1. First encounter
I met her on my first trip to Japan, while traveling with my wife, who is also Japanese. I was right away drawn to the fact that there is anyone actually named Yayoi, which just sounds like too much fun to be a real, traditional Japanese name, but it is. She seemed very serious when I first met her, dressed in a suit-ish kind of thing, the sort of thing professional women wear before they get in front of a camera and read the news, which is what Yayoi was doing when I met her (or a few minutes afterward, anyway).
I'm not sure if there's anything sexier than a beautiful young woman in a smart suit reading the news into a camera. There's that whole veneer of serious professionalism that's just crying out to be poked at, broken down, turned into its opposite.
Yayoi wasn't just reading the news into a camera, though. She was reading a Japanese translation of a leftwing American broadcast, a translation for which she was the principal translator. Her English was impeccable. I couldn't believe she had never lived outside of Japan. Millions of other Japanese people study English for ten years as kids, and by the time they graduate from high school they can't speak or understand a word.
In some places, like Scandinavia, being fluent in English is just something everybody does, to get by in the world, the vast majority of which does not speak Norwegian or Danish. In other places, though, the people who learn English really well are some the people I'd otherwise be least interested in meeting. English fluency in some places is often a sign that someone is interested in commerce, involved with tourism, or an Anglophone, and being an Anglophone often places one somewhere other than the left side of the political spectrum.
But as soon as we started talking about politics and music and getting ready to do this interview, it was clear that whatever else Yayoi was, she was young, beautiful, highly intelligent, leftwing, and fluent in English. And though she maintained that air of professionalism throughout, the left side of her mouth would lift up slightly at times, forming what seemed like a little hint of possible other sides to Yayoi. I wondered, somewhat desperately, if I'd ever have the good fortune to become acquainted with any of them. I figured in all likelihood I'd never see this woman again, actually.
I asked her where in Japan she was from.
"Kyoto," she replied. I looked at her quizzically for a second at first, realizing which city she was talking about just before she said the name again, changing her pronunciation to be more like the way Americans would be familiar with - "
kee
-o-to."
I was glad she was from a city that I knew at least one thing about, aside from the fact that it had some famous shrines in it.
"One of my favorite punk bands is from Kyoto," I exclaimed - probably, I thought, with far too much excitement for my own good. "Do you know Geronimo Story?"
Her face lit up momentarily as she said "yes."
It's a magical combination of events when a woman like Yayoi's face lights up at the same time as she says that potent word. I had to squelch the desire to ask her to say it again.
She continued: "I've been to many of their shows. I've also worked during them. They play a lot at a club where I used to be a bartender."
She likes music. She goes out to hear leftwing punk bands, not just because she's working in the bar, but because she likes music. And she worked at a bar as well as working as a newscaster. Brilliantly well-rounded.
All especially attractive to me given that I was and am a leftwing musician and news junky, here in Japan not only to visit my wife's friends and relatives, but to sing for anarchists in Tokyo, and peaceniks and communists in Hiroshima and elsewhere. And I was a fan of Geronimo Story.
I believe I succeeded in not drooling at any point during the interview or the rest of the encounter, though whether I managed to sound intelligent is another question. Staying on topic was more than a little challenging.
After far too little time, we left the studio, bidding adieu to Yayoi and her colleagues there. Aside from the atrociously hot and humid summer weather and the complete unavailability of marijuana, I had a lovely first tour of Japan back then. It was three years and two visits to Japan later that I was again singing for the small but vibrant anarchist scene in Tokyo when Yayoi appeared, as if out of a dream.
2. Correspondence
She wasn't in her professional attire this time. She was dressed in such a way that she'd fit right in among the outrageously fashionable women of the surrounding, ultra-modern neighborhood of Shinjuku, wearing tight jeans that had come pre-shredded and those fur-lined boots that go most of the way up one's knee, with heels. I can't remember what else she had on. I was too overwhelmed by the vision of her perfect legs, and the slight bulge of her pelvic bone, being hugged so tightly by those stretchy, torn-up jeans.
In the context of the anarchist cafe, she looked somewhat out of place, though even anarchists in Tokyo tend to dress a little more upscale than their brethren in many other wealthy nations. And they bathe every day, which definitely differentiates them from many other aficionados of the circled "A" around the world.
I recognized her right away, but Yayoi introduced herself anyway.
"We met when I was one of the hosts for a show on community television," she said.
"I remember well," I replied, trying to modulate my voice so I didn't sound too much like a 13-year-old boy about to come in his pants. "Are you still living in Tokyo?" I managed to inquire.
"I'm back home in Kyoto now, working in a bar. Geronimo Story still plays there now and then." She remembered our conversation. "I'm going back there tomorrow."
"When did you get into the big city?" I asked, hoping it wasn't too obvious I was searching for things to say to keep the conversation going, not wanting her to walk away now or ever.
"I just took the
shinkansen
here today."
I don't know if she was trying to let that sink in, or if I was just at a loss for words at that point, but things got quiet after that statement. She had spent over three hours on an expensive bullet train from Kyoto to Tokyo in order to catch my show, since on this trip, Tokyo was the nearest I'd be getting to Kyoto. And she would spend over three hours on that very train the following day in order to get home in time to go to work. In a music venue, no less.
That's when it occurred to me that she really did like my music. Of course she probably liked to have an excuse to visit her friends in Tokyo, some of whom would fairly predictably be at my show, due to the milieu. But she picked this particular show to make a one-night trip to Tokyo, which I figured might count for something.
I was trying to come up with a good excuse to ask her for her contact information. The fact that she worked in a music venue didn't even occur to me as a legitimate reason at the time. But I was saved from any further wracking of my brain when I watched her approach my email list, pick up the pen, and write down her name and email.
Trade secret: this has long been my most effective way to get to know people better as well as the most effective dating technique. It's mainly a matter of paying attention at the right time, because although I may have been talking with someone at a gig and I thought I wanted to have more occasions to do that in the future, I may or may not remember their names when the time comes. But if I see them sign my email list, and I remember what they looked like, then I easily tend to remember and be able to make the face-name connection.
I was hesitant about writing personal emails to women who signed my email list at first, fearing they would find the idea intrusive. But I've been happy to discover that if someone signs your email list, they're apparently pre-conditioned at that point to not be bothered by me writing them a personal email, rather than just list stuff. This doesn't always result in volumes of intense correspondence back and forth, nor does it always result in a date, or becoming lovers on a long-term basis.
In the case of Yayoi, my brief email to her would be the beginning of all of those things.
What began was months of near-daily emails back and forth. A funny, philosophical and often very steamy bunch of correspondence. In the first weeks especially, every day seemed to involve new revelations in terms of just how much we had in common.
My wife, Sachi, is from a small city in a very traditional, socially conservative part of the middle of the three biggest islands. Going to graduate school in Boston, Massachusetts opened her eyes to many things, including alternative lifestyles she had never heard of in small-town Japan. But it probably wasn't Boston that prepared her for her years of living with a pot-smoking, leftwing, polyamorous touring musician.