Chapter Five
"Oh, excellent!" Cordelia grins, throwing her hands to her hips and taking in the scene with a glee one might expect from a child in a candy store.
Annette, however, feels her stomach churn at the sight. Her mouth is dry and quickly develops a noxious, acidic taste. Her eyes remain fixed in an endless staring competition with Bembrook's corpse and she feels like she is falling through the ground beneath her. Her gaze drops deeper and deeper past consciousness and she can feel herself spinning down and down and down. It takes an enormous amount of resolve to break away from the glassy death stare, and she only succeeds by throwing herself out onto the balcony and vomiting over the side of the railing.
She takes her time steadying herself. She's seen enough horrid sights out on the streets on her own, but seeing such a deliberate and violent murder, still fresh, is a different kind of horror. When she steps back inside, keeping her eyes carefully away from Bembrook's form itself and focusing instead on the surrounding office, it's clear Cordelia has already gone to work. She wears thin leather gloves and carefully picks her way around the body, analyzing for any small details or clues that might give away his assailant.
Worse, Cordelia hums while she works, her fingers dangling and dancing as they move, like spiders across a web. Each touch is careful and precise - checking the warmth of his body, whether his blood has dried, poking around the wound itself. Annette feels torn between the two implications of her owner before her; on the one hand, that her comfort and ease indicates that inspecting murders such as this is as casual for her as preparing a meal, and on the other, that she enjoys this activity.
"Oh, good," she peeks up, waving for Annette to come closer, "you're back."
Annette struggles to form words, trying to choke out a few syllables through her parched mouth and failing. She shakes her head slowly.
"Come now, he can't harm you anymore," she nudges.
"I'm... that is not my concern," Annette eeks out.
"Respectfully, Miss Baker, this is a moment where I need you to press on. This murder is fresh, no more than an hour old."
Annette can feel her stomach gurgle at the statement and forces her attention to keeping it at bay. Cordelia looks up at her again and sighs. She removes her gloves and walks over to the servant, placing a hand on either side of her head and gripping it softly. Annette furrows her brow, confused by the sudden proximity.
"Take a breath," Cordelia commands.
Annette obeys, forcing her lungs to fill slowly and then pushing the breath out for as long as she can hold it.
"Another."
Annette closes her eyes and repeats the breath.
"And a final one."
On the third breath, with Cordelia's taller form blocking the body behind her, Annette can feel herself steady ever-so-slightly. She reopens her eyes and notices an unusual tenderness on Cordelia's face, not quite kind or empathetic, but far more comforting than her usual scowl.
"He is just a body," Cordelia says slowly, "you are in no danger from him and the murderer is likely long gone by this time."
"I've never been so close to one..." Annette whispers and a shudder descends down her spine.
"You'll get used to it. But for now, I need you," Cordelia continues, placing a little more pressure in her palms against Annette's head. The increase is comforting, and it helps to focus on that sensation instead of the scene around her.
"Need me? How could you ne-,"
"Bembrook is no small assassination," Cordelia explains. "When word gets out of his death, and word
will
get out, I am nowhere near first in line to investigate this. The case will be given to one of the other investigators who works more closely with the crown and we'll lose all access. Right now, we need to work quickly and deliberately to gather
everything
we possibly can to solve this without disturbing the scene at all. You don't need to look at Bembrook, but I do need you taking notes for me. Can you do it?"
"Yes," Annette nods. Cordelia pulls a small notebook and pencil from her coat and folds it into her hands.
"Excellent," Cordelia smiles, throwing her gloves back on and returning to the corpse.
Annette lets herself sit down on the floor where her balance matters less and she no longer needs to worry about fainting. She steadies the notepad and writes a few notes about the scene to begin; a rough written sketch of her surroundings and the location of important details.
"Things I've noticed thus far," Cordelia begins, returning to inspect the body. "Position of Bembrook's body: he's laying out across his desk, not in his seat. He is no small man, and I can't imagine that he would crawl up like this to be killed."
Annette jots it down. "Someone moved him here?"
"I believe so."
"Before or after the killing?"
"I suspect after," Cordelia muses, poking around the floorboards by his desk chair and squatting to look closer. "There's hardly any blood here on this side of the floor, but considerably more surrounding his overturned chair."
"He was killed while sitting and moved after," Annette completes, letting the state of shock on her body fade towards a numbness and neutrality. She'll deal with the impacts later.
"This suggests his death is a statement," Cordelia notes, her tone practical and thoughtful. "The killers wanted anyone who happened across his body to be shocked and scared. Success on their part, it seems," she winks at Annette.
"Killers?" Annette asks. "You think there was more than one?"
"Can you think of anyone who could lift him solo?"
"I suppose not," she concedes. She makes note of it.
"Continuing this point," Cordelia stands and leans over the body, carefully touching the jowls around his neck and lifting the flabby skin to reveal dark purple bruises, "Bembrook was strangled to death."
"He was strangled?"
"See these marks?" She traces a finger along the dark spots across the flesh. "Someone strangled him, perhaps while another held him at bay."
"So the... the spike in his eye is also for show."
"We'll get to that, but yes," Cordelia nods. "I'd like to confirm another theory first."
"Which is?"
"A moment, Miss Baker."
Cordelia's hands float across his body, carefully inspecting every tiny feature she can and digging around the ruffles and pockets of his clothes. After a few moments of finding nothing, she purses her lips and steps away. "No calling card."