I knew it was coming, but when I was hit with the bucket of water, it still made me gasp. It was cold water straight out of the Atlantic down at the cove I'd had my back to while Doug was taking his brandy commercial shots. Both Jason Jax, the shoot director, and Holst Bayer, the sponsor, laughed. Randy Blu, the top talent, was standing next to Bayer, but he was chatting up the young woman the Terrestrial Conservation Officer had sent with us to make sure we didn't mess up his precious island. She was going to get an eyeful pretty soon if she didn't go off to check around the island for evidence of illegal visitors as she said she was going to do.
The water did its job. The light, billowy white cotton shirt, now open nearly to the navel, and the white linen trousers were soaking wet and clinging to my body, going transparent, with my tanned "nearly all together" showing through. This was for a commercial for brandy that Holst Bayer's company made, but he also had companies making sexy men's clothing, men's jewelry, and, on the side and down low, porn films. He was combining all of those in this photo shoot in Bermuda. He'd paid to get the whole crew out here from New York on Royal Caribbean's
Adventure of the Seas
on a five-day trip, with only a day and a half here in Bermuda for the photo shoot, so it wasn't surprising that he wanted to hit all of his bases. He hadn't kept the project secret from me and was paying appropriately. The commercial shooting segments were where the big money was that I was making for this.
I'd already posed for the travel magazine version of the brandy commercial, leaning into the spreading thin branches of a banyan tree, clothing sexy enough but not revealing what they did after being soaked. A rock-enclosed small, pristine beach of the usually closed Nonsuch Island on a peninsula out beyond Bermuda's airport shimmered in the background behind me. In that one, I was leaning into the tree, holding a glass and a bottle of Bayer Brandy, dressed in my Bayer-fashion line bright whites, and wearing a Bayer jewelry company gold medallion on a gold chain around my neck, the shirt open two buttons down so that the medallion, nestled between my pecs, could be seen. I'd had to shave everything but the hair on my head and my eyebrows for this shoot.
After I'd been soaked with the bucket of seawater, Jason Jax called out, "Hand off the snifter, Nate, lean more provocatively into the web of banyan roots, while still on full view, unbutton down to your waist, and heft the brandy bottle so it looks like you're drinking directly from it. Shades of a marooned pirate theme."
With my light-material clothes soaked, my body underneath was in nearly full view. Now it could be seen that all I had underneath was a red string sock thong. The gold bars in my nipples, both Bayer jewelry items, were also discernible. This commercial would appear in skin magazines, both ones for women and for gay men.
As in the first shoot scene, the photographer, Doug Dunner, floated around me at all angles shooting off film and having me change the pose.
And then came what I was being paid the big bucks for—and it was what, I am sure, paid all of Bayer's expenses for creation of and placement of the commercials as well as the travel costs from New York City to Bermuda and back. This was where Randy Blu came in. He was a big bruiser, muscled-up, tattooed Marine bad-boy type. In contrast, I was a well-formed, but slender, All-American type blond "pretty boy." At this point in the filming, Randy was hit with a bucket of water too. He was wearing flimsy and sexy white linen trousers too, but was shirtless. I set the bottle of brandy down in the sand by the tree, label toward the camera shots, and leaned farther back into the gnarled elbow roots of the banyan tree. At the same time Doug changed from his still camera to a video camera and Jason Jax picked up a video camera as well.
The scene became Randy finding me at the tree line on a deserted beach at the end of a rainstorm that had soaked us both—the hunky rival pirate captain who had saved me off a sinking ship he was scuttling to be used by him personally. He had pursued me to this point, where I had retreated, seemingly hiding in the banyan tree, but not really. It was clear, really, that I had wanted Randy to find me. I didn't want the pirate captain to leave me here; I wanted him to take me with him. I wanted Randy to manhandle me. I wanted Randy to fuck me.
Which he did—after he reached me and we struggled. After he slapped me around a bit and subdued me. After he'd forced me to my knees in front of him; I had unbuckled, unzipped, and flared his wet trousers, which were plastered to his beefy thighs, the muscles clearly showing through; and I had taken his massive erection in my mouth and given him suck.
Randy stripped off my wet trousers as he possessed my mouth with his, lifted me and laid me in the webbing of banyan tree roots and branches, raised and spread my legs, mounted and penetrated me, and, while the video cameras moved around in all angles, careful not to capture each other, Randy fucked me and fucked me and fucked me.
It was a brilliant move on Holst Bayer's part. He got commercials that touched on all of his businesses and that built on each other. Those reading the skin magazines would have their "I've seen this before" senses played if they also read the travel magazines. And then, all of the gay men's sites where Bayer placed the video in either teaser or full fuck version would refer the viewer back to having seen the commercial in other contexts. The selling of the brandy—and the clothes and jewelry too to those who were discerning—would settle in in several dimensions. And the porn film would earn Bayer enough to cover all of the expenses of filming and placing the commercial.
I did all right financially too. I didn't do porn often. Not doing it often helped me not to be overexposed (so to speak) and had me earning higher fees. My commercial persona was that I was a clean-cut, handsome, vulnerable, but athletic, neighbor type. Whenever I was paired with a big, bad bruiser like Randy, big bucks were made.
That's not why I'd agree to do this gig, though. When I'd left Georgia and come to New York for dance, acting, and model training after getting through high school, my mentor in Athens had advised me to find the best-looking, richest older man I could who wanted to bed me and to get under him as fast and for as long as possible. Although Holst Bayer hadn't bedded me yet, he fit the bill.
I didn't have sex with men just for personal gain, I must say in my own defense. I wasn't that mercenary. I liked to think that I was just honest. I liked having a man's cock inside me. I wanted him to be commanding and forceful, which gave me a feeling of being wanted and of being in control of his responses to natural needs. And I liked older men, as long as they were either in great shape, wealthy, good-looking, or hung like a bull. I was in heaven if they were all four. Of these, I posit that being big inside me was more important than being rich.
* * * *
I chose to ride Jason Jax's cock in our shared cabin on the
Adventure of the Seas
as we sailed back to New York from Bermuda. Jax was a large, heavy man. On the sail to Bermuda we had tried it with him on top of me, but he was just too heavy for me; I had trouble breathing. There was no question, of course, that I was going to let Jax fuck me on this commercial photo shoot trip. He was the reason I had gotten this gig. I had wanted it not only for the money and the work credits but also because I'd watched Holst Bayer from afar and heard about him and wanted to get close to him. He was what my mentor in high school had told me to look for to ease my way into the New York commercial art world.