"I still think you should bring the cops in on this, Logan."
The two young men were sitting in Jan's car outside of the East Jersey State Prison in Rahway. They both worked for the Newark
Star-Ledger
. Jan was an entertainment editor. If he'd been the editor of the news desk, he wouldn't be letting the young city-beat junior editor, Logan Sinclair, go on this undercover assignment at all. But Logan didn't work for him.
"I told you, Jan. Bringing the cops in on it would completely queer the deal. We have a deal with the warden. He wants to pin down the source of the drugs coming into the prison before the cops are brought in. And that's the only reason we're being given this exclusive. I help to identify who's doing it from the inside and I get to write the series. This is my chance."
"This is your chance to get killed, you mean."
"You're getting in too close, Jan. I need to do this. Stop trying to smother me."
Jan could see that Logan meant it—about him getting in too close, being too controlling. It had begun to be a problem in their relationship, and Jan didn't want to lose Logan. He was torn. It was all just too dangerous. He'd done as much as he could to kill the operation, going all the way to the newspaper's editor in chief. But the newspaper was slipping. The publisher had brought in new, bolder management. And Jan had already feared that Logan would hear that Jan was trying to intervene.
Jan didn't want Logan to leave him. It had been the best relationship Jan had ever had. Logan was an angel—a young, blond Adonis who looked years younger than he was. That was Jan's primary fear—the fear of what inmates would do with Logan on the inside. But when he'd finally spoken of his fear to Logan, the younger man had just laughed.
"Of course they'll use me, Jan," he'd said. "I was a rent-boy when you picked me up and got me the training and job in newspaper work. It's precisely why I'm good for this assignment. I can handle myself, and I can blend in better this way. They'll never know I'm a reporter."
"But, you'll be—"
But Logan had gotten angry then, clearly signaling that Jan was pushing too hard. "You use me too, Jan. You used me as a rent-boy and now I give it to you whenever you want it—for free. Don't stand in my way with this."
The best Jan could do under the circumstance, as Logan was getting out of his car, was to say, "I'll visit you as soon as I can, and if there's even a hint that you're being abused, I'll go straight to the cops myself."
"Suit yourself," Logan said, leaning over for a kiss before he climbed out of the car. "But they don't let new inmates have visitors for the first three weeks. They say it helps get the prisoners settled in better."
"That isn't good enough," Jan said, shocked. "I'm going right now—"
"Relax. Just track down a Mrs. Taylor, the prison psychologist. She's my link to the warden in there. I'll have regular meetings with her and she can assure you I'm doing OK or she can pull me out if it gets too hot for me in there. If you go to the cops now, though, you can just pack up all my shit at your apartment and put it out on the street, 'cause I won't be coming back to you."
And that was that. Jan clamped his mouth shut, because the last thing he wanted was Logan not coming back to him. It's just that he'd really prefer that Logan be living when he came back. In any event, Jan would be going right back to the newspaper and filing a memo of disagreement with all of this.
* * * *
"As I understand it, the record says you are in for two years for house burglary. I trust you have the scenario for that down pat? The other inmates always want to know exactly what the others are in for."
"Yes, ma'am," Logan answered. He indeed had the circumstances of why he'd be here drilled into his head—as well as that he no longer was Logan Sinclair, but now was Luke Jameson, and barely nineteen to his real age of twenty-three. His size and baby face would enable him to pass there.
Mrs. Taylor, the prison psychologist, had another coughing fit before she went on, and that, plus that she wasn't looking all that well, made him apprehensive about what she was now saying.
"And you know that not even the guards are in on this. That only Warden Wilson and I know you have been planted here. But you'll have a private meeting with me three times a week—all routine for new inmates—and you know that all you have to do is tell a guard you need to meet with the psychologists and they'll bring you right here."
"Yes, ma'am, I've got all of that."
"And no active sleuthing on this," she continued. "Just listen. We're doing this and using you because you will be able just to drop into the population and no one will think about you listening for anything—you do fully understanding that it will be taxing for you, don't you?"
"Yes, ma'am, I understand," the young man who was now Luke answered. This was probably as close as she was going to get to acknowledging that he had been a rent-boy and that was why he'd been selected—because he could just be there as a toy with no more regard given than the value of his ass.
What he hadn't discussed with anyone in this was that he liked it rough. That's what was really so touchy between him and Jan. Jan was a romantic. Logan wanted to know he'd been fucked. It was part of the prospect of being with randy men behind bars that just hadn't been covered. He wasn't being quite as noble and brave as they thought.
"And you just report to me anything you hear that could connect anyone to the drugs coming in and we'll pull you out just as soon as we get a handle on that. We're bunking you with an older trustee, so you should at least have someplace to retreat when the going gets really rough. And a word of advice on staying safe inside a prison. Find a protector. Make friends with someone others are scared of."
"Yes, ma'am, I understand. And then I get the scoop, right?"
"Right." She was going to say something else, but another coughing fit intervened and she just stood, went to the door, opened it, and waved him out into the arms of a stern-looking muscular guard named Clyde.
The interview had gone OK, but Luke wasn't all that comfortable with how sick the psychologist seemed to be. The prison seemed pretty drafty. He hoped whatever she had wasn't racing around the facility and he'd catch it too.
* * * *
Clyde guided Luke down a corridor and into one of the prison blocks. "Guided" was the right word, because he had a hand on one of Luke's butt cheeks from the time they'd cleared the administrative section and were walking through the cell blocks. As they walked, Clyde was leaning into Luke from the rear and making smacking sound with his lips.
As soon as Clyde opened the steel door into Luke's cell block, he called out, "Got a fresh piece of ass for you guys," which brought many of the inmates to the doors of their cells. As Luke was pushed down the corridor between cells, the chant of "Chickee, chickee" and "Got somethin' here for you, kid," and clucking noises reverberated through the block.
"What's the chicken stuff about?" Luke asked Clyde, as they walked long.
"That's for young ass," Clyde answered. "You've the youngest lookin' guy we've had in here in some time, and a real pretty boy. I hope to God you've taken cock before, boy, because if you ain't used to it, you won't last the week in here. You look like you take it, though."
He obviously wanted Luke to say yes, but Luke didn't answer and they now were at the cell he was to share with another prisoner, who turned out to be a thin, bent-over older guy by the name of Horace.
It seemed like Horace was a nice guy, and he spent much of the next three days explaining to Luke what the routines were and advising him on how to negotiate his way through the shoals.
"The time to be most careful is when the guys from this cell block are released into the exercise yard," he said one day. "But I gotta tell you. If you get cornered and you see a screen of inmates forming between you and where the guards are—and they're lookin' the other way, you're screwed and it's best to just go with it. You fight it—call out or anything—you're most likely dead. No reason to call out to the guards anyway. It's not like they won't already know what's coming down. You try to bring them into it and you're the one they'll be pissed with."
On the same day Horace pointed out Big Mike, a big, bald bruiser of a white guy with gang tattoos. "That's Big Mike over there," he said. "If you can, stay out of his way. He rules around here and has the guards in his hands too. He's getting out in a couple of weeks, but he'll be king pin up to the day he leaves."
The fourth day, these two scenarios came together, and it was Horace, standing there with two cartons of cigarettes in his hands, who maneuvered Luke into a shady corner of the exercise yard, where there was a concrete checkers table with embedded concrete stools on either side of them. Big Mike was sitting on the table, and a ring of Big Mike's men was forming as a screen to the rest of the yard.
"Hey, chicken, come over here," Big Mike said. "Yeah, you, pretty boy," he continued when Luke gave him a "who me?" look. "So, what are in here for, kid, and for how long?"
"It's a two-year stretch for burglary," Luke answered.