is in a short summery dress with a jacket and I am in tight jeans and a top. We have barely spoken since the photo-shoot finished but there is a bond between us now. I think we will be friends.
Kacey suggests we go shopping and we head to the tube station from the studio. We sit next to each other on the tube chatting simply about the photo-shoot and she is rummaging about in her bag. She pulls out a little case and inside is a piece of pink plastic about the size of a matchbox.
She presses a button on it and then pushes it into my palm where it buzzes fiercely. I laugh with shock at this brazen move. I look around to see if anyone else in the carriage has seen what I'm holding but no-one has flinched. She takes it back and says, you don't think you're the only one allowed to orgasm today do you?
She undoes a button of her dress, slips her hand inside and wedges the device in her panties. Then she stands up and rests her back against the silver pole in the aisle of the train.