Some things change you utterly. If you have spent your life with your back turned to your true nature, there are two things that will change you, one way and then the other.
The first is the moment when you realise that you may never speak of what you want. Others may say what they like about their desires; they may say it dressed up in convention or suggestion, but there it is, aloud. You may not. Instead you live your life with the curtains closed on that part of yourself. It bubbles up in you all the same, leaves you wet and frightened upon waking, plagues you with half-remembered embraces all day. In the dull village, you only get the body you long for in your sleep.
The second is the moment you find that others are like you. To them, you may not have to say anything. You evolve a mutual understanding, a mute language of glances and signifiers. You know them as though you've met before, almost. They may become lovers, rivals, enemies, friends, it doesn't matter: they're there. They exist just as you do.
And if you're lucky, the third moment comes when another like you puts their hands to you, carefully, gently, joyfully, and brings your desire to the surface of your skin.
In every century this happens, in every place. Nothing can stop it. There is no way to beat it out of the human race, or burn it, or ban it by law or punishment. The same force that drives a tree root through a stone foundation drives this.
Mary Weaver felt as though her skin were about to burst into flower, break into leaf, send out some sort of sign that the blood in her felt as hot and fluid as it ever had. It was sap, alcohol, the nectar of the gods and it was in her. She felt the outline of every nerve and fibre. Cabot drew one certain finger up the length of her spine, undid the buttons at the nape of her neck, brushed the skin there with sure fingertips. She drew the neckline aside, bent her sleek dark head to the skin of Mary's collarbone, to taste the salt sweat there.
"Come upstairs," she murmured, raising Weaver's chin to kiss the skin of her throat, her shoulder, her neck. She saw the pulse jumping. She had always loved the look of a woman's neck: the strong lines of the tendons and great vessels, so at odds with how delicate women's necks were supposed to be; the hollow at the base of the throat, dewed with sweat or powdered; the slenderness of it, beneath a mass of hair. She had come to adulthood when all women wore their hair long, and had never shaken off the erotic charge carried by the weight of a full head of hair. Mary Weaver's hair was long, dense, still damp at the roots and smelling of soap. Cabot found the grips and combs and loosened them one by one, drawing the locks down and running her fingers through them.