Again I'm trying something new. Please enjoy, & please vote or leave a comment. Us writers always appreciate it!
*****
For thy sweet love remembered, such wealth brings
That then I scorn to change my state with kings
Mwali was whispering things again. If you sat near her, you would often hear little scraps of words, like prayers, or spells. This was one of the first I had picked up clearly. It was a warm, quiet afternoon at school. Even though it was our final year - with final exams coming - nothing much was going on and I felt like getting distracted.
"So, what's 'scorn'? Is it a kind of corn? And are you changing your state? You're not moving interstate are you?"
"Scorn is dissing, totally rejecting. And 'change my state' doesn't mean that, silly, it means to change my status, my situation." She said the last word African-style, 'sit-wey-shun', for emphasis. It always made me smile when she did that.
She raised her eyebrows and her eyes flashed in contrast to her very dark skin. "You should know about States of Matter, Mistah Science!"
She'd got me. I liked Science and was good it; I should have made the connection. I smiled at her. "Kenya 1, Aussie boy yet to score! Nice work. Where'd you get that stuff from anyway? It sounded pretty good, if a bit fancy."
She looked around to check no one was listening. She leant close and whispered furtively, "Shakespeare".
"Shakespeare?? To be or not to be? All those boring plays?"
Mwali glared furiously. "They are NOT boring! You just have to get inside them, then you see the people inside them! Heroes and fools, murderers and lovers! Shakespeare made them all." It was like I had insulted her dearest friends.
"And besides, he is a poet more than a playwright. His sonnets are each one diamonds." Daiyah-munds. "That was from Sonnet 29, one of my favourites."
"Seriously, 29? How many are there altogether?"
She laughed at me. "One hundred," she paused, "and fifty-four, Aussie boy! Then he puts poems in the plays too. Diamonds, every one."
"Diamonds, eh? A hundred and fifty-four... you could win someone over with that kind of loot. Tell me some more, princess."
Her face softened as she spoke.
Yet seem'd it winter still, and, you away,
As with your shadow I with these did play.
Quite close now, she looked wistfully into my eyes. I could sense a passion behind them. We stared, locked together. Then bashfulness overcame her and she dropped her eyes. Abruptly she moved away from me and went back to her work.
It left me stirred in an odd way. Was Mwali speaking to me, not just quoting an ancient poem? And what did it mean anyway? Then it came to me...
It seemed like winter when you were away,
And I was only playing with your shadow.
Was Mwali saying that to me??
Next day, coming into class, Mwali was there already. I said hello and she glanced up. She looked up, her eyebrows went up, then she hurriedly looked down again.
I saw something in her look for sure. She was pleased to see me, then worried I would notice, I was certain... now I was really intrigued. I opened my computer and searched online. Sonnet 29; only 14 lines. I could read them...
When in disgrace
... I got that straight away.
All alone
... I admit, the rest of it was a challenge, but I got the sense of misery - and the uplifting change at the end, Mwali's snippet from yesterday. As I wondered, the sense of it just came to me:
When I remember your sweet love, I feel so rich
I wouldn't change places with a king.
Mwali's look, those words, her intensity yesterday, what was going on??
That weekend, Mwali's words kept coming back to me. Also her figure. She had a way of standing and walking, quite straight, almost regal. With her shoulders back it was hard not to notice her well-developed chest. Other times she could lounge around like a Burmese cat, long dark legs carelessly flopped over chairs or steps. I actually found both attractive. (That said, I found most girls as attractive as any horny 18-year old boy would...) Mwali had very dark skin, with darker shades in her creases, which seemed to highlight her lines and curves.
After the weekend, I saw her outside the school in the morning. I didn't get too close, just gave her a smile and a wave. She smiled back warmly and I thought, that didnt frighten anyone, lets hope it stays that way.
Somehow it did, even getting better. I asked her to explain some of the sonnets, and she was delighted. She knew them really well, which made it easy for her to explain them. Over days and weeks she showed me many of the emotions in them: misery, pleasure, anger, frustration, joy. I started to hear the poetry in her speech. Sometimes Shakespeare's word order or a phrase would come out of her, such as when she said "For shame!" or "the solve is this".
She liked to sit outside, in parks and gardens, or if there was no greenery she would look up to the sky. She would read a sonnet to me, often looking into the distance if she knew it from memory, as she often did. Then she would smile and wait for my response. If it made no sense to me she went over it patiently as if I were a child. If I got it she beamed and leant against me or held my hands.
I could feel something growing between us.
The proof came when we looked at Romeo & Juliet. "So sad! Such a trrragedy! The lovers, so good for each other, but the stars decree, it will not be so!" Mwali looked ready to weep.
She explained how the opening was itself a sonnet, that explained the whole play.
"So that kind of gives it away, then?"
"Yes, but the people must see it for themselves! To see the purity of their love, to see the troubles of their parents, the rage of the impetuous boys." Imm-pet-wass. "To feel the hot tears of grief and sorrow! Romeo's last speech, unless you be made of stone, you must cry for pain!" Mwali's eyes glistened at the thought.
It was a warm evening, "the same as the night of the ball where they meet. They touch, they kiss, but they do not even know each other's name!"
We read the sonnet in which they kiss - unusually, it is spoken by two characters, Romeo and Juliet, together for the first time. In the poem Romeo compares her to a saint and wishes to kiss her hand, but it goes further. For some reason we had swapped roles, so Mwali finished the poem:
Then move not, while my prayer's effect I take.
I had been reading from a book, Mwali of course knew it by heart. She was facing me as we spoke the lines; at the end she came to me, putting her hand on my shoulder so that I moved not. She kissed me, long and gently, just lips to lips, as Shakespeare would expect.
I couldn't move. I felt sensations washing over me, the warmth of her skin, her spicy scent, her big, soft lips against mine, faint breath on my face. Her eyes were closed and I could just make out long eyelashes against her cheek and her face framed by her rich black hair. I could feel her hand squeezing my shoulder, pulling me slightly closer. I felt dizzy with amazement and pleasure.
We separated. Still close, Mwali whispered, "Sin from thy lips? O trespass sweetly urged! Give me my sin again." She kissed me again, gently, this time playing lightly with my lips.
We separated again. We looked into each other's eyes for an age. Then she whispered, "Kiss me."
I kissed her. This time her mouth was open wider and I unexpectedly brushed my lips on her teeth. I opened wider just as her tongue brushed my teeth and tongue. And we were into it, holding each other tight as our mouths explored each other. My senses seemed to shimmer with pleasure and the dizziness increased.
We stopped at last. Everything felt unreal. Mwali looked amazed as well. "Now I see! What it is that drives him on, to kill and die! Where comes her great courage!" She kissed me lightly and rested her head on my shoulder. I sat and wondered who she was talking about.
At school, we tried to keep things normal. I was pretty quiet and reserved anyway, so it wasn't surprising I didn't talk about my romantic affairs - as if there had been any before this. It had been a wonderful thing, but much more than I'd ever done with a girl. In the back of my mind I was terrified of going any further, to be honest. Mwali as usual chatted endlessly to her wide circle of friends, but as I got the usual attention from them (none), I guessed I wasn't a news item.
We had our sonnet meetings still, usually after school, in the city library or the gardens nearby. They nearly always finished the same way, with long kisses, hugs and caresses. It became a kind of ritual, like her asking me where we should sit, then always choosing herself: outside. We would whisper Shakespearean compliments to each other, then laugh at how silly we sounded. But we still enjoyed the compliments.
We were at a party. My routine was to sit quietly, laugh at the jokes, maybe tell a funny story. Mwali was different. The noisiest crowd, the craziest dancing, the loudest laughing, she was in the middle of it, usually leading it. It made me smile to see her, then think of the other girl I knew, getting all teary over Othello as he destroyed his beautiful wife, and himself.
She found me. "Ah, Manny! A sweet sight to behold!" She wobbled slightly as she walked, but somehow still kept her upright bearing. She came very close to me, further indication she was a bit drunk. "You do not look yourself... do you wish to be, somewhere else?" Her lowered eyelids put another meaning on what she said. She took my hand and sat me down on a nearby couch. Then she gracefully sat herself down, swinging her legs and crossing them at the same time. She turned slightly and looked at me over her shoulder.