The girl walked briskly through the outskirts of town. She walked past the town dairy and milk processing plant, past the rail yards with their silos, past the drive-in theatre with posters for the latest Elvis movie, Jailhouse Rock.
It was the 1950s in mid-West America.
She walked past the houses of the poor people, with rusted car bodies and dented ash cans behind chicken wire in their front yards. She waited till a lorry with Black Hawke Meats on its side roared past in the direction of the interstate and, not waiting for the exhaust to clear, she crossed the main road that led out of town. She left the road and entered the woods, on a pathway that snaked through thick forest of black spruce and red pine. It was dark and cool with the beating wings of an occasional waterfowl to rustle the silence and, very soon, the scent of water - of one of Minnesota's 10,000 lakes, one of six in the immediate vicinity of Brewer, the town she had lived all her 18 years.
Veronica was a plain girl. She feared her breasts were too heavy, her hips too full. She thought her body resembled that of a stone neolithic fertility goddess she had seen in an art text. That her Ancient History and Art teacher, Miss Simpkins, had started sympathetically taking her under her wing just made her fear she was doomed to share the spinster's fate. That she had started performing well at school - especially in Miss Simpkins' class - only isolated her from the girls around her. They saw her as an "odd ball."
She had begun fearing in the last year that she would never be with a male. Yet her heart yearned...and her body.
In the first warm weather of the season she had drifted onto this trail, headed in the direction of the lake. She wanted to get away from school, away from the other teenagers, out of town. To sit by the lake and be alone. To day dream. To play with her secret thoughts. Pat Boone's latest, Love Letters in the Sand, was going through her head.
There were the first wild flowers - wild rose, indigo, bluebell, marigold- blooming in a celebration of fertility and renewal.
Fertility - it was a theme she could respond to since her favourite subject at school was the ancient world. Working under Miss Simpkins, she had spent a whole year on the ancient Greeks, their stories and mythology. Their sculpture and vase paintings. And especially the sculpture and vase painting of warriors and athletes.
If the truth be said, of nude warriors and athletes.
In one-on-one lunchtime and after-school discussions with the girl, Miss Simpkins lingered on the subject, gently nudging Veronica's attention to a book of photos of bronze and marble statues, noticing the girl's eyes dilate with interest. She saw Veronica gulp, tentatively turning the pages under her teacher's gaze. Pages of black and white photos of gods and men - of the Piraeus Apollo, of the spear carrier of Polyklutos, of a bronze ephebe, of the Farnese Hercules, of the Poseidon bronze. Each male figure naked without fig leaf- or shame.
Gloriously nude male figures.
As they gazed in admiration the teacher said nudity was "the costume" of Greek heroes and soldiers. This paradox seemed to quicken Veronica's interest. She shifted in her seat. Moved her thighs together.
The teacher noticed the girl's gaze settle on the middle of each figure, to the space between navel and scrotum- Veronica had been looting anatomy and medical texts to learn these words- including the ridge that the Greeks chiseled from hips to groin; musculature, the teacher said, that was called "the Adonis belt" or "iliac grove"...a particularly decorative, sinuous muscle. Tantalisingly it ran down to the groin where dangled the elegant tapered penis...resting on a bulging globe.
And then the teacher talked about the Greek "cult" of male nudity - these words made the girl breathe still more heavily- a cult! Of going about stark naked! The girl- for so long repressed in her world of church and family- was almost swooning when Miss Simpkins delicately opened a book on black and red figure painting on Greek vases, the athletes in profile, muscles incised in sinuous lines. And- how quickly the girl's eyes found it- the same tapered tubes of flesh. They lolled atop what looked like pieces of ripe fruit. Big globes of ripe fruit waiting to be fingered, tested and plucked from the vine.
Miss Simpkins said, in a quiet voice, that the young men of ancient Greece had always exercised "fully nude"...and let the frisson hang in the air. The girl shivered, and continued turning the pages, head down. And her teacher had added that girls had been able to watch. Girls had been able to present prizes to the winning athletes. Her student visibly shuddered, clearly came close to gasping.
And once when one of their cosy sessions had ended and the girl, flushed and distracted, had left for her afternoon classes her teacher had noticed a telltale moistness on her seat. It was fragrant with a young woman's desires.
Her teacher filed it away to think about later.
Veronica was a girl from a Baptist family. She had never once seen a naked male. Because she had never swum, not even seen one with his shirt off. If she saw a male student from the basketball court she would avert her gaze from his hairy legs and exposed upper arms. Otherwise she might start imagining hair on other parts of his body, of white flesh too. Once a gardener with a naked torso shocked her and she turned her head rather than be caught staring at his chest and nipples, at his belly button and- horrors- the fuse of hair leading from it to his belt. She had shuddered. Hence these pictures of nude Greek athletes had set her on fire. Kept her awake. Stirred her imagination as she furiously stroked herself to orgasm beneath the blankets. Night after night.
Thus her heart had fluttered when Miss Simpkins quietly suggested she take the art books home. Averting her gaze she swiftly swept them into her school bag. She could do no other.
Then for weeks she would retreat to the privacy of the attic to lie on an old mattress and dilate over the illustrations. Or she might study them in her bed with a torch till midnight. At first she had fallen in love with the Spear Carrier. From the classic period, it was a marble statue of a naked soldier with a heavy upper body boasting a broad slabbed chest, a savagely defined central abdomen and decisive groves that started at his hips and tapered to the pubic zone - his "Adonis belt" as this muscular definition, so beloved of the Greeks, might be called- yes, to the groin where dangled a delicate tube of flesh- thin, tapered, like a new-born snake- resting on a spherical bag.
Then she might feast on a later piece, Hellenistic, from 200 BC, the so-called Barberini Faun or Sleeping Satyr. It was nothing other than a nude youth seated and sprawling back on a rock, legs provocatively spread wide so that any viewer's attention- certainly this girl's- was focused on, yes, the tube of flesh but, even more, the large lolling bag under it, not the perfect globe or sphere of earlier sculptures but a loose-hanging bag bifurcated- split in two- with a couple of distinct compartments. Loosely hanging between the muscled thighs. And when she chose to lift her gaze- after a very long time, admittedly- she sighed at the flatness of the tummy, its defined borders, the ribs exposed on his right because the right arm was stretched upwards to cradle his head...and then, with resignation, returned to the true object of her devotion, the display between his legs. More specifically, the loose sprawling bag.
How she longed to feel one, a real one. Were they hard? Were they soft? Walking the corridors at Grover Cleveland High she now took sly glances at the trouser fronts of the hurrying boys- they ignored her, didn't know she existed- imagining the same structures hanging in their groins as on her loved statues. And how she longed to be able to stroke, to finger, to caress. Oh, she longed to know, what they felt like...the tubes, the spheres. To be a powerful Empress like Catherine the Great or Cleopatra and have at her command handsome male slaves like the youths in these sculptures...this was a night time fantasy, stimulated by her hypnotic study of the black and white photos of these Greek heroes.
Young men for the most part, but for a time her true love was the bronze Zeus or, as some experts claimed it to be, Poseidon the god of the sea. A mature man- his full beard confirmed it- but his body was as lithe as any youth's: feet apart, an arm lifted for a spear and the other pointing ahead to give him balance. His hair "down there" was very decorative: dense curly hair in a neat patch. His things were delicate, his bag was compact compared with the loose, lolling flesh of the Sleeping Satyr. His open stance, his proud bearing, made her think more than with any of the others, the phrase, "gloriously nude". Defiantly, fabulously, thrillingly...naked.
A NUDE MALE!
On that life-changing day she drifted to the lake.
She had made her way along a sandy path, a narrow track through the hardwoods. There were butterflies and bird calls and the smell of pine and plants.
There was the first smell of the lake. And suddenly the sound of voices. Young male voices. The croakiness of voices recently broken. Veronica halted, then moved forward warily. More voices. Timidly she edged off the trail. Moved deep into the darkness. Out of sight, she hoped, in the tall shrubbery. She stood still as a forest animal and listened.
The voice of an older male rang out: "You fellas get yourselves in a line here! Fun's over. Practice starts!" Veronica climbed over a fallen tree and eased her way into a thicket, through arrowwood and bayberry shrubs. A coarse branch tore at a finger which she withdrew and placed in her mouth. She was...excited. By what? She didn't know. She crouched under the thick dark green foliage. She started crawling, heart beating, her face now close to the grass, lungs filled with the smell of moist, rich earth.
Male voices. In a forest. On a lake. She was...curious. Excited. She must keep herself hidden. Out of sight she could...watch. Observe. Peep.
There was a dense blocking wall of vegetation but she was squeezing through it- on hands and knees- even as foliage scratched her...and she saw a small gap and through it a glimpse of sky and water...she hauled herself to it.