There was no transition that I could ever make myself remember. One moment I was trapped in my gunner's seat in the burning B-29B bomber just moments after the raid on Osaka. Air was whistling loudly through the shrapnel holes in the fuselage, spraying me with blood from the nearly decapitated Pete in the EWO's position beside me, and I was frantically searching for the lever on my ejection seat. And the next minute I was on the deck of a yawing Japanese fishing boat, trapped between the sturdy calves of a hulky nut-brown man and looking up into the slitted eyes of the chujen—as Goro and Jun, who I later encounter, told me Iwao wanted to be called—the boss. Sometime between those two points I had lost my Superfortress buddies and cashed out on my service with the U.S. Air Corps in its drawn-out attempt to bring Japan to its knees and end a world war that had already concluded in the European theater.
The man hunched over me was brandishing some sort of wooden-handled fishing spear, and my first thought after coming to in a sputter of water and vomit on the slippery deck of the vessel was that I was about to meet my bomber buddies on the other side.
I knew pretty precisely where I was. The last thing that was ringing through my mind as the Superfortress moaned and groaned in its disintegration was the pilot screaming a Mayday over the intercom and as far into the ether as he could project. We were coming down in Toska Bay on the east coast of the Japanese home island of Shikoku, having been hit by flak right after dropping our load on Osaka port and pulling up over the northeast point of Shikoku. We barely cleared the roofs of the cliff-top village of Aki on Toska Bay before heading into the drink and oblivion. I must have found the lever to my seat ejector at the very last moment. All I knew was that I was soaking wet and bloodied and bruised and could feel the groaning in very muscle and bone of my body.
I saw the Japanese fisherman stiffen and look out across the bay and, pulling together every fiber of my energy, I lifted my torso off the deck on my elbows and was barely able to see over the gunwale, my attention drawn to where the fisherman was staring. I saw the Japanese coastal naval vessel cutting across the waves out from the dock at the foot of the cliff at Aki. This would be it then. The fisherman would turn me over to the Japanese soldiers; he would then be the toast of the village, and I would be cannon fodder.
But that's not what was happening. The fisherman was nudging me with the blunt end of his spear, herding me toward a tangled web of fishing netting. He lifted it and motion for me to roll under it, which I did, and then he lowered it on me, hiding me effectively from view even as he was being hailed from the military craft.
I heard jabbering, which I came close to understanding, as I had been studying Japanese for months, trying to qualify as a radio intercept operator. I did manage to discern that they were asking the fisherman about a bakugeki-ki, which I knew meant bomber, and the fisherman was gesturing farther out into the bay.
I heard the naval craft motoring off, out into the bay, where they undoubtedly would find the flotsam they were looking for. My feelings were conflicted over whether I wanted them to find any of my buddies clinging to wreckage, still alive. In this late winter of 1945, the Japanese were getting desperate, knowing now the inevitable, but through their blind devotion to their emperor, being determined to take the rest of the world down with them. In our mission briefings, we were being constantly told not to expect any quarter or regard for the Geneva Convention if we were to fall into the hands of the Japanese, especially in their home islands.
It was with this thought that I trembled and shrank away from the fisherman when he came back to me, spear still held in strong, sinewy hands. But it was only to do what he could to get across to me that I was to remain under the netting and to be very quiet.
I spent the next couple of hours until night descended cowering under the netting, mentally and physically checking my body to assess the damage there, and wondering why I was getting this reprieve—and what sort of reprieve it was. And just trying to deaden my nerves. I wasn't dead yet. By all accounts I should be dead now, but I wasn't. I was living on precious, borrowed time.
In the darkest hours of the night, the fisherman quietly steered his boat back to the docks of Aki and stealthily motioned me to follow him. Keeping to the deep shadows, he guided me around the edge of the lower village, its inhabitants tucked safely indoors behind heavy blackout curtaining that protected the fisherman and me from their gaze as much as it protected them from the waves of U.S. bombers coming across overhead on ever-shortening intervals in their campaign to pound Japan into acknowledging defeat.
The fisherman who rescued me led me up a steep and winding lichen-slippery stone pathway rising against the side of the cliff, ever upward, until all that was above us was the clear, moonlit sky. At the very edge of the cliff, set apart from the upper village by tumbles of boulders and pine trees seemingly growing out of the rock itself, was a traditional Japanese dwelling of dark wood frame, white rice-paper paneling, and a grass roof. The man led me around the side of the building to a small garden right at the edge of the cliff. Most of this space was taken up with a series of shallow pools of water that let off steam in the cold March night air. Hot springs. As we came to the corner of the building, though, the man pulled me aside into the shadows. I could see into the garden and had a full view of the springs, which were partially hidden by dense foliage, but I could not be seen from the pools.
We were no longer alone. I could hear men's voices and soft laughter. Several men were in the pools. Flagons of wine—sake—rested on the stones bordering the pools of water.
The man put his finger to his lips to signal that I was not to reveal myself, something that I had absolutely no intention doing for as long as I could, and then, sliding a panel at the edge of the pavilion, he motioned me to slip my boots off and step up onto the tatami matting on the structure's wooden flooring. He led me through a series of chambers set off by yet more rice-paper-lined screening to the opposite side of the building from the hot springs pools. In the last chamber, he walked over to the far wall and slid the paneling away to reveal a small hidden garden, surrounded by mounds of high boulders. In the small space between the building and these boulders was another pool clouded in steam.
He motioned to me what he wanted me to do, and, understanding him, and thinking of the hot, cleansing, soothing waters of the spring, I gladly stripped down, while he stood there smiling broadly at me, and I slipped into the pool. It was deep enough for me to sit in and be covered up to my neck, and I lay back and, feeling my muscles begin to relax almost instantaneously, I drifted off into a consuming sleep.
I don't know how long I slept, but still later in the night, when darkness still fully possessed the world, I heard murmurings coming from across the room fronting on the small garden—from the next chamber beyond a papered sliding screen. I moved gingerly around to the far side of the pool, my muscles relaxing but still screaming of the indignity that had been forced upon them by the ejection from the B-29. When I reached the other end of the pool and turned back toward the pavilion, I could see that lanterns had been lit in the chamber beyond, on the other side of the paper screen. In full silhouette, I could clearly discern two figures in full fuck. One figure was prone on its back on some sort of low bedding, legs spread and knees bent, with thighs and calves set in languid motion leveraging off the balls of feet. The other figure knelt between the spread legs, torso hovering over that of the prone figure, arms propped on the floor on either side of the prone figure, and buttocks moving back and forth, slowly pumping. I could hear muted moans and sighs.
But the sounds were coming in stereo now. I looked over to the side, where the papered screen of another chamber abutted the room at the edge of the pool. Another lantern flared. A second set of figures, one belly down on a stool of some sort, and the other, arms propped stiffly on either side of the chest of the bent figure, long, lean body at a straight incline between the first kneeling figure's legs, doing deep and slow pushup movements toward and away from the kneeling figure. The two figures joined only by a thick rod that appeared and then disappeared inside the buttocks of the kneeling figure, which slowly writhed and shuddered as the two figures became one. More moaning and sighing.
I involuntarily took my stiffened cock in my hand and worked myself as I listened to the sounds of the taking and the increasingly frenzied silhouetted couplings in the two chambers. Exhausted, as I added bulk to the cloudy waters of the hot-springs pool, I drifted off to sleep once more.
On the next day, when I awoke, there were two young men in the room adjacent to the pool, just sitting there and watching me. Both were handsome and well-formed and were wearing only light cotton robes. Even though it was only late March and the frost could clearly be seen on the mosses hanging down from the boulders bordering the pool, it wasn't really cold at the pavilion level. It dawned on me that the hot springs at both sides of the structure acted as a natural heating system for the pavilion.