Groton had wanted to get off by 9:30 the next morning, avoiding the worst of the earlier morning rush hours around the Baltimore and Washington, D.C., beltways, but it was closer to 10:30 before the two vehicles got packed with luggage and photographic equipment and nosed into the I-95 traffic south toward Washington.
In addition to Groton, Spike, and Rick, the two cameramen who had helped with the cameras out on the football field were going too. Groton was driving his Saab and he took off with only Spike on board, telling the cameramen where they were to meet late that afternoon and telling Rick to ride with the cameramen because Groton had a couple of more guys to pick up south of Washington. The cameramen, who were introduced to Rick as Phil and Trace, had a Dodge Ram three-quarter-ton quad truck with four doors and half of its truck bed, closest to the back of the cab, outfitted with a covered container where the two men packed away luggage and photographic equipment.
Trace, a big brute probably in his late twenties, was doing most of the heavy lifting, just as Rick had noticed he did the night of the football field shoot. He was the coarser of the two, both in looks and language, and kept giving Rick side looks that left no doubt what he wanted to do. The other guy, Phil, appeared to be the more intelligent and responsible of the two. He was a redhead who looked to be in his mid thirties. He was tall and built thinner than Trace was, although when Trace wasn't there for comparison, it was evident he wasn't thin at all. He could probably be described more as sinewy. It looked like he could easily lift whatever needed to be lifted, but that he wasn't as frenetic and mouthy as Trace was and was content to let Trace do any of the grunt work that he was willing to do. And, in contrast to Trace, he looked at Rick shyly whenever he could be seen to look at him at all.
Trace took the driver's seat, with Phil riding shotgun—which left the cramped backseat of the cab to Rick.
It wasn't more than fifteen minutes before they lost contact with Groton's vehicle. Phil seemed perturbed at this, saying that Trace should be able to keep up with Groton at least past lunchtime, which Groton had mentioned he was having in Culpepper. But Trace just laughed and told Phil that if he didn't like Trace's driving, he should have volunteered to take the wheel. To this, Phil said he had offered to drive and Trace had gruffly stated he was doing it.
Rick was barely able to hear the guys talking in the front seat, not just because of the noise from the truck's powerful Hemi engine but also because they were speaking softly, as if he wasn't there. He just caught snippets of what they were saying, but it mostly was about photographic techniques and equipment.
Traffic was heavy around the Washington Beltway, and it was well past noon before they reached the town of Warrenton, some forty-five miles south of the national capital on route 29 and twenty miles short of the planned lunchtime rendezvous in the town of Culpepper.
Trace went off route 29 onto business route 17 and headed into the center of Warrenton.
"What gives?" Phil asked. "We're headed to Culpepper for lunch."
"I'm hungry now. Doug didn't say we had to meet up for lunch; only where he was going to have lunch and split off from us anyway."
"You've just passed up two restaurants," Phil said. They were both speaking loud enough now for Rick to hear, a bit of irritation bubbling up from both. It had been a tough ride through the traffic around the twin big cities.
"Yeah, but I know of a pool hall in the town that has great hamburgers. And I want to relieve the tension of the drive with a game or two of pool."
"We don't have the time."
"Sure we do; we're just going down into Nelson County—and it's for the night."
Phil stopped arguing.
Once in the parking lot, Trace popped out of the cab and sprinted to the tavern door. He was already carrying a hamburger and his first beer over to the pool room before Phil and Rick had entered and figured out the food ordering system there.
Rick was counting his pennies on what he could order when Phil put a hand on his arm—which Rick took notice of, feeling a slight charge of electricity in the connection—and said, "I got yours. Groton told me to pay for you."
They went to a table where they could keep an eye on Trace and try to determine when he was finished with his game of pool and might be convinced to get back on the road.
"Thanks for covering the food," Rick said as they sat down on benches across the table from each other.
"Groton's got you on a tight allowance, has he?"
"He hasn't given me anything toward this trip yet. I've got money of my own, but I don't want to be throwing it around until I know what the deal is on pay."
"Do you have any idea what Groton is piling in on you?"
"What do you mean?"
"It not the art film he's doing for the festival. Any money from that—which isn't guaranteed—won't come for some time. But he's already made a bundle in the still shots and videos he's taken of you completely outside the footage for the film."
"I didn't know that."
"He's already paid Trace and me a couple of thou off the top to travel. You really need to talk to Groton about an advance. You're the talent here."
"The talent?" Rick laughed at the use of that term.
"Of course. I've seen you in action, you know. I know talent when I see it."
Rick looked up into Phil's face and he thought he saw interest there. Rick hadn't thought about the cameramen being turned on by what they were filming. He realized he hadn't thought about a lot of things—other than getting out of Baltimore. But he didn't know if he was brave enough to approach Groton for an advance.
"What is it you want, Rick? What's your goal in life?—I mean what is this film going to get for you? You want to go to California and be a porn star?"
"No, that's not what I want," Rick said, with a nervous laugh. "I guess I haven't thought much beyond getting out of Baltimore. But I do have dreams. I want to work on cars. Maybe in the West, Arizona or New Mexico or some place. I want to fix them. Nothing is more thrilling than hearing a well-tuned engine."
"Nothing?" Phil asked. "Watching you in action indicates you are thrilled by more than that."
Rick laughed nervously again. "I like to be fucked, yes, if that's what you're asking. But I don't see that as a career."
"I'm glad to hear that. I kind of thought that you saw this movie as reality—that Doug had made you see it that way and was using you falsely. It's all a mirage, just like the title,
Journey to Mirage
, says. I think it will make a good movie, but it's not real. There's nothing lasting in it for you."
Rick shrugged and made an exaggerated effort to check on Trace, who was now on his second beer and his second game of pool. Trace was scowling, so Rick decided he must not be winning.
"You know I've been thinking of going out to Arizona too," Phil said, as he laid a hand on Rick's arm to stay Rick from rising out of his seat and going into the pool room. "I want to open a photographic studio of my own. Legitimate stuff—although maybe some gay male glamour shots on the side just to keep life interesting."
"Sounds like a good plan," Rick said, rising in spite of Phil's hand on his arm. He didn't know what Phil was working around to say, but life was complicated enough just now. All the same, his butt was twitching—not necessary just for Phil, but because Groton's encouraging him to have sex fantasies was sending him off into frequent reveries—he had been in heat for days, and, without even thinking about it, he was in the zone of thinking about his next cocking as soon as his last one had ended. He'd been having images of being bound and taken as they were driving down through northern Virginia, and he was still keyed up by that—and finding that it was an arousing concept. He'd never really thought of that before. Thanks to Groton, he was fantasizing almost constantly these days.
They didn't have to pull Trace away from the table, though, he'd run the balls on his last game and was happy now. He downed his beer and came out of the men's room and told them it was time to shove off.
When they got to the truck, he turned to Phil and gruffly said, "You drive now. I want to sit in back with Rick for a while."
"I don't think that's a good idea, Trace," Phil said. "Groton said . . . I know what you said when you heard the kid was riding with us, but Groton would flail you alive if―"
But Trace was already shoving Rick up onto the backseat of the Ram and was climbing in behind him. "You're the one who wants to make tracks and meet a schedule. Stop standin' here and jawing about it, and let's get rolling."
Phil turned around in the seat and spoke directly to Rick. "You can come up here, Rick, if you want. You don't have to stay back there."
"It's OK. I'm OK here," Rick answered in a small voice. He knew what was happening, and Trace wouldn't be his first choice—even against Phil—but it was becoming an addiction for Rick. His own dick was already straining at his jeans pouch. The very musky aroma of a horny man was a stimulant to his libido—and there was no doubt that Trace was horny.