The sun was still low in the eastern sky when I stole in the gate from the parking apron into the back garden. I stealthily—and painfully—mounted the outside stairs to the garage flat, hoping that Ergon hadn't come back in the night after I'd left him in my bed. If he had, he wasn't here now.
I was in the kitchen, applying cold compresses to my shoulders, thighs, and buttocks when I heard sounds coming up from the alley below my window. I went over to the window. I'd spent much time here, watching the alley, trying to see whatever I could. And fortuitously now I saw what I'd been looking for all along.
A small, nondescript trade van had been backed into the alley. The van sat there for several minutes until a man showed up at the head of the alley and looked both ways before coming into the alley, passing the van, and knocking on the door of Fuad Fikret's villa. It was the Yemeni, Murad. The Yemeni and Fikret spoke for a few minutes at the door and then Ahmed came out of the house and started helping the driver of the van, who was wearing a hoodie, with the hood pulled over his head, pull bulk-wrapped packages out of the back of the van and carry them into the house. When they were done transporting whatever it was in that direction, heavier wooden boxes came out of the villa, each one carried by Ahmed on one end and the driver on the other—and not too easily moved—and placed in the back of the van. Fikret, Ahmed, and the Yemeni watched the van drive out. Ahmed went into the villa and Fikret and the Yemeni spoke for a moment more.
I didn't know when, if ever there would be another opportunity. I could never have hoped to have this one. I quickly opened a drawer in the kitchen and sifted around until I'd found a sharp-bladed, sheathed knife that was small enough to put in the pocket of the cargo shorts hanging over the back of a chair in the bedroom. I dared not go for the shorts, though, without knowing what the Yemeni was going to do.
When I saw him walking back to the mouth of the alley and Fikret pulling back into the villa and shutting the door, I raced into the other room, pulled on the shorts, pushed the sheathed knife down into the lower pocket on the right, and moved down the stairs as quickly and quietly as I could.
The Yemeni was still in sight when I got to the mouth of the alley. He was across the street and entering the grounds of the Anglican church, quite evidently intending to take the shortcut through the church graveyard and in the shadows of the castle wall en route to the harbor below.
I had been trained to move fast and quietly and I put this training into full use as I crossed the street and entered the church grounds. Moving faster than the Yemeni was.
* * * *
After a brief visit to the garage flat kitchen, I put on a smile and went over to the house. I knew I was much later than I'd told Ergon I'd show up. As I walked across the gallery porch, I looked through the French doors and saw Jamil and Sami working in the morning room, finishing up the painting there. They were being unusually quiet this morning, and when they looked up at me, their faces showed apprehension rather than the usual sunny welcome. They both turned back to facing the wall they were painting with only the slightest polite smile.
Ergon was in the living room. He wasn't sporting a sunny smile either when I walked in there.
"You said you wanted to see the early morning light coming in from the garden doors before deciding the color to paint this room," he said, as I entered. "It's no longer early morning." His voice was hard, resentful. This wasn't at all like he'd been last night when he was holding and rocking me. I actually preferred this. His gentleness and evident affection last night scared the hell out of me. I'd never intended for it to be that way.
"A light yellow will do, I think," I responded, ignoring his mood. I wouldn't bring it up unless he did. He didn't own me; I made my own choices. I'd never asked—or meant for—him to care. "Almost white, only showing yellow when the sun shines in in the morning. I already was pretty sure of the color." I actually didn't give a crap what color the room was painted. I wouldn't be here to enjoy the house. Whoever bought it could change the colors as they wished. I had never intended being around to live here.
"So, I've said a color. Are we going to inaugurate this room now?" I had said it to cut the iciness in the room. It failed miserably.
"No, I don't think so," he answered, "unless you direct me to. I work for you and will do what you tell me I have to do." Didn't sound too willing, but he did look at me then. I had turned from him and walked over to the fireplace. "You have welts on your back and legs." I could almost hear the gasp he gave at the revelation. "You didn't have those when you came back last night. Have you been there again today—next door?"
"Not today. Later last night." I didn't feel the need to protect him from anything. It was time to end this anyway. I was getting close to the end.
"Christ, the man is going to kill you. Don't you understand that?" His words were angry. He cared. I had to steel myself from this.
"What if he does? What a way to flame out. And it's my choice."
"Did you come here—to Girne—to die?"
"I came here to seek atonement and to lessen the guilt. To be punished for my guilt, yes. If that requires my life—"
"I can't stand by and watch you destroy yourself this way. You are going out on his boat with him too, aren't you?"
I just shrugged and turned my face to the fireplace. I couldn't look at him. It was too hard. I cared too, and that threatened to tear me apart. "If you want to go—you and Jamil and Sami—that would be fine with me. I will pay you two week's severance. I could pay you now—as soon as I've been to the bank—or bring it up to the Tree of Idleness, if you prefer. Which would you—?" But I turned then to find that I was talking to an empty room. I went out into and walked along the gallery porch to where I could look into the morning room. They were gone. All three of them.
"Shit," I said. But it wasn't an I've-got-to-find-them-and-bring-them back shit. It was a general shit about how this had ended. I'd never planned to care—about any of them. It hadn't been something I could afford. That I found I did care was what was shit.
I slowly walked across the garden and mounted the steps to the garage flat. I moved to the balcony from where I could look over the wall and into Fuad Fikrit's orchard garden. Ahmed, in just shorts was sprawled out on a chaise lounge between two fig trees.
"Time to drive a nail in this coffin," I muttered to myself.
There was a garden gate leading to a narrow pathway between the entry porch to Fikrit's villa and the wall at the back of my lot. I pushed open the gate, which screeched in protest, and walked back to the garden. Ahmed watched me approach, but he didn't move from his sprawled position, slid down on the chase, his legs extended off to either side, and his big feet flat on the ground.
I knelt down at the end of the chaise lounge, bent over his thighs, unzipped his shorts and pulled them off his legs, and took his long cock in my mouth. I gave him great head—or so his groans were telling me.
I was quite aware that at the screeching of the garden gate, Fuad came out onto a balcony on the bedroom level and watched me kneel below Ahmed and start giving him head. Fuad had a robe on, but it was open, showing that he was naked underneath. He was smoking a cigarette with one hand and hoisting a snifter of brandy with the other.
I was on Ahmed's lap, riding his cock, facing him, when Fuad came down from the balcony, sans cigarette and glass. He crouched behind me, his hands gliding across my body. I moaned for him and turned my face to his for a kiss. He tasted of both the smoke and the brandy.