[
Note: this is an entry in an "
exactly 750-words
" writing exercise.
]
Even after thirty minutes observing Rembrandt's "The Night Watch" at Amsterdam's Rijksmuseum I hadn't exhausted my curiosity. Similarly, the canal-side barge houseboats caught my attention as I walked the city. I was curious what they were like inside. A different curiosity brought me to the De Wallen red-light district, where whores stood in full-length glass windows, flirting silently to lure johns in the street below to the rooms behind them.
Emerging from there, a sleek house barge painted in emerald green and mustard yellow caught my attention and I stood for several minutes admiring it. I turned to see that I hadn't caught all that De Wallen had to offer. On the second story of a building facing the canal, a window displayed a young man, effeminate and willowy, moving languidly in ballet poses—apparently for me.
"
Die man is niet voor jou
."
I turned toward the canal at the sound of the voice. "Excuse me?"
"Ah, English," the man said, his voice heavily accented, but he obviously had better control of English than I ever would have of Dutch.
"I said that young man, Finn, is not for you. He is girly man. He needs a man's man. I think you need a man's man too."
There was no question that the man framed in the doorway down into the green and yellow houseboat was a man's man. He was solid, wearing a flapping-open black leather vest and low-slung black leather pants. He was bald, but hirsute everywhere else, covered with curly reddish-brown hair. Under the hair was a riot of colorful tattooing in an Asian motif. He could have hung in the Rijksmuseum and attracted as much of an audience as Rembrandt did. He was muscular, a Zeus of a man, and arousingly thuggish in facial features.
"You were admiring the boat. You wish to come inside?"
Yes, I wanted to come inside. I was curious. I could have said no and walked on, but I didn't.