Hello again,
This is another chapter in an ongoing reminiscence about our group approach to higher education. It is meant to be fun and, hopefully, a little spicy. If some of this reflects your experiences and tastes, feel free to e-mail or let this inspire you to tell your story here....
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MARGARET
I suppose I should explain Margaret, as much as I understand her. Margaret was one of our group of five, and though we were all leaders, in turn, in conversation and cooking and suggestions and surprises, it was Margaret who was most often our hostess, physically, and she played the part with a natural ease that she was raised to.
Margaret was wealthy, as was Anarkali. Annie and I would fall into upper middle class, and Jo had a middle class upbringing, but I understood wealth, and Margaret was a wealthy girl. One of many things we all shared was an appreciation of fine things, some that real disposable income could make possible, but we were also fully appreciative of a kind word or a thoughtful deed, money not involved in the least.
None of us would tolerate any sort of arrogance or attitude that some with money liked to wield like a club. We were excited by a bargain, and would only tell the price of something if the telling revealed some remarkable find for a dollar. If Anarkali wanted to spring for tickets to Tortola or London, I would accept her spending her father's bottomless expense account without guilt, and I would spring for food and cabs, etc. with my more modest wallet. We were NOT the types to buy Dom by the case, and saw that as a good example of flash gone wrong.
Margaret's house was within a determined walking distance from the Bryn Mawr campus, but having risked the winding, sidewalk lacking speedway to get there, one walk was enough. The house was a huge, dark-stone-with-much-glass, 1950s Moderne home. Set back on wooded acreage, it's size was deceptive from a distance. The back of the house was multi leveled, with a large, heated pool and cabana houses. The heart of the house was a room that had been designed around a famous British painting that her grandfather had bought at Christie's 50 years earlier. A colossal, Near East Romantic Period nude with a Souave in the background, menacing anyone who would look upon her with his scimitar, the painting was impossible not to look at or be aware of when in the room, impossible not to anticipate when heading towards the room.
They called that room the parlor. We called it the Orientale room, said with a grin. The room was an odd, dark 50s reinterpretation of 1870s Near East Romanticism. The furnishings were 80s; gigantic, broad, square, cushy divans (with tassles added in a nod to their surroundings) around a huge, square coffee table. Though the heart of the house, this room was isolated enough to feel secure in.