I'm in trouble. For the first time in three years I might actually be late for work.
We're in the slowest elevator on earth. Just the two of us.
I only caught a glimpse of him when he got on board on the second floor, together with some businessman who got out again promptly on the third -- thankfully, because that guy was having a rather tense cellphone conversation and the secondhand embarrassment was starting to make my armpits itch.
I caught his height and his skin tone and a flash of a smile when he, in turn, caught me looking.
Or at least I think he did. Maybe he was smiling at the tall blonde behind me who also left the elevator on the third floor. Probably.
I'm too chicken to turn around. I can't start a conversation. Nobody can start a freaking conversation these days. Especially in an elevator. I mean,
come on
. That's just awkward.
The light creeps across the numbers and the dots between them. Ugh, I should've taken the stairs. I check my watch. Good thing I'm always more than punctual. Still, coming only four minutes early feels like being late.
Then again, the staircase smells like old paint and new linoleum. Thanks to him, this elevator smells like Old Spice. I, by far, prefer the latter.
Between the sixth and seventh floor, I hear him shift behind me. He coughs softly. Not like he's trying to catch my attention, though.
I think.
Or is he?
Suddenly, the elevator seems very small and tight.
Tight. God, that word. Merely thinking about it makes me instantly feel warmer all over. 'Tight' features heavily in that novel on my nightstand. Or, more accurately,
in
my nightstand. I don't dare to leave it lying around, even thought I've been the only person in my bedroom for... uh, years. Decades.
Hope dies last, I suppose. Even if it's so preposterous and kinda perverted that someone would just come up to me, corner me like one of those cocky, handsome bastards from my novel, and say something like-
"It's cute how you're pretending to ignore me."
Either I'm having auditory hallucinations or he's actually reading the same books as me, and quoting from them randomly at random strangers in random narrow elevator cabins. My breath whooshes out of my lungs. I don't dare to move a muscle. Which, I realize, is very stupid. It's not like I'm not in plain sight to him.
I entertain the idea of playing deaf. What a waste that would be, though. His voice is deep and pleasant.
And closer than expected.
And now I'm crossing into tactile hallucinations because I can feel a touch on the small of my back, and the whisper of a breath against the shell of my ear. His voice sends tickling vibrations zapping down my spine. I want to squirm away from the intensity of it, but I don't.
"If that's how you want to play... let's play." His touch gets more insistent, more definitive. His breath is hot. "Here are the rules: You move, you make a single sound," his voice drops to a raspy whisper, "and I'll stop immediately."
I let my eyes fall shut, and the input from my other senses seems to grow stronger -- his smell of soap and man, the warmth radiating from him, the pressure of his palm against my back and his sheer closeness -- so much so that I have to open my eyes again. I bite back a sound that's bubbling up my throat and I still don't move. I wonder if the thundering noise of my heart or the sudden twitch of my muscles should, technically, disqualify me and end this game right on the spot.
As he registers my efforts to follow his rules, I can feel his smirk against my ear where he has pressed his lips to the upper bow. "I knew you would join in." His hand slips down. I inhale when his palm cups my right ass cheek through my skirt. His fingers dig into my soft flesh possessively. "You're panting for it. It's obvious." His arm winds around my front and his other hand comes to rest against my stomach. Undecided yet whether it wants to go north or south first? My insides seem to wriggle around at the thought of either possibility. "You know, I like that a lot."