Dear Readers: This chapter is primarily a background narrative concerning the past of one of the two main characters, including a quick history of the love affair from years ago. There is no physical sex scenes in this chapter. Sex is referenced, but no actual sex activity occurs.
A Love So Beautiful
Chapter 1: New York - Remembrances
"Ms. Brockson."
I turned my head to her direction, "Yes?"
"A gallery attendant came to me and said there was a woman who has been looking at "Feeling Free" for over twenty minutes. She is just standing there, still, seemingly lost in thought, according to the attendant. She says the woman seems to be in a trance-like state. Her eyes unfocused, just standing there, ostensibly looking at the painting, but not seeming to really be looking at it at the same time. The gallery employees are concerned that there may be something wrong with the lady, and are wondering if they should approach her?"
"Show me Michelle."
"Okay."
I followed my assistant as she walked to the display of "Feeling Free", and its two, smaller, related paintings. All the paintings were nudes of the same young woman. The main painting, "Feeling Free", is a painting of the young woman standing in a shaft of sunshine on a craggy landscape of moss and grass covered stones, with dark rainstorm clouds surrounding the rest of the painting's sky. A shaft of lightning in the distance, sheets of rain behind the woman. The shaft of sunlight cutting through the clouds illuminating a naked woman standing with her arms outstretched to her sides from her shoulders, her head laid back slightly, her shoulder length hair, wet and hanging down, her eyes closed. A sheen of water covering her naked body, the wetness shining from the light hitting her body. Her naked body fully in view from an off-center perspective, her breasts, nipples erect, her dark pubic hair, matted from the rain, glistening in the sunlight.
Beside the main painting, there were two smaller paintings, one on each side, showing the same woman, naked, viewed from behind her, her head and body turned slightly as she looks over her shoulder. One with her head over her right shoulder, the other the left. Her body illuminated from a light shaft shining on her, coming from a higher elevation with a downward angle, so that her backside was fully visible, though from her waist up, her body was turned somewhat as she looked over her shoulder. Her face was mostly visible, illuminated from the light. Depending on which painting of her looking over her shoulder, her face brightly lit on one side but gradually dimming into shadow from the angle of the light upon her face. The side of her breast, again with her nipple erect, was illuminated by the shaft of light. Behind her were vague outlines of a bed hidden in the darkness.
As I followed Michelle to the display I saw a somewhat petite woman, her brunette hair cut in an angled bob from her neck in back, to couple inches beneath her chin, in an attractive gray hombre wrap dress, ending just above her knees, opaque gray hose, with white kitten heeled slingback shoes.
I moved to my left a bit as I approached her so I could see her face. I only saw her face in profile, but I knew immediately who she was.
I gasped, loudly.
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I walked into the gallery on the thirtieth of July. I was here to see the exhibition of Charlene Brookson's paintings. It was the second to the last day of the exhibition. Charlene was to be present in person during the last week of the exhibition. I was here not only to view her paintings but to see and talk to Charlene.
I walked around until I found the display of her painting
Feeling Free
. The painting was flanked by two smaller paintings of a nude woman looking over her shoulder, one to the left, the other to the right, as if she was looking at whomever was viewing the painting. I had not seen these paintings in person in over a decade.
The paintings were as impressive, and visceral, to me as they were when I first saw them fourteen years ago. It was strange to see my naked body as it was when I was twenty years old. I smiled to myself seeing that my body still looked very much as my twenty-year-old body. It makes one feel good to see that time, so far, has had a minimal effect on your appearance.
Standing there looking at my nude body from that time flooded my mind with remembrances of my life at that time, and what has transpired since.
I have known Charlene, Charlie to me, since childhood. While we were not close friends growing up, I knew who she was since she lived in the same neighborhood as I did. She was only a year younger than me, but we ran in different circles of friends.