The headline in the arts section of the morning paper makes Jesse choke on his hot coffee, burning a searing path down his tender throat as the newsprint seems to warp in the corners of his vision, black and gray blocks shimmering with vibrato, pulsing out at him from the usually innocuous Sunday paper—
Has Jesse Helvig lost his groove?
Here is what he knows: It's 1968, his name is Jesse Helvig, he lives in New York City, he is a jazz pianist with the Pepper Haven Quintet, and a scathing review in the
New York Times
of their show last Friday night has cut him straight through to the marrow.
Jesse Helvig sat perched at his upright with hawk-like precision, notably foregoing his loose and easy manner that so often makes a gathered crowd of jazz enthusiasts enamored with him. At Half Note, usually Mr. Helvig's bread and butter, he glared down through the stage lights with a frosty gaze that left a rime of ice over those unfortunate enough to be his audience.
So he has
one
bad performance and—Jesse checks the byline—
Harvey Harris
of the arts and culture section decides he ruined jazz for the rest of New York City. In Jesse's defense, he'd had a hell of a day—bills due that he doesn't have the money for, compositions due that he hasn't started on, a leak in his upstairs neighbor's bathtub that he hasn't addressed—so
excuse you Harvey Harris
if a last-minute showcase didn't go quite as usual.
Even while plunking through the Pepper Haven classics, Mr. Helvig's sour attitude did not discourage the familiarly cheerful demeanor of his band leader.
Oh, so Pepper gets out unscathed, as always. Jesse half expects to find a scribbled heart in the margins of the article that reads
Harvey Harris Loves Pepper Haven
.
He can't even finish the article, throwing down the paper and running his hands through his shoulder-length blond hair. He needs a haircut, and he needs to shave, rubbing his palm over the scruff that has grown in the past week. Before he can get up to head to the bathroom, though, his phone rings, loud in the relative quiet of his apartment.
"Yeah?" he says when he answers, tugging at the coiled cord anxiously.
"What's wrong with you?" Pepper Haven says over the line, her high-pitched voice more shrill than usual for the hour.
"I guess you read the paper," Jesse replies.
"Damn right I read the paper," Pepper says, and Jesse can almost hear the way she's standing—hands on hips, feet planted, phone held between ear and shoulder. Defiant. Angry. "What the
fuck
is wrong with you?" she says again.
"I'm just—" Jesse starts. He can't find the words. "I don't know."
"I can't have you goofing off like this and getting us sunk in the papers," Pepper says, but then her voice suddenly goes softer. "I need to know what's going on so I can help."
"There's nothing going on," Jesse replies. "I'm just—stressed, I guess. And kinda lonely."
"We're going out," Pepper says, matter-of-fucking-fact, and Jesse startles.
"What do you mean? Is there a gig?"
"We're hitting Half Note—don't give me that!" Pepper says when Jesse groans. "There's no gig, we're just going. Amos will be there, he says he's got something new, so we're going to listen, drink too much, and then we'll play a little something to impress a hot piece of ass to fuck the loneliness out of you. You got that?"
"You know I hate when you get raunchy like that," Jesse sighs.
"Deal with it," Pepper replies, but there's love in her voice. "Half Note, 8 o'clock. Ciao, sweetheart." And then she hangs up, and Jesse is left with whiplash, as he usually is when he talks to Pepper. His thoughts swirl, and he feels a little sick, so he lies down on the couch where he promptly falls asleep again.
—
The night is Autumn-chilly as Jesse steps out of Half Note's front door to have a cigarette. Outside is peaceful compared to the cacophony inside—Amos Murray was wailing on his sax last he heard, trying out that something new. The crowd was clamoring for him in a Bacchanalian haze, and Jesse had to nearly fight his way through to the front of the club. Now that he's out he takes a deep breath, crisp air filling his lungs. The whine of sirens from a couple streets over grounds him in the present, familiar sounds of New York City filling his head and clearing the cottony fog that had gathered there.
He has a cigarette hanging from his bottom lip, patting down his pockets for a match, when he hears a sweet voice behind him say, "Need a light?"
Jesse freezes, a squiggly shimmer of surprise in his gut because he thought he was alone out here. However, that voice does something else to his gut, too—sultry, yet innocent, with the curl of a flirt on the question. He turns, and there's a figure leaning against the brick wall bathed in the muted glow from the marquee. He's small, much shorter than Jesse, and probably skinny under his bulky coat. It looks like a hand-me-down, most likely from an older brother. A head of floppy black hair and equally dark eyes that glitter under the soft lights. There's a quirk of a smile on his mouth, a lit cigarette dangling by his side, and his hips are canted away from the wall and straight in Jesse's direction. His other hand holds a lighter out in the air between them.
Jesse has to swallow hard against the sudden lump in his throat. Never in his 38 years of life has he seen a boy so beautiful and so obviously trying to seduce him. And, against his better judgment, it's working—the realization hits him like a runaway freight train.
"Um, thanks," Jesse stammers like an idiot. He forgot his coat, so he rolls the sleeves of his shirt down over his strong forearms. Out of the corner of his eye, he catches the boy looking. Just to show off, he flexes his fingers, knowing exactly what he looks like—he doesn't have a typical piano player's hands; his are strong with wide palms and blunt fingers. He'd have been great at baseball, his mother always said, but his grandfather was a vaudeville pianist and he got the gene.
He still has his cigarette hanging off his lip, but instead of taking the lighter from this strange, intriguing boy, he leans forward and offers the cigarette for him to light himself. The boy plucks it from Jesse's lips and puts it to his own, and Jesse is left gaping like a large-mouth bass as he lights it, delicate hands cupped tightly around the flame. The spark lights up his impish face and reflects in his dark eyes like two burning coals. He places the lit cigarette back on Jesse's bottom lip and he finally closes his mouth, taking a drag hands-free and exhaling through his nose.
"Impressive," the boy says, a tiny smirk on his mouth that Jesse can't stop looking at.
"Thanks," he replies. "I'm Jesse," holding out his hand. The boy takes it, and even his handshake has the barest hint of a flirt.
"Andy," he says, and the combination of their hands touching, engulfed in the catcher's mitt of Jesse's palm, and the sound of his name in the cold air between them makes Jesse feel pleasantly weird in his belly. "I saw you play," Andy continues. "You're pretty good."
"
Pretty good
?" Jesse replies, mock-incredulous. Andy could say he sucked and he'd agree just to spend more time outside with him.
"Are you fishing for compliments?" he asks, smiling, and Jesse feels himself smiling back.
"No," he says. "I just think you're underselling me a bit."
Andy rolls his eyes, but the smile remains. "Don't worry," he says, "I'm sure all the girls are still just as crazy about you."
Shrugging, feeling half out of his mind, Jesse takes a risk and tells him, "That's alright, I don't really care too much about that anyway," ducking his head to make sure he sees his eyes, how honest he's making them. How much he's trying to tell him with that one sentence. Andy's dark eyes meet Jesse's bright green gaze, peering up through his girlish lashes with a coy sweetness that sends Jesse's head reeling.