The famous Gay Poet meets his groupie fan...
This place doesn't look real. It's a Lego model. A replica of a real place. Only with all the life siphoned out of it. A red-brick University out in the sticks. A no-place that doesn't exist. There are two guys here to meet me. One, his beard an act of domestic terrorism. The other grabs my attention more forcefully.
'Hi – WOW! This is totally amazing for me. It's you! It's really YOU! Allen Gilgamesh. Can I just say how much I admire your stuff...? You're like, totally a god to me. Call me Sugarfoot, they all do.'
It's not so much the two pink button-badges he flaunts – 'GLAD TO BE GAY' and 'JESUS LUVZ QUEERZ', more the fact that he's wearing Superman 'y'-fronts over his tight stone-washed pre-stressed jeans. His eyes half-closed and sleepy-looking. They escort me to the English-Lit faculty venue. One on either side of me.
'It's not the big lecture theatre' admits face-foliage apologetically. 'Not enough response. But the annexe is better for the bar, which is good, right?'
'Right.'
He gets me a drink. There's a scattering of people. Some posters. The reading goes fine. Terrorist-beard gives me an over-the-top talk-up which I strive, inadequately to match. I attempt some humour. Try a couple of new poems, which I think are pretty good. It's cool to know nothing. Riff through extracts from recent collections. But they're not really going for it. I know what they want. What they always want. The Rolling Stones got "Satisfaction". I've got "Yell", a poem both trashy and profound at once. Recording meditations and instants snatched from a more radical phase of my life. An evolution of the Gay species, opening with the primal 'Big Bang' detonation and closing with the entropy heat-death of the universe. Of course, the scandal didn't hurt. The high-profile obscenity trial, the defence lawyer calling eminent literary figures to pontificate on the worth of my slim black-and-white 'City Nights' collection. It's my legend. My pot-shot at posterity.
Now I know better how poems should breathe in and out, with iambic phrase-bugs chasing each other. How to adjust and modulate, putting more sound in my voice for emphasis at the correct stress-points. Splashing through couplets like puddles. This is my 'Un chant d'amour'. Experimental...? Naw – leave that to the Large Hadron Collider. And although the words still glister, after so many repetitions they're only words after all, words that mangle out into gobbledegook. That's all. Me – and the Stones, neither of us can get away without doing our greatest hit. Although I can't get no satisfaction from doing "Yell" on auto-pilot yet again. Although I do. Once it meant something. Once it meant a lot. That was a long time ago.
Afterwards, I hang around. To light-finger some books from the stand. A ballpoint pen. A pair of tweezers. Stretching time. Now face-foliage is occupied elsewhere. And I'm sat on a not-very-comfortable plastic chair with my legs crossed and my eyes half-closed, trying to look as though I'm not looking anywhere in particular, as if I'm doing nothing more demanding than... say, waiting for a bus. I mean, what am I actually waiting for? What do I expect to happen? But Sugarfoot zones in.
'Like, WOW man, that was incredible! A total blast. I mean – you, you're like everything I aspire to. You know that...? It's true. You've been a part of everything. You were there at the beginning. You're an integral part of Gay history, man. And I can't believe I'm here with you. WOW, you should know that I'm your greatest fan.'
Yes, me with the grizzled antennae-hair, thinning on dome-top, the round wire-rim spectacles, the bulging gut overhang. Until he gestures it's over and we're to go...
'Er, we go straight down here. Then up the stairs. We got overnight for you. Not too much. Not what you deserve.' Talking as we walk. 'Who is the significant other that "Yell" is dedicated to? Pray tell me.'
'Can't. I'm pledged never to reveal.'
'Is it a name I'd recognise?'
Ha, that's the tease. And it's a good string-along that's kept lit-crits chuntering away for two decades. You feed them teasing hints every touch and turn. Just to keep it bubbling. I wonder if he knows? I wonder if he's even read it? We did that mutual exploration thing when we were marginally younger than Sugarfoot is now, Neal and me both eighteen, with blazing urgency in our pants and nowhere else to take it. And it was so sweet. The fumblings and feeling-up, the rubbing and tossing-off, the tentative sucking and spurting. A confusion of inexorable gravities that draws us into each other's straining groins. But then things get complicated. To him, I guess, we are just friends. Friends who do stuff together. To me, it was more, and increasingly it's me doing all the pleasuring, him letting me do it. Then Neal meets her. They get close. They get married. She makes it subtly obvious she doesn't approve of me. Like she sees me as some kind of rival. And maybe I am. Because when she's not around, old habits resume. And I'm giving him head. She won't do it, she says it's one thing she can never bring herself to do, although for the life of me I could never understand why anyone would
not
want to suck so beautiful a cock. The great thing about being male is that you get to have erections. Just how wonderful is that? The great thing about guy-on-guy sex is that you get to share someone else's erection, which is even better, it provides a contact-high that multiplies the buzz. So I never miss an opportunity.
Until that day we're upstairs in their bedroom and he has his pants down and I've got seven inches of his stiff cock pulsing in my excited mouth (I know its dimensions, we've done all the mutual measuring comparisons, he's bigger than me, but it seems appropriate), and she returns unexpectedly, walks in on us, catches us in the act just as he's on the point of orgasm. She goes hysterical, accusing him of all manner of nastiness. Treating me like shit. He's pleading and comforting her. I'm stood there, caught up in it. He phones me later. His voice strained and a little hoarse. She's laid down terms and conditions. If they're to stay together it's only if I exit forever. What can I do? It's that angry bitterness, that raging frustration that fuels "Yell", not all the other political stuff. It's that helpless howl of pain against cruel fate. I've never seen Neal since, but I've kept the faith. I wonder if he knows how much that separation hurts? I wonder if he's even read the poem it inspired...?
Sugarfoot walks beside me. I try to nod and grunt at appropriate places. Not that it's necessary. He does all the talking.
'You were there on the frontline of Gay Rights. On the barricades at Stonewall...'
Er, well, actually no. I was there in
spirit
with the Stonewall insurrection. I shared their anger, their noisy carnival of protest, by proxy, from a distance. I wrote stuff in support. Years later, visiting Greenwich Village, I did actually walk the full length of Christopher Street. But no, it's not true to say I was actually there as those joyous outraged heroes fought back at Police repression during the long hot summer of June 1969. New energies in the air. Stale old forms collapsing and falling away through exhaustion, repetition and boredom. New sensibilities busy being born. Even from a distance, those rumour were wonderful. Even now you can read between the 3D-lines, taste the freedom like yesterday's spliffs. News feeds on itself. Crazy-crowds in frozen chaos. Panic panic panic.