"Strummer?" She certainly seemed surprised to see him here.
"I was in town. I saw in the paper that you had a gallery opening and I wanted to see if I could figure out your paintings yet."
Nadine Wingfield still seemed to be in shock and confused.
"You'll be happy to know that I still can't figure out how easy it is for you to sell them for five and six figures. And who is this? Your new guy?"
"What? Oh, no, this is my son, Johnny." Nadine said, still off balance. "My fiancĂŠ is over there. Adrian Chipping. You know him, of course. And I'll have to admit that I saw in the paper that you were in Charleston this weekend too."
"I saw it and told her you were here." That was the son, Johnny, chiming in. He was giving Strummer a look of awe. Strummer wondered how tied to his mother's apron strings the young man was to still be going by the name of Johnny. He must be at least eighteen or nineteen.
The three of them were standing there, in the middle of the Atrium Art Gallery in Charleston, for the opening of the Autumn Leaves collection of international abstract artist Nadine Wingfield. Nadine's artwork was on all of the walls. High-flying collectors and gallery owners from all up and down the East Coast were swirling around them. Until Strummer approached, the gallery owner, Ricky Fenton, had been ushering them through in a semblance of a reception line. He looked a bit disgruntled when Strummer planted his feet in front of Nadine but fluttered off to lift praises and the investment value of her works to a group of the city's glitterati while he waited Strummer out in moving on.
Champagne was flowing; conversation was easy and twitteringâexcept that it was moving around the three people standing in the middle of the gallery, leaving them in a buffered island of isolation. Beforeâbefore Strummer Selchek had come in and she had seen himâNadine had been the center of attention of all. With the arrival of Strummer, though, somehow the atmosphereâbut just in that group of threeâchanged and everyone instinctively knew not to approach. Some apparently recognized Strummer and wondered at the incongruity of his presence here. But just the fact that he was here took some of the spotlight off Nadine.
"Adrian Chipping? The movie actor? Well, well, well. And this is your son. I didn't know . . . And how old is he?"
Strummer hadn't given Nadine's son more than a passing, assessing glance yet, but Johnny certainly had been giving Strummer the eye. "You're Strummer Selchek, lead singer for the Jax. The classic rock band," Johnny blurted out. This was spoken like perhaps Strummer didn't remember who he was. It certainly, though, questioned why he'd be in an art gallery.
"I'm surprised you've ever heard of us," Strummer said, focusing on the young man for the first time. "Johnny was it?"
"He's nineteen. You asked how old he was," Nadine said. "Johnny's nineteen."
"Yes, of course he is," Strummer said.
"He's a student down in Savannah. Came up for my opening," Nadine said. "He's at the Savannah College of Art and Design."
"Ah, art. Of course." He was talking to Nadine, but his eyes now were locked on her son, Johnny. And Johnny's gaze was glued to Strummer as well.
"Yes. Graphic art, though, not fine art." Nadine's words.
"And I'm in a band too," Johnny said. "I play guitar and sing . . . like you, I guess." His voice tapered off at the end. "Mom's talked about you. It would be great if we could talk and you could give me some pointers."
Strummer looked deep into Johnny's eyes. There was something there. Something Strummer knew so well. It was more than just pointers this young man was interested in.
"We're getting married in June. Adrian and I," Nadine said, gesturing toward the young actor schmoozing with an expensively dressed couple across the gallery space.
"Of course," Strummer said, turning his attention back to the woman. "This would be what? The fourth?"
"The fifth, I think," Nadine said, with a laugh. There was ice in the laugh, though. "You know me. We have a date; we just don't have a place yet. You know, the publicity and all. We don't want fuss."
"Oh, no, can't have fuss," Strummer said. "But if you want a place for your wedding, I know of a great place. Very private. St. Thomas. A small resort on a beautiful bay. I bet you could have it all to yourselves."
"Why that sounds . . . but here comes Adrian now. Adrian, this is Strummer Selchek. We go way back, don't we, Strummer?"
"Almost twenty years, yes," Strummer said, looking at Adrian, the movie star women found so dreamy, but seeing that Adrian was looking at Johnny. That look again. "Half my lifetime ago," he continued. "Not quite that for Nadine, though, eh, Nadine?" But he didn't wait for an answer. "Nice meeting you, Adrian. Congratulations. Nadine tells me you two are getting married. Best of luck on that. I should be going. This is Nadine's opening, and here I am keeping her away from buyers. It was great seeing you again, Nadine. And meeting you two. Adrian. Johnny."
He turned and left the gallery by the Meeting Street exit en route to the Mills House Hotel. As he left, Ricky Fenton materialized at Nadine's shoulder and the crowd descended on her again. Strummer could almost hear the collective sigh of relief as he left. It hadn't been a good idea to just drop in on her like this. Not after twenty years. But she'd just dropped out on him, and he couldn't resist returning the jab.
Johnny Wingfield caught up with him within two blocks, and just a couple of blocks away from the Mills House.
"Hey, man, hold up," Johnny called, and, with a sigh of his own, Strummer stopped and moved off to the side by the display window of a closed antique store. That's about all he'd seen in this section of Charlestonâart galleries and antique stores. To the west, beyond the Mills House, the neighborhood changed to collegeâCharleston College, where his band was playing the next night, in what no doubt would be a packed and noisy arena.
"We didn't get a chance to talk," Johnny said, as he came up to Strummer. "I wanted to talk to you about your band."
"You don't really want to talk to me about my band, do you?" Strummer asked, putting a hand on Johnny's upper arm. Johnny looked at the hand and then back up into Strummer's face. The shudder that went through Johnny's body was feltâand understoodâby them both. "Well, sure, you do want to talk about the band, I guess, but that's not what you really want from me, is it? You know about me, don't you?"
"Uh . . . yeah," Johnny said.
"You know what I like. Who I like to go with. What I like to do with them."
"Yeah, I do," the young man said. He wasn't backing away.
"I have a sound check rehearsal to do over at the college but not until later this evening. I'm at the Mills House, down the street here. Are you going to come up to my room with me?"
"Yeah, I want to do that."
"There a bar around here first, do you think?"