I would have never known sheer ecstasy or just how wanton I naturally was if it hadn't been for the British diplomat and writer Lawrence Durrell. And it wasn't really because of his writing, either; it was because of his mountainside villa in the ancient Byzantine abbey town of Bellapais on the steep slopes of the Kyrenia Mountains in the Turkish zone of Cyprus.
I had become hooked on Durrell's writing when his
Alexandria Quartet
had been natural background reading for my stint as a cultural affairs officer at the American embassy in Cairo, Egypt. And then it had been a slam dunk that I would have read his classic about the Cyprus civil war period,
Bitter Lemons
, when I shortly was moved over to that Mediterranean island to head up the cultural affairs office there.
I had been in Cyprus' inland capital, Nicosia, for no longer than a week and was still living in the Nicosia Hilton, virtually across the street from the ramshackling American embassy that had been slapped together from a couple of ugly old ocher-colored apartment houses, when the housing officer came to me all aglow at the great "find" they had made for my housing on the Turkish side of the border. We were barely six years removed from the 1974 Turkish invasion of Cyprus that had prompted the division of the island into two belligerent zones, and the United States was doing its best, both Greece and Turkey being among its key European allies, to balance its approach to an island with warring Greek and Turkish inhabitants and a hot border. I had to conduct cultural programs on both sides of the island, and the border often was closed. So, I needed digs in both zones.
"Mr. Henson, Mr. Henson," the Greek Cypriot housing officer, Panos, said breathlessly as I left the ambassador's morning meeting. "We've found the perfect place for you on the Turkish side. It's not in the Turkish zone of Nicosia, but I think it will please you. It's in a village above Kyrenia, which is on the Mediterranean coast and just a twenty-five minute drive from the Nicosia border checkpoint."
That seemed a bit far from the capital to me, and I was about to say something, when he continued.
"It's a villa that the British writer, Lawrence Durrell, let in the mountainside village of Bellapais while he was working in the British High Commission here. It's where he wrote that group of four books of his about Egypt.
"The Alexandria Quartet," I said.
"Yes, that one."
It was fate. I was hooked. I didn't know it then, but the villa had picked me out. It knew me. Better than I knew myself.
I knew even then, of course, that I preferred men. But I didn't know what that villa knew about me—that I preferred men frequently and in multiple couplings. And the remote village of Bellapais, in the Turkish zone, where few of the people I worked with in the Greek zone could even go, proved to be perfection for me and the appetites I so soon would learn that I had.
It started that first day I drove north from Nicosia, across the Kyrenia Mountain range pass, and down into the ancient castle harbor town of Kyrenia to take the keys of the Bellapais house from the landlady who had managed the property from the time of Durrell's occupancy. I was somewhat anxious to meet the woman. She was of indeterminate nationality, clearly neither Greek nor Turk, and it had been hinted to me that she had been more than just a landlady to Durrell—and that, in fact, she may have been an inspiration for his quartet.
"You are a writer, I can tell," Layla, the landlady said to me as soon as she had finished pouring a glass of wine for me in the sunny courtyard of her Kyrenia house. I could not discern how old she was—she certainly wasn't young. But she was still a handsome woman and had a serenity about her that was very calming. And when she looked at me, I felt like she could reach into the very depths of my thinking. This feeling was so strong, that I pulled my tweed jacket closely about me; there were things about me that I would not want a landlady to know.
"Yes, I guess I am a writer of sorts," I answered, not knowing why my admission caused her to smile so deeply for me. "I do dabble and have published a few things. I guess that's why the Durrell house attracts me."
"Yes, yes, I knew it would. The house has called to you. I can tell that."
How strange, I thought. She looked like a normal person, but what was this she was babbling about? A villa with a mind of its own? A villa that called out to its occupants and picked and chose who lived there? Well, if it had put me in the category of Lawrence Durrell, I supposed I should feel flattered.
"I understand the villa has been empty for some time," I said, wondering what that meant about it's condition and it's hidden failings.
"Yes," Layla answered. The smile briefly left her face. There have been tenants who have come and gone. The one here the longest after Lawrence was a nice Australian man—his name was Taylor. He was much like you. The villa has been waiting for him, but he hasn't returned. I think it has grown tired of waiting and that this is why you are here. Yes, I think this is just right."
"You say he left?"
"Yes, when the Turks came in 1974, he got scared along with all of the Greeks and the foreigners and he went over the mountain and into Nicosia and I haven't seen him since." Layla gave a sigh and sat down in the chair across from me then. "If only I'd been able to tell him. He was safe. The Turks would not have harmed him. I would have seen to that. The house has been so sad since then. He made the villa come alive, just as I know you will."
After a short discussion on particulars and ascertaining that the Bellapais villa had already been cleaned up for my occupancy, I rose and asked for the keys and directions to the villa.
"Oh, my son, Baris, will go up there with you to show the way," Layla said. And then she raised her voice toward the house, and her command for the appearance of his son produced a young man of nineteen or twenty years who was one of the most gorgeous youths I had ever seen. He was dark of complexion and had black, curly hair, but the eyes in his finely chiseled face were what caught and held my attention. They were sky blue. He was of medium height and had a lithe but sinewy build that would take longer than most Turkish men to turn to coarse thickness—or at least I hoped that would be the case, as he was a real heartbreaker. He bore himself just as his mother did, but there was little doubt that his father had been of Turkish stock.
"I had planned to stay the weekend at the villa and not come back into Kyrenia, Ms. Irgun," I said to Layla. And I said it with much regret as I ached to be alone with his beautiful young man. "So, perhaps it would be best if you just gave me some directions to the villa, or your Baris will be trapped on the mountain without transport home."
"That is not problem," Layla said. "He can come down with his cousins who live up there but who will be coming down here to work in the morning."
My small Mercedes convertible seemed claustrophobic as it chugged up the first incline above Kyrenia and toward Bellapais. I was sitting nearly hip-to-hip with a young man I already ached for and the tenting of my trousers was probably signaling my interest. No, not probably. Obviously, considering what Baris said to me without the slightest embarrassment.
"My mother thinks you are much like that man, Taylor, who lived up at the villa a few years ago."
"Yes, that's what she said," I answered. "I have no idea why she said that."