Pretend you have just heard the news your best friend, in England, is coming to America again, this time, to attend film school, and will drop by to see you again, though you live clear cross country. Then, one day before his flight is to land in a nearby city, pretend you get the news over the phone that he and two friends have been killed in an auto accident somewhere outside of Paris. Pretend you have cleaned up the house with the fine tooth comb, especially the guest room just minutes before.
Now pretend also you are screwed up with drugs. Not illegal drugs, but the kind moronic oh so above we cockroaches doctors have prescribed. That your head has been screwed with these drugs for, at the time, over 12 years. Pretend you are sleeping one hour a night. That you write forty, at least, pages of sheer gibberish every week. That you read at least fifteen books a week. That you sleep one hour, if lucky, a night.
Pretend you are in hell. Pretend also a doctor raped you some years before all of this. Pretend you are around others as little as possible. Pretend you have this friend in England, who came to visit for two weeks, two years before the auto crash. Pretend you are waiting desperately for him to call you so you can drive sixty miles to the airport to pick him up. Pretend you have been friends with him for nine years.
That you and he met through a letters column in Fangoria magazine. A magazine for horror fans. Pretend you get a letter from him about your letter to the editor about the great character actor, Dick Miller, who is a favorite actor of his too.
You have never heard from anyone in a foreign country. You turn over and over the brown envelope with the Avion Air stamp on it, and the hand written letter, so beautifully perfectly formed.
You begin corresponding. Each writing long letters. And then one summer, you and he have been talking on the phone by this point, he says how would you like me to visit? And you eagerly scream oh god yes please. He says he can stay only a few days, since the trip to America really is for talking with a film director in California, but it works so well for us, he stays with you for two weeks.
Pretend you have only had two arguments with him through the mail long before he visited and they were smoothed over easily and forgotten. He calls you on Christmas Day because he knows how you associate that always with England. His accent was beautiful. He opened a whole wonderful world for you. Pretend this is a story, as it is meant to be, but it is also true. You hear the news of his death from a mutual friend. You are stunned beyond redemption. You are so full of aches, you feel like your bones have been replaced with tons of painful doorknobs, slamming at you from inside.
Then the dying starts. The crush. It was, let's say, on your birthday you get the news. The birthday he was to celebrate in person with you. You have sent each other books, horror films; he was dazzled by cheap horror nasties he could get here that he couldn't in England. Just rank grade Z stuff with his favorite actor for some reason, John Carradine.
Pretend that the drugs take you over, so much that when your mother dies, you can not even speak to anyone at the funeral home. You just stare at them and try to formulate words, but the mind does not work. It feels, best I can describe it, frozen in the middle and with terrible heat at the top. Then because you are sick at mind and heart and feel the drugs have killed you already, not to mention the memory of the rape, imagine you fall in love with your dead friend, because he is dead, because you were so looking forward—then pretend you mourn him by watching the funeral of Princess Diana on TV...that at this point, your world crumbles like a paper sack. That it is always winter, when you used to love winter and autumn too, but now they are of death.
You almost die three times. In the next February, late, you dream you are in a car with him, he is driving, and you are close by his side. Pretend you dream he has crashed into a bridge support, that the car has gone into a lake or river and you are with him. You are drowning with him. This is no dream. This is real. Home. Safe. No sad memories. Then your cat, Lally, who was to horribly die some years later, jumps on the bed to wake you for food early morning.
Pretend it happens again in March, for no reason, other than you feel yourself going outside your body; you are sitting on the couch, a warm March afternoon, and you want it more than anything for you can't see how you can go on with this much more. You have taken every second of his visit with you and have dwelled there in it. You have surrounded yourself with his letters and his presents of books, brown paper with string round them and the lovely British return address and the gift one Christmas of the actor Peter Cushing's autobiography, autographed by Mr. Cushing, whom we both adored.
You are too frightened however to die. You rush to the book racks and find a Joe Lansdale novel and begin reading it as fast and as hard as you can, until you feel your soul going back into your body. You hate yourself for being scared. You hate yourself for being disloyal to your friend. When other friends of yours, few in number, say disrespectful things about homosexuals, not knowing your little secret, you tell them off or you dismiss them and you lose almost everybody this way, and it's all because of defending him. You cry with two kind friends. You have now made him trump your first and forever love, Joel, because it was going to work out—your friend and you were going to have a relationship-you could finally find someone to touch—really really touch.
Pretend you dwell in a dark corner of time. Pretend this and the drugs and the rape no one believes, pretend you live in constant darkness. And worth it because you are doing it for him. People are kind. Till they think you have gone on too long with this. You love the writer Joyce Carol Oates, and with her story "Will You Always Love Me?" you think she has produced her finest miracle—she has written story from your bones outward—this is more than a story with characters and plot with which you identify—you have never had this feeling from reading another writer's work-not ever. It haunts you. It IS you.