Author's note: The following incidents are probably mostly fictional, even just plain fantasy. All sex involves living humans aged 18+, even the civilians. The story contains multiracial, bisexual, and anal elements; if you object, stop reading. Views expressed are not necessarily the author's. Information may not be totally accurate. It's just a story, folks.
*****
FotoFun: Angle of View 01
Hands-on involvement in the shoots
*****
"Say, 'please'."
"Please."
SNAP!
"Say, 'limburger'."
"Limburger."
SNAP-SNAP!
"Now, with emphasis, say, 'motherfucker'."
"Motherfucker!" (almost shouted)
SNAP-SNAP-SNAP-SNAP!.
Photographing my fellow troops was easy. Yes, it was a snap, heh heh. Say a few choice words; capture a few choice expressions; reload. Process and print and get paid. No problem.
I was in a strange, workable situation. Officially, I was a communications technician at DivArty (Division Artillery) HQ at Fort Riley in the middle of Kansas. The reality in this gloomy post-VietNam era was that I couldn't get a security clearance to work commo - something about an old pot bust.
Fort Riley was home to the First Infantry Division, the Big Red One. Our chanted motto: "If ya gotta HAVE one, have a big RED one!"
The DivArty commander decided he needed a staff photographer more than a useless commo guy. I was visible and available. I had been shooting, processing and printing since I was a kid, working in my father's studio and darkroom. I had the skills and the tools. The colonel issued orders and I had a new assignment. I was given a mop closet as a darkroom, about 6 by 15 feet. I bought my own gear and chemicals and film and paper. I owned everything I shot. It was a dream job.
I shot events and actions of DivArty's units: parades, promotions, wargames and aerial surveys; stateside and overseas, wherever and whatever DivArty was active. I shot many, many official and unofficial portraits. Some flag-draped official pictures went to hometown newspapers with captions like
"Captain David Rice Joins Brigade Staff"
. Very few of those carried my
Spec-5 Ron Carson
byline.
The 'unofficials' were my gravy. I made enough on them to cover my costs of official shots and a bit more. Not that I got rich. But I could afford an apartment just off-post - much better than living in barracks, for sure. With judicious lighting and backdrops it served as a mini-studio space.
Except for printmaking after-hours in my cramped on-post darkroom, I took care to keep my 'official' and 'unofficial' work separate.
I was the troops' favorite portraitist. Guys liked me to emphasize their warrior-ness, so I shot their manly faces in high-contrast, high-detail, every pore and scar and rivulet of sweat showing, dramatic shadows, yada yada. Shooting black-and-white with grainy fast Tri-X or moody infrared (IR) film boosted the drama. Guys who were not too animalistic to keep girls had me shoot them with their wives and girlfriends in soft misty romantic moods.
And often more than merely 'romantic'.
.
--- Mackie's session
Specialist 4th Jim Mackie was a compact black gun-bunny (artilleryman) with a sweet personality and an IQ around 82. (The Army's cutoff was 80. If he didn't fuck up he could stay a Spec-4 forever.) He survived two tours in 'Nam with the usual concussions and some odd martial-arts moves. I think he had watched too many kung-fu films. He loved being photographed in "action shots", leaping about with hands and feet flying and
gi
swirling.
Mackie brought back a pretty Hmong girlfriend. Dia Thao was about Mackie's age and size with B-plus tits and a fierce determination. She definitely managed their relationship. She also loved being photographed - in sexual action.
My apartment bedroom was decorated and lit for 'boudoir' shots. I could quickly and easily change backdrops and coverings in a variety of materials, colors, and patterns. Pale redheads and blondes worked best set on darkness while darker subjects contrasted best against brighter backings. I chose neutral creamy cloth to set off Mackie and Dia's taut twilight bodies.
We started this session with Dia posing beside the bed. Garments slowly disappeared until she was quite nude. Poses: standing; sitting; lying; tempting. Body parts were concealed and revealed at Mackie and Dia's whims.
"Hey Carson, get her with with her legs spread out more, huh?"
"Is that okay with you, Dia?"
"Just fine," she nodded, and opened her thighs.
"Okay then, move your left knee out just slightly, yeah, like that. Tense your left leg, make the muscle stand out." SNAP-SNAP-SNAP!
Lights and filters and precise body angles adjusted. Intrusive lens work, again as demanded, posed from erotica (sensuous poses) - to pornography (her fingers inside her orifices) - to gynecology (straight up her trimmed wazoo).
"You get in closer now, Mister Ron. Get my fingernail against my clit, yes?"
Her bronze fingers were tipped with champagne nails each spun with eggplant spirals. I was shooting smooth black-and-white; only the contrast mattered.
"Just a minute. Hold like that while I reset the key light. Uh huh, there, that's best. Okay, slide your finger, just a little..." SNAP-SNAP! "Now, a finger on each side, yeah..." SNAP-SNAP-SNAP! "And open up just a little, wow, that's hot..." SNAP-SNAP-SNAP!
Dia rose. The emotional temperature rose. More garments were discarded more quickly. Mackie stood beside her in his naked glory. His hands stroked her body. Her hands stroked his long cock. SNAP-SNAP-SNAP-SNAP!
They took more active poses on and around the bed. Poses with them stroking genitals and going down on each other individually and mutually, shifting top-bottom-sides, dynamic. Poses with Mackie between Dia's firm thighs, his muscular buttocks straining, and their legs at various angles. SNAP-SNAP-SNAP! And then doggy-style, diagonal across the king bed, Mackie fucking her from behind. SNAP-SNAP! A nice show.
I walked my old Nikon F around them with a few lens-changes and light-adjustments. I was hot myself; I was down to sandals, shorts, and a sweaty STICKY FINGERS tee.
Dia looked over her shoulder at Mackie as he slowly pistoned into her.
"You know what I want, don't you, Jimi-Jimi?" she purred.
"Huh, yeah, sure," he grunted, "anything you want; you know that."
Dia looked at me. Her breasts wiggled as Mackie swung against her butt.
"What I want, Mister Ron, is two cocks, y'know, double-ending. You can put camera on tripod and shoot us all together, yes? You get photos of your cock in my mouth while Jimi-Jimi fucks me. Can you do that quick?"
Well, it just so happened that my newer Nikon F2 had the motor drive and a 100-foot (750 shot) film canister already loaded with Plus-X and was sitting on a sturdy tripod. I placed it in a good position to capture a front angle, hooked up the power cable, and set the timer for one-second intervals, giving twelve and a half minutes of shooting time.
I peeled off my tee and dropped my shorts. Was I already stiff as a flagpole? What do you think? These 'romantic' shoots always aroused me.
"Oh yeah, Mister Ron, bring that thing over here." Dia licked her lips.
I looked at Mackie. "You sure this is what you want, man?"
He was still slow-pumping Dia's hungry pussy. "Yeah, man," he panted, "she wants it, so I want it, fuck yeah."
Permission granted! I strode to Dia's face. My enlarged circumcised dickhead and blue-veined pink shaft hung just before her. Her tongue reached to lick lasciviously, agonizingly, around my aching glans. Her ruby lips extended and sucked me in. I was very aware of the lens angle and the once-a-second SNAPs! I moved for maximum visual effect.
I tried to maintain a professional attitude even as I was being gloriously sucked-off. Discipline! I mentally timed four minutes and pulled away from Dia's deadly mouth.
"Hang on just a moment. Time to re-frame the shots."
I shifted the camera to capture a rear angle, with Mackie's dark dick obviously splitting Dia's wet pussy, and my pale cock just as obviously dividing her shining lips. I restarted the timer and resumed.
We set a rhythm. Mackie pushed forward at one stroke; I pushed at the next; Dia swayed between us - all an immaculate machine of Neapolitan ice cream flesh-tones rendered in stately monochrome, in vanilla and caramel and chocolate together; and faster, deeper, more powerful, fading in-and-out of synchronization with the metronomic motorized SNAP!-pause-SNAP!-pause-SNAP shutter soundtrack.
I felt my orgasm rising. "Soon, soon," I murmured.
"Fuck yeah, yeah," Mackie grunted, eyes closed, jaw clenched, sweat pouring down his soot-black face.
"Mmmph mmmph," Dia moaned. Her mouth fed desperately on my dick. Oh fuck...
One climax triggered the next, and the next. Mackie yelled "Fuck!" and rammed into Dia. Dia screamed "Oh! Oh! Ohhhh..." on my cock and spasmed. I grunted and seemingly unloaded quarts of cum into Dia's marvelous mouth.
SNAP!-pause-SNAP!-pause-SNAP! The motorized Nikon captured almost everything - everything of importance, anyway. Our flesh and sweat and secretions; two gleaming cocks moving in and out of Dia; sperm dripping from both of her soggy ends; raptures, contortions, and shadings of flesh. Yes, everything.
And more. Nobody knew about the secret cameras hidden in corners: electric Bolex 16mm cine cams with 400-foot film canisters in jury-rigged soundproof blimps, timer-driven to fire silently every quarter-second for over an hour of recorded truth. I also taped audio with a few well-placed microphones and a multitrack recorder. Nobody could dispute who wanted what, when. Lots of private material for my safely-stashed archives, yes indeed.
We all collapsed on the bed. Mackie and I snuggled on opposite sides of Dia and stroked her shoulders. Dia leaned into me and gave me a deep kiss tinged with my slightly sour cum and rolled over to Mackie for more of the same.