Edited by 'Angel Love'.
*
I guess I should start by telling you my name, or at least give you a name to refer to me by. Umm . . . let's see . . . John Frawley. That has a nice ring to it. I'm not going to tell you my real name as some of you Aussies may have heard of me! The year this incredible night took place was 1998 and I was an aspiring actor with hopes and dreams of making something of myself. Not 'Hollywood' mind you, but just being able to get my face out there and being involved in projects with actual money involved. The Australian Film and Television industry was a sorry mess (as it still is now). I was 19 years old, 5 foot 9 inches tall, boyish looks, with an athletic build that I was trying to bulk up at the gym.
I was told that I was good looking (probably due to my European background), slightly tanned with dark brown eyes and short dark brown spiky hair. I always tried to look my best as you need to have the looks as well as the talent in the industry. My only flaw was a light scar that ran down the side of my neck that was due to a car accident when I was young. I was also one of those people that were lucky enough not to look their age. I could get away with playing a 17-year-old or I could look like someone in their early 20's if the part called for it.
At the time I was a University drop out and looking for the opportunity to further my acting ability at various acting schools. I made a living working part time at a video store and doing any sort of stage work. It was after one of the plays that I was doing at the time that I was approached by a young inexperienced film maker named Kurt Young and he offered me the opportunity to star in a movie that he was trying to make.
He was a really nice guy with big dreams of becoming the next Spielberg and it was a treat listening to him talk so enthusiastically about what he hoped to achieve with his film 'The Violet Eye.' It was a strangely metaphoric title for a story about a gay High school teacher who falls in love with his student. At first, when he pitched the idea to me I was hesitant β not because of the subject matter but as to whether this could be a film that people would want to see.
I've found that too many films that deal with taboo subject matter become too melodramatic and are just taboo for taboo's sake if you know what I mean. (I know you're probably thinking
you're a struggling actor! Take what you can get dickhead!
But that's the sort of person I am β hesitant about everything!!) But the more he told me about it; the way the chemistry between these two characters would work and the way the story would address the very nature of love in the way that it did, I became as enthusiastic listening to it as Kurt was telling it to me! I thought that maybe he had me in mind for a small part and you could imagine my surprise when he offered me the part of the student! Of course, I wanted to jump at the chance but alas, the film was still in its infancy and he needed to get decent funding to get it made into a full movie length motion picture.
The way it was to work was that Kurt had culled the script down to about half an hour's length and he was to shoot a short film version of the story keeping some of the main elements of the narrative intact. He was then going to shop it around to investors in a bid to secure more funding so he could shoot the rest of the film. He had enough funding for the short version and said that I was the first to be cast. He still had no idea who the teacher was going to be played by but he had a few contacts that were shopping the shortened screenplay around. He wanted me to go home and think about whether I'd be willing to do what the screenplay called for β namely the male on male sex scene.
Kurt assured me it was going to be filmed tastefully. That didn't bother me though. I've never been homophobic and I have a few gay friends that I love dearly. I went home that night ecstatic at the prospect of starring in my first movie!
Kurt sent me a copy of the shortened screenplay and the appropriate paperwork a few days later. I couldn't wait to delve into the script and at thirty pages; I was finished before I had begun! Let me tell you, even at half an hour long, the script was amazing.
I had read many scripts before 'The Violet Eye' but nothing had come close to capturing the nature of the human heart as this one had. I know that sounds like I'm over-exaggerating but it was a tragedy that this film never got to see the light of day as it would have made stars of everyone involved, I kid you not! As soon as I finished I signed on the dotted line without a moment's hesitation and called Kurt to tell him I was eagerly on board.
"Kurt I'm definitely in!" I said.
"That's great John. Hey I've found you a teacher!"
"Really? Who?"
"Hugh Jackman, heard of him?"
I had to confess, I had no idea who he was. He was still a relatively unknown actor and had apparently wrapped up 'Paperback Hero' a few months before. He hadn't signed on to what was to become 'Erskineville Kings' yet. Kurt had arranged a meeting with Hugh at a restaurant in the city and wanted me to be there in two days time.
"I'll be there, 7:00 p.m. sharp," I said enthusiastically.
I was there at 6:30 anxiously waiting. I was so hoping this movie would be my big break, I had such faith that I could not only play this role well but that it was going to be a career defining project, something people would say, "Hey didn't that guy do 'The Violet Eye?'" when they would walk past me in the street. I pushed all of these thoughts aside when I saw Hugh and Kurt walking up the footpath.
Now I take it that everyone reading this knows what Hugh Jackman looks like so I won't go into great descriptive detail except that he was wearing a casual black suit which given his amazing physique, seemed to mold to his body like a glove. He wore a deep red colored shirt underneath his jacket and his top button was undone exposing a tuft of chest hair. His hair was messy, but stylish messy and kind of flicked back. I remember thinking to myself
Christ he's good looking
which startled me a bit as I've never considered myself gay or physically attracted to the same sex. Even though I had plenty of offers to sleep with men, I found that I simply wasn't attracted to them sexually. I guess I went against the pre-conceived stereotype that all actors are gay. But Hugh . . . Hugh was different.
He came up to me with a dashing smile on his face, put his hand out and said, "Hi John I'm Hugh."
I stood there momentarily as a fleeting image of me passionately kissing this Adonis standing in front of me sent blood racing through my body β (and to the one place no man wants it to run to when they're in the wrong company)!
I snapped out of it and shyly said, "Nice to meet you."
"Well let's get our table," Kurt said ushering us into the restaurant.
Dinner went extremely well. We talked about the project, about how we were going to play the characters, the shooting locations, etc. Hugh and I hit it off straight away. I felt completely comfortable around him and before long it was like I was just catching up with a long lost friend that I hadn't seen in ages. Before long, the subject of the sex scene came about and Kurt had very specific ideas about how it should go.
"The important thing is that it has to be passionate and believable. Hugh, your character Rick knows that his feelings for Grant are wrong, and the scene needs to show both the unbridled passion Rick feels for Grant and the self loathing he feels for allowing himself to feel this way. John, when you play Grant in this scene, try to show the yearning that he has for Rick. Throughout the story, Grant is like the nurturing one, he tries to assure Rick that it's ok to have these feelings and that Rick could have peace with himself if he would learn to just let go of his guilt."
"How should the scene play out in terms of breaking it down into actions? The script is a little vague as to what we should be doing," Hugh said. This was what I was wondering as well, how much 'passion' would there need to be between us.
"You're right Hugh, I'll give you a revision of the script which will go into further detail but in the meantime I'm thinking that the scene plays out like this: Rick is at Grant's home and has just spent the day tutoring him. They're alone. Rick goes to leave but it's raining heavily outside and he can't start his car. He's getting drenched as he tries to check under the hood and he comes back inside to call his mate Max the mechanic. The camera will be showing how Grant is admiring Rick's physique that can be seen as his wet clothes cling to him. As Grant gets a towel and begins toweling Rick off, he takes the phone receiver away from him before he can call. Rick turns around and meets his gaze as Grant continues to towel him at which point, the lust between them can no longer be denied.
You share a kiss but then Rick, conflicted as he is, pulls away and tries to get back to the phone. Rick is both horny and pissed off at the fact that he can't go with his feelings β Hugh, I'll leave it up to you to play that in whatever way you think suits the scene. Grant then grabs Rick by the shoulder, turning him around and forces him to kiss again. Rick in turn takes Grant by the waist and lifts him up against the wall, lips locked. You make your way to the sofa where Rick sits down and Grant straddles on top of him, taking off his wet shirt. The scene fades out soon after. Uh, John, you will need to sit very close on top of Hugh β I want you to be chest to chest."
My head momentarily swam. This was sounding so fucking hot to me and I couldn't believe I was getting so turned on! Again I had to snap out of the moment and said, "That's totally fine, I understand. Hugh are you ok with that?"
He looked at me and smiled. "Completely mate."
There was an uncomfortable silence. No one knew what to say after that scene description until Hugh raised his glass and decided to break the ice, "Sure is an interesting industry we work in. Today its fine dining with fine people, tomorrow β you John, shall be sitting on my crotch!"
Well Kurt and I almost pissed ourselves! Hugh had said it in such a matter of fact way that we we're both in hysterics! We both raised our glasses and toasted Hugh on his words of wisdom.