"Are you sure you want to do this, honey?" This was another variant of the question that Ken had asked for the third time that morning.
Mandy kept a loving tone of voice, calming her growing exasperation with her boyfriend and lover. "Dear, I've watched your models as they posed in your art classes. I've practiced gestures for you to do your gesture drawings before you work on your commissioned projects. You've said I'm good at gestures and posing. Are you now afraid that I won't do a good job?"
"That's not it at all," he replied. "But posing for me in private, and posing in front of an entire art class is quite different."
"That may be true," she thought to herself, still determined to see this through. She countered, "But all that praise we got about my image on the BDSM thing... clamoring for more... and the viewer's messages to the publishers telling them how this fresh new model needs to appear more... remember that?" These things had bolstered Mandy's self confidence and allowed her to ignore the various imperfections about her body that plague most women.
Before he could answer, she continued, "You scheduled me... what would the class think if there's no model?"
"I could have them draw fruit or a collection of my found objects," he mumbled, not meeting her gaze.
"This class is called figure drawing, right?" she pointed out.
"Right," he answered, yielding to her logic. He could tell that Mandy was adamant to do this. He hoped it'd all go well.
"It'll be fine," she promised, almost reading his mind. "And we're almost to your studio classroom," she added. She shifted the small backpack that carried her robe. "Come on, it'll be a breeze," she stated with more bravado than she was actually feeling. He was absolutely correct about posing for him in the privacy of their loft being different from standing naked in front of a group of virtual strangers.
"All right... but after the gestures, the first pose today will be a standing one, so we'll use the braces to help support you and keep you in the pose."
Greeting his students, Ken unlocked the door, and they entered the classroom, with its marvelous northern light that poured softly through the large skylights above. As she'd seen other models do, Mandy went behind the screen, hearing the students scraping their drawing benches around the raised platform where she'd stand. She took off her dress, under which she'd wore not another stitch of clothing. She'd been told by the other models that the elastics in bras and panties often dug into the skin, leaving marks that might take an hour to completely fade away. The room was still a little cool, so she put on the simple robe she'd brought in her backpack and sat on a chair. She knew the room tended to get warm as more students arrived.
Mandy listened to Ken giving instructions for the day's class, and answering questions. As the preliminaries finished, Mandy emerged from behind the screen. She tried to keep her knees from wobbling as she walked between the drawing benches and climbed the step up to the platform. The moment of truth arrived, and with hands that took a lot of her will power to prevent from shaking, she opened her robe and slid it off her shoulders and arms. Fully nude now, she waited for Ken to tell her to begin doing her gestures. For the first time in her life, she was standing naked in front of a roomful of clothed people.
"All right, I think we're ready now. Mandy, if you'd be so kind?" Ken cued her.
Mandy's gesture poses were a little shaky to begin with, since she was a bit nervous moving in the room without her clothes on. But she soon got into the rhythm of it, due to all the practice she'd had with Ken. Her movements became fluid, and her pauses were well timed. Each time she paused, she heard the students' pencils rapidly scribbling across their drawing tablets, trying to capture the essence of the pose in mere seconds. Ken had one eye on her, and one eye on how the students were doing. He was admiring Mandy's poise in front of the group. As her movements smoothed out, she was presenting some great challenges in this group of gestures. The students were settling into the proper focus of letting their eyes communicate to the movements of their hands.
As she settled into the rhythm of these quick poses, Mandy found herself surrendering to the impulse to produce amazing gestures, often balancing on one foot. Ken himself was amazed, never before having seen Mandy exert herself in this manner. He almost lost track of the time, admiring. Mandy was almost sad when Ken snapped out of his trance and signaled it was time for the first long pose, since what she'd done felt both exciting and liberating.
Her skin was glistening with perspiration due to her final series of very arduous poses. As Ken began setting up the adjustable braces on their support poles, Mandy took the opportunity to dry herself with a small towel. She'd seen the braces in use once before, so she knew what to expect. She concentrated on her lover's instructions of where to stand, what joints to bend, and where to place each of her body parts that were going to be supported in place. For safety's sake, her body parts were only cradled in place, not tied to the braces themselves. Still, since they confined her movements, the situation was vaguely reminiscent of being tied to Ken's bed for the earlier project when she'd posed for him for the first time. The memory was a little arousing... just enough to make her nipples harden and make her labia puff with mild engorgement.
She dragged her mind back from that memory and focused on her pose. She was still holding her muscles in a state of contraction, subconsciously using them to stabilize her joints. Realizing that this was unnecessary and would just fatigue her muscles, she consciously began relaxing one portion of her body at a time, testing the efficacy of the bracing apparatus. It performed its job perfectly, holding her in a gentle embrace. As time passed, Mandy needed something to distract herself from boredom. When she posed for Ken himself, they usually chatted, since he could paint and still hold a conversation.
Pondering a bit, and trying not to frown, which would alter her facial expression, she remembered what Jill had told her about enduring long poses. She began focusing on Ken's verbal interactions with his class. She loved hearing how he complimented, coached, and guided them. He never seemed to criticize. Rather, he made suggestions on how this or that aspect of the drawing could be enhanced, always positive. After 45 minutes, Ken called for a short break, and carefully helped Mandy get free from the braces without displacing them.
She walked around the studio, happy to put some motion into her joints, and sip some cool water at the same time. She was curious to see how the drawings were progressing, and to chat with the students. At this point, what she saw was mainly line drawings, capturing the volume of her body parts with skillfully executed lines. Obviously most students planned to use the second half of the extended pose to apply shading, giving the images three dimensional depth. Mandy was so focused on the drawings and the discussions that she quite overlooked that she was comfortably nude, having neglected to don her robe.
With the break over, Ken helped her back into the pose, with some verbal adjustments from students seeing her from various angles. Settling in, Mandy again listened to Ken's comments and suggestions to help her pass the time. A strange thing happened though. As he pointed out the angles of her index finger, or the way her hair curled down to meet her neck, or the position of her ear, or the turn of her ankle, the waves of his soft voice almost felt like they were touching, or stroking those body parts making her smile mentally.
But her heart accelerated as she heard him say, "Look at the way that breast curves to join her torso. You want your drawing to suggest the heft of it. So a person can almost tell what it feels like to hold it in their hand." She barely suppressed a gasp, practically feeling his hand cupping and lifting her tit. When he was behind her, he told a student, "You're doing a great job capturing the smooth sensuality of her buttocks. Now, in the shadow of her gluteal cleft we can see the textures around her anus. They're in shadow, but with some subtle strokes we can make them vivid enough to draw the viewer's eye there." Mandy almost reflexively clenched her ass cheeks, virtually feeling Ken fondling her butt and anal ring.
From a different angle, she heard Ken's voice saying, "You've captured that erect nipple perfectly. That delicate line brings its edges and its very tip to life. Now gently add some strokes to give texture to its tip. When that part is satisfied, move on down to the areola and focus on all those contractile crinkles that draw the areolar margin inward and help thrust her nipple forward."