The famous Gay Poet meets his groupie fan...
This place doesn't look real. It's a Lego model. A replica of a real place. Only with all the life siphoned out of it. A red-brick University out in the sticks. A no-place that doesn't exist. There are two guys here to meet me. One, his beard an act of domestic terrorism. The other grabs my attention more forcefully.
'Hi β WOW! This is totally amazing for me. It's you! It's really YOU! Allen Gilgamesh. Can I just say how much I admire your stuff...? You're like, totally a god to me. Call me Sugarfoot, they all do.'
It's not so much the two pink button-badges he flaunts β 'GLAD TO BE GAY' and 'JESUS LUVZ QUEERZ', more the fact that he's wearing Superman 'y'-fronts over his tight stone-washed pre-stressed jeans. His eyes half-closed and sleepy-looking. They escort me to the English-Lit faculty venue. One on either side of me.
'It's not the big lecture theatre' admits face-foliage apologetically. 'Not enough response. But the annexe is better for the bar, which is good, right?'
'Right.'
He gets me a drink. There's a scattering of people. Some posters. The reading goes fine. Terrorist-beard gives me an over-the-top talk-up which I strive, inadequately to match. I attempt some humour. Try a couple of new poems, which I think are pretty good. It's cool to know nothing. Riff through extracts from recent collections. But they're not really going for it. I know what they want. What they always want. The Rolling Stones got "Satisfaction". I've got "Yell", a poem both trashy and profound at once. Recording meditations and instants snatched from a more radical phase of my life. An evolution of the Gay species, opening with the primal 'Big Bang' detonation and closing with the entropy heat-death of the universe. Of course, the scandal didn't hurt. The high-profile obscenity trial, the defence lawyer calling eminent literary figures to pontificate on the worth of my slim black-and-white 'City Nights' collection. It's my legend. My pot-shot at posterity.
Now I know better how poems should breathe in and out, with iambic phrase-bugs chasing each other. How to adjust and modulate, putting more sound in my voice for emphasis at the correct stress-points. Splashing through couplets like puddles. This is my 'Un chant d'amour'. Experimental...? Naw β leave that to the Large Hadron Collider. And although the words still glister, after so many repetitions they're only words after all, words that mangle out into gobbledegook. That's all. Me β and the Stones, neither of us can get away without doing our greatest hit. Although I can't get no satisfaction from doing "Yell" on auto-pilot yet again. Although I do. Once it meant something. Once it meant a lot. That was a long time ago.
Afterwards, I hang around. To light-finger some books from the stand. A ballpoint pen. A pair of tweezers. Stretching time. Now face-foliage is occupied elsewhere. And I'm sat on a not-very-comfortable plastic chair with my legs crossed and my eyes half-closed, trying to look as though I'm not looking anywhere in particular, as if I'm doing nothing more demanding than... say, waiting for a bus. I mean, what am I actually waiting for? What do I expect to happen? But Sugarfoot zones in.
'Like, WOW man, that was incredible! A total blast. I mean β you, you're like everything I aspire to. You know that...? It's true. You've been a part of everything. You were there at the beginning. You're an integral part of Gay history, man. And I can't believe I'm here with you. WOW, you should know that I'm your greatest fan.'
Yes, me with the grizzled antennae-hair, thinning on dome-top, the round wire-rim spectacles, the bulging gut overhang. Until he gestures it's over and we're to go...
'Er, we go straight down here. Then up the stairs. We got overnight for you. Not too much. Not what you deserve.' Talking as we walk. 'Who is the significant other that "Yell" is dedicated to? Pray tell me.'
'Can't. I'm pledged never to reveal.'
'Is it a name I'd recognise?'
Ha, that's the tease. And it's a good string-along that's kept lit-crits chuntering away for two decades. You feed them teasing hints every touch and turn. Just to keep it bubbling. I wonder if he knows? I wonder if he's even read it? We did that mutual exploration thing when we were marginally younger than Sugarfoot is now, Neal and me both eighteen, with blazing urgency in our pants and nowhere else to take it. And it was so sweet. The fumblings and feeling-up, the rubbing and tossing-off, the tentative sucking and spurting. A confusion of inexorable gravities that draws us into each other's straining groins. But then things get complicated. To him, I guess, we are just friends. Friends who do stuff together. To me, it was more, and increasingly it's me doing all the pleasuring, him letting me do it. Then Neal meets her. They get close. They get married. She makes it subtly obvious she doesn't approve of me. Like she sees me as some kind of rival. And maybe I am. Because when she's not around, old habits resume. And I'm giving him head. She won't do it, she says it's one thing she can never bring herself to do, although for the life of me I could never understand why anyone would